CD: Ministry - AmeriKKKant

Al Jourgensen’s anti-love letter to Donald J Trump

share this article

AmeriKKKant: earth-shaking beats and muscular riffs

Al Jourgensen is pissed off with Donald Trump. Really pissed off. So pissed off that he’s dragged the latest incarnation of mighty industrial metal originators Ministry back into the studio for the first time since 2012’s Relapse to produce an album made up solely of songs of resistance against the 45th President of the USA and his alt-right junta. Ministry’s signature monster guitar riffs, jackhammer beats, spoken-word samples and Uncle Al’s unmistakable roar are all given a fresh airing to unleash a tropical storm of revolutionary rock with one very definite target. Make no mistake though, AmeriKKKant is magnificent stuff and far exceeds any reasonable expectations of the 14th studio album of a band that have been around (on and off) since 1981.

Back in the late 80s and early 90s, Al Jourgensen was a colossus that bestrode industrial metal while beating a path for more commercially successful imitators like Nine Inch Nails and Marilyn Manson to follow. Recording under a plethora of guises such as Ministry, Revolting Cocks, Pailhead, Acid Horse and Lard (with ex-Dead Kennedy Jello Biafra) to name only a few, he churned out album after album without any noticeable loss of quality. However, if the volume of new material has slowed somewhat since those heady days, the quality has certainly not. In fact, from the almost Arabic violins of “I Know Words” to the depth-charge heavy, state-of-the-nation address, “AmeriKKKa” via the earth-shaking beats and muscular riffs of “Twilight Zone” and the political speed metal of “We’re Tired of It”, Jourgensen doesn’t drop the ball once on a disc which is totally devoid of filler.

By using so many Trump samples, however, Jourgensen could almost be forgiven for crediting the White House Clown as guest vocalist on AmeriKKKant, which might be a little off-putting. But never has hearing someone take enough rope to eventually hang themselves been so entertaining.

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Jourgensen doesn’t drop the ball once on a disc which is totally devoid of filler

rating

4

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time
Decades of psychedelia and wonder packed into a puzzling construction