tue 24/12/2024

CD: Polar Bear - In Each and Every One | reviews, news & interviews

CD: Polar Bear - In Each and Every One

CD: Polar Bear - In Each and Every One

Mature and sophisticated layers of electronic and acoustic sound from Seb Rochford's iconic post-jazz outfit

The new album's a bright red heart rendered in hard edges

Seb Rochford’s five-piece Polar Bear is now ten years old, and the band's post-jazz amalgam of lugubrious saxophone phrases and scratchy riffs, scarified electronic soundscapes, and mesmeric, crackling drum and bass rhythms has matured.

The giddy thrills of nearly winning the Mercury Prize (with Held on the Tips of Fingers in 2005) are long past, and they seem content with the trappings of the alternative scene, releasing limited edition vinyl and selling inscrutable T-shirts. That stability of identity has, perhaps, contributed to a subtler, slower-burning sound that lets the details breathe, and shows off the intelligence of Rochford’s writing.

Leafcutter John’s pioneering electronica has always been integral, but this time dance beats underpin the sound throughout. There’s much more to this, however, than a theme and variations exercise on the quintessential rhythms of urban hipsterdom. The tone is balanced with pinpoint precision, so that, for example, in “Lost in Death Part 2” some of the smoothest sax lines are set against eerie, extraterrestrial wails, while in “WW”, a menacing bass beat is teased by a hardscrabbling, hysterical sax. Mood, likewise, is massaged expertly, with many dramatic shifts mid-track. One of the cleverest changes takes place in the final piece, “Sometimes”, when the hypnotic electronic haze is punctured, at the very end, by an extended note of gruff, bowed bass. It’s witty and lovingly crafted.

The same attention to details has been applied to the track names. The opener, “Open See”, is an invitation to “open and see” the album; a reference to a musical C; and also, with what sound like Leafcutter John’s whale sounds, a nod to the open sea. Nice. The jagged red and white shape superimposed on the sun on the album cover is apparently a heart. It’s a good metaphor for the music, which releases a thumping emotional impact through some hard-edged technical constructions. One of their best.

The jagged heart is a good metaphor for the music, which releases a thumping emotional impact through some hard-edged technical constructions

rating

Editor Rating: 
4
Average: 4 (1 vote)

Explore topics

Share this article

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters