CD: John Mayall - Talk About That | reviews, news & interviews
CD: John Mayall - Talk About That
CD: John Mayall - Talk About That
The godfather of British blues: still cutting it at 83
In the era of star-making TV progs and here-today-gone-tomorrow musicians, just how wonderful is it to have a new album from a man who marked his 80th birthday three years ago by signing a new contract with Eric Corne’s Forty Below Records?
John Mayall, Manchester-born “godfather of the British blues”, is a true guitar legend, an elder statesman to whom so many of rock’s key players owe a huge debt – among them John McVie and Mick Fleetwood, Mick Taylor and, of course, Eric Clapton. Whose collection does not include the 1966 classic John Mayall and the Bluesbreakers with Eric Clapton on which Big John played piano, Hammond organ and harmonica, and contributed most of the vocals?
New Orleans is conjured up instantly in the mind’s ear
Talk About That is Mayall’s latest studio album and features Rocky Athas on lead and rhythm guitar, Greg Rzab on bass and percussion, and Jay Davenport on drums and percussion. Special guest Joe Walsh lends his distinctive guitar style on two tracks – playing with Mayall has been on his bucket list for 40 years. Ron Dziubla, Mark Pender and Nick Lane between them add evocative reeds and brass which works a treat, particularly on “Gimme Some of That Gumbo”. New Orleans is conjured up instantly in the mind’s ear – we are transported to Bourbon Street.
The 11 tracks, recorded at the House of Blues Studio in Encino, California this time last year, feature eight Mayall originals plus covers of Bettye Crutcher’s “It’s Hard Going Up”, Jimmy Rogers’ “Goin’ Away Baby” and Jerry Lyn Williams’ “Don’t Deny Me”.
“You never know, how your life is going to be… What’s to become of me?” Mayall sings in “You Never Know”, the album’s closing track, and indeed it must be amazing for him to look back on a career that now spans more than three-score albums yet which didn’t get properly started until Alexis Korner and Cyril Davies made the Ealing Club Britain’s first R&B venue in 1962. The long reign of trad jazz had ended – Mayall’s moment had finally arrived.
On a compelling album, “The Devil Must be Laughing” is the stand-out track (and, at almost seven minutes, the longest), Walsh’s searing guitar solo underpinned by Mayall’s Hammond and a powerful vocal with lyrics that rail against war and injustice: “I had a nightmare dream…The whole damn world went wrong/Then I woke up and read the papers/And the devil sang his song.” The feel is reminiscent of Bob Dylan’s 1980 album Saved. “Goin’ Away Baby” is down-home Chicago blues propelled along by bass and percussion, Mayall’s evocative harmonica alternating with his vocals. “Blue Midnight” is pure funk.
Talk About That marks the final recording by Mayall’s quartet line-up – Athas has left to pursue a solo career. His trio is currently on tour, appearing at Ronnie Scott's in April.
rating
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
Add comment