Guy Oddy
Bio
Guy has been a regular New Music album and gig (and very occasionally Film and Theatre) reviewer for theartsdesk since 2013. He is also works as the Development Officer at B:Music, raising money for community, education and capital projects at Birmingham's Town Hall and Symphony Hall. Guy first had a music review published while he was a student at Manchester Polytechnic, when Spacemen 3 visited the Hacienda in 1989 to lay down their trippy psychedelia for an appreciative but not especially large audience. Since then, he has written for a number of publications (some of which have long-since disappeared), including Pulp, Beat Mag and the i newspaper.
latest in today
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War Horse was without a doubt one of the boldest experiments in the National Theatre’s history. As Tom Morris, co-director with Marianne…
It's nine years since soprano Lise Davidsen gave a Wigmore Hall audience her first credentials as a recitalist, in true partnership with a…
Whereas the more venerable European jazz festivals, founded from the 1960s onwards, are typically faced with challenges of mid- or later…
A new album from Evanescence doesn’t come around all that often. But when they do, they are always worth at least a pause and cursory…
South Korea’s soft power isn’t restricted to K-pop and K-drama. The latest Festival of Korean Dance, hosted by venues around the UK, is a…