alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Music Reissues Weekly: John Leyton - Lone Rider The Holloway...
For John Leyton, it was third time lucky as far as his singles were concerned. The actor’s manager Robert Stigwood teamed him with producer Joe...
theartsdesk Q&A: filmmakers Guy Maddin, Evan and Galen J...
Somewhere in Germany, G7 conference leaders including German Chancellor Ortmann (Cate Blanchett) and US President Wolcott (Charles Dance) repair...
The Pirates of Penzance, English National Opera review - fre...
“Comedy is a serious thing,” quoth David Garrick. Gilbert and Sullivan knew it, and so does Mike Leigh, having bequeathed to ENO a clear and...
Hansel and Gretel, Shakespeare's Globe review - too sac...
Growing up within a few hundred yards of a major dock, I hardly knew darkness or quiet – the first time I...
Album: The Unthanks - In Winter
By and large, most Christmas albums seem to fall into one of two camps. There’s either the lively poptastic soundtracks favoured at family or work...
Grand Theft Hamlet review - intriguing documentary about Sha...
On July 4, 2022, one of the most unusual performances in Hamlet’s lengthy and much travelled CV took place: an in-game stream...
Nightbitch review - Mother's life as a dog
Rachel Yoder says she wrote her debut novel Nightbitch as a reaction to Donald Trump’s first term as President, with what she saw as its...
theartsdesk Q&A: filmmaker Payal Kapadia on 'All We...
Payal Kapadia’s lyrical fiction feature debut...