mon 14/10/2019

DVD: In Darkness | reviews, news & interviews

DVD: In Darkness

DVD: In Darkness

How a sewage man became a hero in Agnieszka Holland's Stygian war story

Bleakly humorous: Robert Więckiewicz as an unlikely angel of mercy in a hellish hideout

No matter how many war films come out about unbelievable suffering or astonishing heroism (and there are several around just now), there will always be more stories untold, hidden unlikely saints, overshadowed because some bigger movie did the job already. Schindler’s List did sterling work to lionise a “good” German; Agnieszka Holland’s In Darkness compellingly brings to light a Polish sewer-worker who concealed 10 Jews from the Germans for 14 months underground.

Holland doesn’t put a halo around Leopold “Poldek” Socha - when we first see him he is burgling a house, his potato face hard and mean, Poles, Germans and Jews all the same to him when he’s out to fill his bag. But running away in the woods, he sees a terrible scene of naked women being herded by Nazi soldiers through the trees. A second later, there’s a snatched glimpse of an open grave littered with the women’s white bodies. You are still reeling from the impact of that extraordinary, half-caught imagery when like a rat he’s scuttling through a manhole cover to disappear into the caverns under the street.

Down there, the unlovely Socha became one of Israel’s unforgotten heroes, because he hid, fed and protected a group of Jews against the increasing carnage overhead in Lvov, as Poles and Germans united against “the Yid”. Socha, like Schindler, starts because this is a cash opportunity - squeezing as much money as he can out of the hunted Jews - but as the stakes get higher, you see how the desperate game of chance grips him, how keeping a step ahead of Nemesis turns his daily wade through the town's urine and faeces into a quest, the buried humanity in him rising until the day it must all end.

in darkness dvdEverything is framed close-up, as if we were inside a matchbox, cramped, dark, lit by torches. A recurrent theme through this intense film is being quiet, making no noise - whether making love in the same room as the sleeping daughter, or being underground escaping detection, trying to keep children silent when rats and foulness are everywhere and the potential disaster when a baby is born screaming among the filth.

A love story emerges movingly among the refugees in parallel to the even more touching love between Socha and his comely wife, which is much enriched by the bleakly humorous performance of Robert Więckiewicz as Socha and the kindly Kinga Preis as Wanda. You wonder how he got away with it, considering some of the trailing ends in Holland's economical treatment, but your focus is swept away from joining the factual dots into the Stygian oppression that she brings to a black, subterranean hell of whispering echoes, stench, ordure, rats, dead bodies of comrades and children playing hide-and-seek.

The DVD bonus feature offers a neat morsel of circularity for movie-lorists. After Holland finished making the film, she discovered that the little girl saved in the story was still alive, Krystyna Chiger - and Chiger’s husband was one of Schindler’s Jews.

Find @ismeneb on Twitter

Watch the official trailer for In Darkness

Keeping a step ahead of Nemesis turns his daily wade through the town's urine and faeces into a quest

rating

Editor Rating: 
4
Average: 4 (1 vote)

Share this article

Comments

This is a magnificent film. Everyone should see it. One correction: Most of those helping the Germans hunt down and kill Jews in Lvov (both in the film and in reality) were Ukrainians, not Poles (though Poles did assist the Nazis in the murder of Jews elsewhere in Poland). Lvov was a city 90% inhabited by Poles and Jews which in 1945 was taken over by the same Ukrainian SS units who had helped the Nazis carry out the Holocaust, and was subsequently cleansed of it Polish population, and then populated with people from eastern Ukraine and now forms part of Ukraine. None of this is remembered in the Lvov history museum today, or in the school system, nor the fact that there had ever been any Jews there. The city was the third most Jewish city in Poland by population.

Add comment

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.

To take an annual subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.