CD: King Midas Sound & Fennesz - Edition 1

Kevin Martin’s collective serve up some fine ambient soundscapes and mellow dub

share this article

Edition 1: Steve Reich meets King Tubby

Kevin Martin is a busy man. Last year, there was The Bug’s floor-shaking Angels and Devils album and “Boa”/”Cold” collaboration with Dylan Carlson of drone titans Earth. In 2015, after a spectacular headline performance at the Supersonic Festival, he’s back with the King Midas Sound collective and more collaboration: with Austrian ambient wizard Fennesz.

King Midas Sound’s 2009 debut album, Waiting For You was a laidback digi-dub masterpiece that often suggested the spirit of Tricky’s finest moments, with it’s mash-up of electronic reggae sounds and creeping industrial textures, underlying the contrasting vocals of Roger Robinson and Kiki Hitomi. The trio’s follow-up delves deeper into a fog of ambient soundscapes and mellow, dubby songs that have as much in common with Steve Reich’s minimalist “Come Out” as they have with dub reggae landmark, King Tubby's Meets Rockers Uptown.

The influence of Fennesz on Edition 1, is also marked and with “Above Water” he is given free rein on an ambient instrumental which suggests Mogwai at their most mellow and cinematic. “Lighthouse” on the other hand, has much in common with the dubby sound of Waiting For You. The remaining tunes on Edition 1 are an amalgam of these two sounds and prove a laidback treat for when chilling out is the only reasonable option. Kiki Hitomi's brittle vocals for “On My Mind” and especially “We Walk Together” are a thing of considerable beauty. While Roger Robinson’s soulful singing on “Loving Or Leaving” and mumbled rumination on “Melt” provide a fitting counterpoint accompanied by a wash of gently throbbing electronics and woozy soundscapes that invite total relaxation.

From atonal industrial punk sounds to experimental dubby grooves, Kevin Martin has shown himself to be something of a sonic explorer. Edition 1 suggests that his explorations are far from over and that he’ll be mining a rich seam for some time to come.

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Kiki Hitomi's brittle vocals for “On My Mind” and especially “We Walk Together” are a thing of considerable beauty

rating

4

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time
Decades of psychedelia and wonder packed into a puzzling construction