Vetiver, XOYO | reviews, news & interviews
Vetiver, XOYO
Vetiver, XOYO
Former freak-folkers take a small step towards the stadiums
Thursday, 30 June 2011
Vetiver mainman Andy Cabic: The same hat remained firmly atop his head all night
The prospect of seeing a band seemingly in thrall to peak-popularity Fleetwood Mac in a Shoreditch basement intrigued. Could San Francisco's Vetiver reproduce the glossy sheen of new album The Errant Charm live? The answer was no, and last night’s London show was all the better for that. As the guitars intertwined, the sonic swirl was more akin to a Seventies LA version of shoegazing than a recreation of the seductive West Coast sound.
The prospect of seeing a band seemingly in thrall to peak-popularity Fleetwood Mac in a Shoreditch basement intrigued. Could San Francisco's Vetiver reproduce the glossy sheen of new album The Errant Charm live? The answer was no, and last night’s London show was all the better for that. As the guitars intertwined, the sonic swirl was more akin to a Seventies LA version of shoegazing than a recreation of the seductive West Coast sound.
‘Vetiver’s Andy Cabic is moving forwards, it’s just that the years he’s moving through are those of over 30 years ago’
Explore topics
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more New music
Albums of the Year 2024: Kneecap - Fine Art
The music sector finely emerges from the long shadow of Covid with a bumper year
Albums of the Year 2024: Kenny Barron - Beyond This Place
Consistently glorious - nothing less than a very great album
Music Reissues Weekly: Vanilla Fudge - Where Is My Mind The ATCO Recordings 1967-1969
A wild ride with the ‘You Keep me Hanging on’ hitmakers
Albums of the Year 2024: Meemo Comma - Decimation of I
A concept album from the perspective of an infected planet provides succour and sustenance
Albums of the Year 2024: Amelia Coburn - Between the Moon and the Milkman
An array of albums that have set 2024 alight for this writer
Album: Ajukaja & Mart Avi - Death of Music
Estonian electronica duo enter a domain where nothing is explicit
Jesus & Mary Chain, O2 Institute, Birmingham - Reid Brothers refuse to join the heritage industry
Noise veterans deck the halls with feedback and dry ice
Album: Ben Folds - Sleigher
Folds’ nuanced originals are much better than the by-numbers seasonal covers
Vampire Weekend, OVO Hydro, Glasgow review - a mixture of brilliance and self-indulgence
The New Yorkers offered dancers, covers and great songs in a lengthy set
Julia Holter, Islington Assembly Hall review - shelter from the storm in experimental delight
A night of old and new from a leftfield virtuoso
Music Reissues Weekly: John Leyton - Lone Rider The Holloway Road Sessions 1960-1962
‘Johnny Remember Me’, Joe Meek and the evolution of British pop
Album: The Unthanks - In Winter
An atmospheric Northumbrian folkie Christmas
Add comment