Guy Oddy
Bio

Guy has been a regular New Music album and gig (and very occasionally Film and Theatre) reviewer for theartsdesk since 2013. He is also works as the Development Officer at B:Music, raising money for community, education and capital projects at Birmingham's Town Hall and Symphony Hall. Guy first had a music review published while he was a student at Manchester Polytechnic, when Spacemen 3 visited the Hacienda in 1989 to lay down their trippy psychedelia for an appreciative but not especially large audience. Since then, he has written for a number of publications (some of which have long-since disappeared), including Pulp, Beat Mag and the i newspaper.

articles by Guy Oddy

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Last night's BBC Prom was a celebration – of 40 years since the release of Paul Simon’s triumphant album Graceland in August 1986. Before…
Spanning a hundred years, the Dulwich Picture Gallery's show of American photography is a twofold delight. Most of the great names are…
VINYL OF THE MONTHJohn R Miller The Great Unknowing (Rounder) Image John R Miller’s…
There’s an incendiary one-woman monologue to be had from Christine Lahti’s 2018 book about the misogyny of her upbringing, but The Smile of…
There is something quietly reassuring to me about hearing a record that knows exactly what it wants to be. Wales-born duo Overmono's latest…
Last night’s Prom saw two beloved favourites – Mendelssohn’s Violin Concerto and Dvořák’s Seventh Symphony – prefaced by a fairly unknown…
A few years ago, Camp Bestival felt like a charming, quietly eccentric affair, fairly small in the best sense, especially set beside the…
It’s absolutely normal to expect the weird and the wonderful each time those prolific Australian psychedelicists, King Gizzard and the…
There is a jovial intensity about the Jeremy Ledbetter Trio. As they launch vivaciously into the second set of their visit to a packed…
One completely joyous moment has eclipsed all my other impressions of this Glyndebourne Entführung revival. By the end of Act 1 of the…