CD: Rachael Yamagata - Tightrope Walker | reviews, news & interviews
CD: Rachael Yamagata - Tightrope Walker
CD: Rachael Yamagata - Tightrope Walker
Husky-voiced songwriter embraces her experimental side

Rachael Yamagata likes to take her time. Tightrope Walker comes a full five years after the American songwriter’s last release, and it’s an album that demands to be listened to with as much care as clearly went into its creation. Like the French daredevil Philippe Petit, for whom her latest album was apparently named, slow and steady wins the race for Yamagata: it’s there in its staid, rhythmic opener and title track; and it’s there in the atmospheric, but no less deliberate, “Money Fame Thunder”, which closes proceedings with another nod to its central character.
Best known for the sort of emotive songwriting that soundtracked the TV dramas of the mid-Noughties (“Reason Why”, from her 2004 debut Happenstance, is as close to an emotional bloodletting as it’s possible to get in just over five minutes), Yamagata is a quietly creative force with a voice like an old-school jazz chanteuse. Tightrope Walker finds her embracing her experimental side, her traditional piano and guitar joined by strings and harmonies, found sounds and samples. “Rainsong”, an otherwise straight-up piano ballad, opens with the tinny sound of rain recorded on an iPhone and a sample of French poetry; “EZ Target” turns the entire contents of a garden shed into percussion. In both cases the effect is transformative rather than gimmicky; the clatter of pans and taut strings on the latter in particular creating something part-exotic, part-chaotic.
But the melodies, and Yamagata’s rich, husky voice, remain the centre of proceedings, even on a song like the gorgeous “I’m Going Back”, where it’s a minute and a half before the vocal kicks in. The writer’s new-found devotion to experimental soundscapes never gets in the way of just how damn listenable these songs are. “Nobody” is sensuous and seductive, “Let Me Be Your Girl” a rich, immersive daydream. And “Over” drags the breakup song firmly into grown-up territory: no recriminations, no regrets, just rationality and a radio-friendly melody.
Overleaf: watch the "Let Me Be Your Girl" video, starring Allison Janney
Rachael Yamagata likes to take her time. Tightrope Walker comes a full five years after the American songwriter’s last release, and it’s an album that demands to be listened to with as much care as clearly went into its creation. Like the French daredevil Philippe Petit, for whom her latest album was apparently named, slow and steady wins the race for Yamagata: it’s there in its staid, rhythmic opener and title track; and it’s there in the atmospheric, but no less deliberate, “Money Fame Thunder”, which closes proceedings with another nod to its central character.
Best known for the sort of emotive songwriting that soundtracked the TV dramas of the mid-Noughties (“Reason Why”, from her 2004 debut Happenstance, is as close to an emotional bloodletting as it’s possible to get in just over five minutes), Yamagata is a quietly creative force with a voice like an old-school jazz chanteuse. Tightrope Walker finds her embracing her experimental side, her traditional piano and guitar joined by strings and harmonies, found sounds and samples. “Rainsong”, an otherwise straight-up piano ballad, opens with the tinny sound of rain recorded on an iPhone and a sample of French poetry; “EZ Target” turns the entire contents of a garden shed into percussion. In both cases the effect is transformative rather than gimmicky; the clatter of pans and taut strings on the latter in particular creating something part-exotic, part-chaotic.
But the melodies, and Yamagata’s rich, husky voice, remain the centre of proceedings, even on a song like the gorgeous “I’m Going Back”, where it’s a minute and a half before the vocal kicks in. The writer’s new-found devotion to experimental soundscapes never gets in the way of just how damn listenable these songs are. “Nobody” is sensuous and seductive, “Let Me Be Your Girl” a rich, immersive daydream. And “Over” drags the breakup song firmly into grown-up territory: no recriminations, no regrets, just rationality and a radio-friendly melody.
Overleaf: watch the "Let Me Be Your Girl" video, starring Allison Janney
rating
Explore topics
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £49,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more New music
 Cat Burns finds 'How to Be Human' but maybe not her own sound
  
  
    
      A charming and distinctive voice stifled by generic production
  
  
    
