tue 26/11/2024

Album: The Magnetic Fields - Quickies | reviews, news & interviews

Album: The Magnetic Fields - Quickies

Album: The Magnetic Fields - Quickies

Musical capsules that pack a short, sharp punch

Stephin Merritt keeps it short and sweet

In pop music, less is often more and it doesn't come much shorter-and-sweeter than Quickies, the new collection from New York songwriter Stephin Merritt.

The tracks range in length from a brisk 13 seconds to a whisker over two and a half minutes, all chock-full of wry humour. Numbers like "Let's Get Drunk Again (and Get Divorced)" are a glorious blend of cynicism and charming vulnerability. 

That basic recipe is, of course, Merritt's stock-in-trade. It formed the basis for The Magnetic Fields' celebrated concept album, 69 Love Songs, and features throughout his work. This time, though, there's less scope for fleshed-out ideas. Instead, the songs fluctuate between broad comedy and poignant vignettes. 

At the jokier end, we find the schoolboy humour of "The Biggest Tits in History" (about birds) and "Bathroom Quickie" (which rhymes "quickie" with "hickie"). Much better are the portraits of failed romance. The doomed lovers of "Kraftwerk in a Blackout" (sung by Shirley Simms) are compared to unplugged krautrockers and "dolls without voodoo", while the protagonist of synth-popper "(I Want to Join a) Biker Gang" fantasises about leaving his wife to hang out with hirsute motorcyclists. 

The best moments of all come when the cynicism is turned right down. On "When the Brat Upstairs Got a Drum Kit", Merritt's melodious baritone describes a couple in love who manage to find the kid crashing and banging upstairs charming. "The Best Cup of Coffee in Tennessee", a brisk ukulele-led ode to a diner waitress, starts with the killer lines "She's fat, I like that!".

Only one song is played completely straight. "Come Life, Shaker Life!", about women seeking solace in religion, sounds a lot like Sufjan Stevens. It also feels like it could easily run for several minutes more. But most of the tracks work just as intended, packing a short, sharp punch without requiring too much concentration. The quality may be a tad uneven, but in these frazzled times, Stephin Merritt's musical capsules will surely hit the spot for many indie fans.

The best moments of all come when the cynicism is turned right down

rating

Editor Rating: 
3
Average: 3 (1 vote)

Explore topics

Share this article

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters