thu 25/04/2024

Ismene Brown

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Bio
Dr Ismene Brown designed and launched the original version of The Arts Desk in 2009, and was the Site Coordinator and a board director for three years, as well as its dance editor. A musician trained at the Royal College of Music, she has been dance critic for the Daily Telegraph and the Spectator, and has also written for TAD on classical music, theatre, TV and film. Since then she has gained an MA at UCL and DPhil at Oxford University for work on the Soviet politician and arts minister Ekaterina Furtseva.

Articles By Ismene Brown

Hamlet, Windsor Theatre Royal review - the age is out of joint

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'She was Paris': RIP Zizi Jeanmaire (1924-2020)

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The deathless Alicia Alonso, in person

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Elisabeth Leonskaja, Wigmore Hall review - Mozart and Webern, anyone?

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Macbeth, National Theatre - Rufus Norris goes for drab, gory and tricksy

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Long Day's Journey Into Night, Wyndham's Theatre review - Lesley Manville hits ecstatic, fatal highs

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Bolshoi's controversial Nureyev ballet opens – to ovations and bans

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The Seagull, Lyric Hammersmith review – is Lesley Sharp's Irina a sex addict?

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The March on Russia, Orange Tree Theatre review – vividly funny amid the bleakness

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Otello, Royal Opera review — Kaufmann makes a pretty Moor

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Sergei Vikharev, master ballet-reconstructor, 1962-2017

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Hipermestra / La Traviata, Glyndebourne

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Three Sisters, Sovremennik review - over-conscious of its legendariness

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Travesties, Apollo Theatre

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This House, Garrick Theatre

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Conceal/Reveal, Russell Maliphant Company, Messums Barn

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latest in today

Eye to Eye: Homage to Ernst Scheidegger, MASI Lugano review...

With a troubled gaze and a lived-in face, the portrait of artist Alberto Giacometti on a withdrawn...

Christian Pierre La Marca, Yaman Okur, St Martin-in-The-Fiel...

The French cellist Christian-Pierre La Marca confesses that – like so many classical musicians...

That They May Face The Rising Sun review - lyrical adaptatio...

In director Pat Collins’s lyrical adaptation of John McGahern’s last novel, with cinematography by Richard Kendrick, the landscape is perhaps the...

Album: Pet Shop Boys - Nonetheless

This album came with an absolutely enormous promo campaign. As well as actual advertising there were “Audience With…” events, and specials on BBC...

Ridout, Włoszczowska, Crawford, Lai, Posner, Wigmore Hall re...

Advice to young musicians, as given at several “how to market your career” seminars: don’t begin a biography with “one of the finest xxxs of his/...

Stephen review - a breathtakingly good first feature by a mu...

Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s ...

Album: Mdou Moctar - Funeral for Justice

Despite its title, Mdou Moctar’s new album is no slow-paced mournful dirge. In fact, it is louder, faster and more overtly political than any of...

Blue Lights Series 2, BBC One review - still our best cop sh...

The first season of Blue Nights was so close to ...

Sabine Devieilhe, Mathieu Pordoy, Wigmore Hall review - ench...

Sabine Devieilhe, as with many other great sopranos, elicits much fan worship, with no less than three encores at her recent Wigmore Hall recital...

Jonn Elledge: A History of the World in 47 Borders review -...

In A History of the World in 47 Borders, Jonn Elledge takes an ostensibly dry subject – how maps and boundaries have shaped our world –...