Guy Oddy
Bio

Guy has been a regular New Music album and gig (and very occasionally Film and Theatre) reviewer for theartsdesk since 2013. He is also works as the Development Officer at B:Music, raising money for community, education and capital projects at Birmingham's Town Hall and Symphony Hall. Guy first had a music review published while he was a student at Manchester Polytechnic, when Spacemen 3 visited the Hacienda in 1989 to lay down their trippy psychedelia for an appreciative but not especially large audience. Since then, he has written for a number of publications (some of which have long-since disappeared), including Pulp, Beat Mag and the i newspaper.

articles by Guy Oddy

latest in today

We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
Julian Sklar (Ian McKellan) has, he says, painted nothing but shit in 30 years and nothing at all for 20. In the Sixties he was a major…
1536, Ava Pickett’s debut play, is a tribute to women who won’t shut up, especially ones living precarious lives in Tudor England in the…
Four storeys above Oxford Circus, the noise and bustle recedes to be replaced by a parallel universe of gleaming glass-fronted workspaces…
If you seek a filmmaker to create the fine grain of 20th-century Europe at its most traumatised, you can’t do better than Hungary’s László…
Tamikrest are one of the swaths of Tuareg bands that were born out of the violent oppression of their people at the hands of the Malian…
Sometimes operas – even immensely powerful ones – simply don’t make complete sense, and we can see why Dr Johnson dismissed the form as an…
Francisco Zurburán’s The Lamb of God (Agnus Dei), 1640 (main picture), must be the most compelling religious picture ever painted. Visually…
Anyone who learned to love Bob Odenkirk from Breaking Bad and Better Call Saul (let alone his stints with Ben Stiller and Larry Sanders)…
There’s a whole wide open area of leftfield music that belongs entirely to Chicago. The 1960s social radicalism and futurist musical…