      Cat Burns finds 'How to Be Human' but maybe not her own sound
  
  
    
      A charming and distinctive voice stifled by generic production
  
     Todd Rundgren, London Palladium review - bold, soul-inclined makeover charms and enthrals 
  
  
    
      The wizard confirms why he is a true star
  
  
    
      Todd Rundgren, London Palladium review - bold, soul-inclined makeover charms and enthrals 
  
  
    
      The wizard confirms why he is a true star
  
     It’s back to the beginning for the latest Dylan Bootleg
  
  
    
      Eight CDs encompass Dylan’s earliest recordings up to his first major-league concert
  
  
    
      It’s back to the beginning for the latest Dylan Bootleg
  
  
    
      Eight CDs encompass Dylan’s earliest recordings up to his first major-league concert
  
     Ireland's Hilary Woods casts a hypnotic spell with 'Night CRIÚ'
  
  
    
      The former bassist of the grunge-leaning trio JJ72 embraces the spectral
  
  
    
      Ireland's Hilary Woods casts a hypnotic spell with 'Night CRIÚ'
  
  
    
      The former bassist of the grunge-leaning trio JJ72 embraces the spectral
  
     Lily Allen's 'West End Girl' offers a bloody, broken view into the wreckage of her marriage
  
  
    
      Singer's return after seven years away from music is autofiction in the brutally raw
  
  
    
      Lily Allen's 'West End Girl' offers a bloody, broken view into the wreckage of her marriage
  
  
    
      Singer's return after seven years away from music is autofiction in the brutally raw
  
     Music Reissues Weekly: Joe Meek - A Curious Mind
  
  
    
      How the maverick Sixties producer’s preoccupations influenced his creations
  
  
    
      Music Reissues Weekly: Joe Meek - A Curious Mind
  
  
    
      How the maverick Sixties producer’s preoccupations influenced his creations
  
     Pop Will Eat Itself, O2 Institute, Birmingham review - Poppies are back on patrol
  
  
    
      PWEI hit home turf and blow the place up
  
  
    
      Pop Will Eat Itself, O2 Institute, Birmingham review - Poppies are back on patrol
  
  
    
      PWEI hit home turf and blow the place up
  
     'Fevereaten' sees gothic punk-metallers Witch Fever revel in atmospheric paganist raging
  
  
    
      Second album from heavy-riffing quartet expands sonically on their debut
  
  
    
      'Fevereaten' sees gothic punk-metallers Witch Fever revel in atmospheric paganist raging
  
  
    
      Second album from heavy-riffing quartet expands sonically on their debut
  
     theartsdesk Q&A: Soft Cell
  
  
    
      Upon the untimely passing of Dave Ball we revisit our September 2018 Soft Cell interview
  
  
    
      theartsdesk Q&A: Soft Cell
  
  
    
      Upon the untimely passing of Dave Ball we revisit our September 2018 Soft Cell interview
  
     Demi Lovato's ninth album, 'It's Not That Deep', goes for a frolic on the dancefloor
  
  
    
      US pop icon's latest is full of unpretentious pop-club bangers
  
  
    
      Demi Lovato's ninth album, 'It's Not That Deep', goes for a frolic on the dancefloor
  
  
    
      US pop icon's latest is full of unpretentious pop-club bangers
  
     Yazmin Lacey confirms her place in a vital soul movement with 'Teal Dreams' 
  
  
    
      Intimacy and rich poetry on UK soul star's second LP
  
  
    
      Yazmin Lacey confirms her place in a vital soul movement with 'Teal Dreams' 
  
  
    
      Intimacy and rich poetry on UK soul star's second LP
  
     Solar Eyes, Hare & Hounds, Birmingham review - local lads lay down some new tunes for a home crowd
  
  
    
      Psychedelic indie dance music marinated in swirling dry ice
  
  
    
      Solar Eyes, Hare & Hounds, Birmingham review - local lads lay down some new tunes for a home crowd
  
  
    
      Psychedelic indie dance music marinated in swirling dry ice
  
    
Add comment