alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Music Reissues Weekly: Sharks - Car Crash Supergroup
Sharks were formed in 1972 by bassist Andy Fraser after he left Free. There were two albums, line-up changes and ripples which resonated after the...
Fat Dog, Chalk, Brighton review - a frenetic techno-rock jug...
Ro first saw Fat Dog, before anyone had heard of them, at the Windmill in Brixton in front of a crowd of about 25 people. Their manic energy blew...
Sidorova, Philharmonia, Alsop, Royal Festival Hall review –...
George Gershwin called one of his early classic songs, first created by Fred and Adele Astaire, “Fascinating Rhythm”. It was that mesmeric pull...
More Life, Royal Court review - posthuman tragedy fails to c...
I always advocate in favour of more sci-fi plays, and over the past decade there have been a gratifying number of them. But one essential element...
Album: Park Jiha - All Living Things
Park Jiha is a super-talented and gloriously inspired Korean multi-instrumentalist. Her new album follows Philos (2018) and The Gleam...
Captain America: Brave New World review - talking loud, sayi...
In his first weeks in office, Harrison Ford’s US president survives an assassination attempt inside the White House, goes to war with Japan and...
Three Sisters, Sam Wanamaker Playhouse review - Chekhov...
Russia.
It’s impossible to be ambivalent towards that word, that country, indeed that idea, one so very similar to...
MacMillan's Ordo Virtutum, BBC Singers, Jeannin, Milton...
Does any living composer write better for choirs, or more demandingly when circumstances allow, than James MacMillan? Admirable as it is to have...
Surviving Black Hawk Down, Netflix review - the real story b...
Ridley Scott’s 2001 film Black Hawk Down was a technically superb blockbuster bristling with thunderous action sequences and famous...