tue 23/07/2019

alexandra coghlan

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Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

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I Am Nicola, Channel 4 review - not really love, actually

It’s a bold idea by director Dominic Savage, to create three improvised...

Keeping Faith, Series 2, BBC One review - family misfortunes

It was a year ago that BBC One scored a smash hit with the...

Josh Ritter, Union Chapel review - strong songs and a boyish...

Josh Ritter is in his early forties. He has a two-decade career with 10 studio albums (and, incidentally, a First World War novel) to his name. He...

Il Segreto di Susanna/Iolanta, Opera Holland Park review - s...

Secrets, and the voluptuous, sensory pleasures they conceal, may unite Wolf-Ferrari’s Il segreto di Susanna and...

Prom 3, CBeebies: A Musical Trip to the Moon review - a cele...

This year’s Proms for children were entitled “Off to the Moon...

Helen Schjerfbeck, Royal Academy review - watchful absences...

Light creeps under the church door. Entering as a slice of burning white, it softens and blues into the stone interior, seeming to make the walls...

Lights, Camera, Malta!, BBC Concert Orchestra, Malta review...

With sapphire blue waters, year-round sun and architecture that spans centuries and cultures, it’s little wonder that Malta is a favourite...

CD: School Of Language - 45

Finding snapshots to characterise Donald Trump’s US...

Prom 2, Bell, Bamberg Symphony Orchestra, Hrůša review – Boh...

Eighty years ago this summer, Neville Chamberlain’s indifference to the peoples of Czechoslovakia – “a quarrel in a far away country between...