tue 03/12/2024

CD: Ex Hex - Rips | reviews, news & interviews

CD: Ex Hex - Rips

CD: Ex Hex - Rips

DC power-pop trio deliver 35 minutes of bliss

Ex Hex's 'Rips': does exactly that

If you’ve ever found the idea of “cock rock” to be unnecessarily gendered, then the debut album from Ex Hex – an all-female trio who, between them, have created the best 35 minutes of ballsy rock 'n' roll I’ve heard since Sleater-Kinney’s “The Fox” – is for you. If you haven’t, and you’re just looking for something new to listen to that’s uncomplicated and up-front that will blow the cobwebs out from between your ears, then Ex Hex is also for you.

And if you’ve been struggling to find a record that would match the giddy girl-rock high you got the first time you listened to Wild Flag’s first and only album then, guess what, I’ve got a little something you might like.

Rips is the onomatopoeia of rock records, because it does exactly that: 12 tracks, all but one of which are around or well below the three-minute sweet spot. Singer-guitarist Mary Timony, most recently of the aforementioned Wild Flag but with an alt-rock pedigree almost as long as I’ve been alive is the most familiar proposition, although drummer Laura Harris and singer-bassist Betsy Wright boast similar left-of-the-dial credentials. They sound as if they’ve been making music together since the 1970s and not merely the year since debut garage-pop single “Hot and Cold” – given just enough of a polish on the album – appeared online. In fact, they sound as if they’re about to steal your lunch money and screech off into the sunset in an open-topped Camaro.

On a tighter release schedule, Rips could have been the record of the summer: cataclysmic two-minute album opener “Don’t Wanna Lose”, “Beast” and “Waterfall”, are excitable power-pop songs that threaten trouble in exchange for being trapped indoors, and Wright’s sweetly melodic “Radio On” has an airy, Tom Petty and the Heartbreakers-style great American wilderness sound. Timony’s vocal delivery has all the swagger of a Joan Jett or Johnny Thunders on the likes of “New Kid” in particular, and her lean, squalling solos practically demand to be heard live. This is definitely an off with the headphones, up with the amps tribute to snarling, living rock 'n' roll. Go big, go loud and definitely do not go home.

Overleaf: watch the "Hot and Cold" video


Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters