CD: Brian Jonestown Massacre – Don’t Get Lost

Anton Newcombe’s psychedelic rockers try a range of flavours and come up trumps

share this article

'Don't Get Lost': strange but accessible

Any listeners who may have been concerned that Anton Newcombe’s last few years of sobriety might result in him turning down the psychedelia and tip-toeing towards the mainstream can breathe a sigh of relief. Don’t Get Lost is yet another cracking psychedelic head-spin with plenty of good grooves. In fact, the Brian Jonestown Massacre have created a double album here without a single duff track a mere four months after the release of their last set.

As with many double albums, there is plenty of experimentation here, and in due course it may come to be viewed as the Brian Jonestown Massacre’s own Sandinista! Nevertheless, despite dipping into genres as disparate as wigged-out motorik grooves, baggy beats, trancey electronic dance music and even laid-back jazz, it’s an album without any of the quality control issues of the Clash’s famously sprawling opus. In fact, instead of coming over as disjointed and clunky, Don’t Get Lost has more of the atmosphere of a Jackson Pollock painting with bright splashes of sonic colour that add up to a seriously groovy album.

As well his present gang of sonic adventurers, Newcombe has recruited quite a crew of fellow confederates for Don’t Get Lost, from the Charlatans’ Tim Burgess to Pogues saxophonist Pete Fraser, who all fit well with the flow. However, it's the sultry vocals of Tess Parks that really stand out among the guests, and on the Velvet Underground-flavoured “Throbbing Gristle” and more summery “Dropping Bombs on the Sun”, she croons a seriously sassy and seductive tune.

Don’t Get Lost is sprawling but engaging; strange but accessible. It may not be packed with stand-out hit singles but it's a very special trip with some real depth.

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
The Brian Jonestown Massacre have created a double album without a single duff track a mere four months after the release of their last set

rating

4

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time
Decades of psychedelia and wonder packed into a puzzling construction