thu 16/10/2025

Ismene Brown

Ismene Brown's picture
Bio
Dr Ismene Brown designed and launched the original version of The Arts Desk in 2009, and was the Site Coordinator and a board director for three years, as well as its dance editor. A musician trained at the Royal College of Music, she has been dance critic for the Daily Telegraph and the Spectator, and has also written for TAD on classical music, theatre, TV and film. Since then she has gained an MA at UCL and DPhil at Oxford University for work on the Soviet politician and arts minister Ekaterina Furtseva.

Articles By Ismene Brown

RIP dancer and photographer Colin Jones - obituary

Read more...

Leopards, Rose Theatre, Kingston review - a no-thrill thriller about sex and power

Read more...

Constellations, Vaudeville Theatre review - multiple casts continue to shine

Read more...

Hamlet, Windsor Theatre Royal review - the age is out of joint

Read more...

'She was Paris': RIP Zizi Jeanmaire (1924-2020)

Read more...

The deathless Alicia Alonso, in person

Read more...

Elisabeth Leonskaja, Wigmore Hall review - Mozart and Webern, anyone?

Read more...

Macbeth, National Theatre - Rufus Norris goes for drab, gory and tricksy

Read more...

Long Day's Journey Into Night, Wyndham's Theatre review - Lesley Manville hits ecstatic, fatal highs

Read more...

Bolshoi's controversial Nureyev ballet opens – to ovations and bans

Read more...

The Seagull, Lyric Hammersmith review – is Lesley Sharp's Irina a sex addict?

Read more...

The March on Russia, Orange Tree Theatre review – vividly funny amid the bleakness

Read more...

Otello, Royal Opera review — Kaufmann makes a pretty Moor

Read more...

Sergei Vikharev, master ballet-reconstructor, 1962-2017

Read more...

Hipermestra / La Traviata, Glyndebourne

Read more...

Three Sisters, Sovremennik review - over-conscious of its legendariness

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
The Last Dinner Party's 'From the Pyre' is as...

Before we get into it, reader, can you accept that The Last Dinner Party are a band born of privilege and high academic study? Of poshness,...

Kempf, Brno Philharmonic, Davies, Bridgewater Hall, Manchest...

Dennis Russell Davies and his musicians from the Czech...

Moroccan Gnawa comes to Manhattan with 'Saha Gnawa...

A mix of tradition and Afrofuturism, acoustic and electronic, east and west fumigating in a cauldron of rhythms, chants, solo explorations and...

Albert Herring, English National Opera review - a great come...

Britten’s Albert Herring is one of the great 20th century comic operas; only Puccini’s Gianni Schicchi and Barry’s The...

Iron Ladies review - working-class heroines of the Miners...

The enduring image of the 1984-1985 Miners' Strike is that of men standing arm in arm against police and of mass protests devolving into mayhem –...

Blu-ray: The Man in the White Suit

The best Ealing comedies are surely the three...

Solomon, OAE, Butt, QEH review - daft Biblical whitewashing...

Forty years ago, the Orchestra of the Age of Enlightenment was born, and I heard Handel’s Solomon in concert for the first time. Charles...

The Woman in Cabin 10 review - Scandi noir meets Agatha Chri...

A fizzy mystery cocktail with a twist and a splash, The Woman in Cabin 10, based on Ruth Ware’s bestseller, sails along like the sleek...