thu 19/09/2024

Ismene Brown

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Bio
Dr Ismene Brown designed and launched the original version of The Arts Desk in 2009, and was the Site Coordinator and a board director for three years, as well as its dance editor. A musician trained at the Royal College of Music, she has been dance critic for the Daily Telegraph and the Spectator, and has also written for TAD on classical music, theatre, TV and film. Since then she has gained an MA at UCL and DPhil at Oxford University for work on the Soviet politician and arts minister Ekaterina Furtseva.

Articles By Ismene Brown

theartsdesk Q&A: Nina Ananiashvili, founder of the State Ballet of Georgia

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Accolade, Theatre Royal Windsor review - orgy-loving knight makes for topical pre-election drama

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The White Factory, Marylebone Theatre review - what price dignity in hell?

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Patriots, Noël Coward Theatre review - crash-bang brilliant Putin comedy does it again

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4000 Miles, Minerva Theatre, Chichester review - brilliant Atkins in a tender play

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The Vortex, Chichester Festival Theatre review - naturalism clogs up Coward's pipes

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Hunting legendary treasure with ballet's Indiana Jones - Pierre Lacotte 1932-2023

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'You want to cry from loving to do it so much' - Lynn Seymour 1939-2023

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Dogs of Europe, Belarus Free Theatre, Barbican Theatre review - doom art with doom reality

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The unexpurgated Clement Crisp - in memoriam

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Ava: The Secret Conversations, Riverside Studios, Hammersmith review - about Ava Gardner's effing

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Matthew Bourne's Nutcracker!, Sadler's Wells Theatre review - new candy, but the nuts are off

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The Seven Pomegranate Seeds, Rose Theatre, Kingston review - misogynist Euripides stands corrected

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The Cherry Orchard, Windsor Theatre Royal review - Tolstoy meets Mrs Two Soups

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The Mirror and the Light, Gielgud Theatre review - nobody expects the Spanish Inquisition

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RIP dancer and photographer Colin Jones - obituary

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Pages

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The Lightest Element, Hampstead Theatre review - engrossing,...

British theatre has a proud heritage of science plays. From 1990s classics such as Tom Stoppard’s Arcadia (1993) and Michael Frayn’s ...

Here comes the flood: Bob Dylan's 1974 Live Recordings

Lighters at the ready, because here comes the flood. Drawn from 16-track tape, 1/4in reels and lo-fi sound board cassettes that are now a half...

Album: The Waeve - City Lights

Real-life couple Graham Coxon and Rose-Elinor Dougall are both musicians of some profile in their own rights. The former, especially, for his work...

Donohoe, Roscoe, Stoller Hall, Manchester review - two great...

A little piece of musical history was made last night at Manchester Chamber Concerts Society’s season-opening concert. Two of the greatest...

Wang, Lapwood, LSO, Pappano, Barbican review - grace and pow...

It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair...

My Favourite Cake review - woman, love, and freedom

The taxi cab has become a recurring motif in modern Iranian cinema, perhaps because it approximates to a kind of dissident bubble within the...

Beethoven Sonata Cycle 1, Boris Giltburg, Wigmore Hall revie...

A happy, lucid and bright pianist, a forbidding Everest among piano sonatas: would Boris Giltburg follow a bewitching, ceaselessly engaging first...

The Band Back Together, Arcola Theatre review - three is a d...

We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that...

Music Reissues Weekly: Sean Buckley & The Breadcrumbs

Although Dagenham’s Sean Buckley & The Breadcrumbs are less than a footnote in the story of beat boom-era Britain, appearances on archive...