Album: Lee Scratch Perry & Youth - Spaceship to Mars

Lee Scratch Perry reaches back from the next dimension with mixed results

share this article

Scratch goes into space for the last time

Lee “Scratch” Perry, Reggae’s dub emperor and all-round sound magician died in 2021, after a 60-odd year career that is rumoured to have produced something in the realm of 2,000 albums and numerous additional tracks. So, perhaps it isn’t such a surprise that there have been a rash of releases in the last couple of years claiming to be Scratch’s last recordings.

In fact, to the excellent collaboration with New Age Doom, Lee “Scratch” Perry’s Guide to the Universe and the solo King Perry, we can now add this album with Youth, Killing Joke’s bassist, producer and co-creator with the likes of Paul McCartney, the Orb and many others. However, given that Perry supposedly began work on this album “in the Third Dimension – and oversaw its completion from an unquantifiable one”, it’s moot whether he knew much about his involvement in Spaceship to Mars.

Perry and Youth aren’t the only artists involved with Spaceship to Mars either. Carroll Thompson, the Queen of Lovers Rock, provides melodic backing vocals on the summery “Love Sunshine Peace” and Boy George lends his pipes to the sublime heavy dub of “The Lizard”. Both of which have Perry rambling his stream of consciousness proclamations throughout. That said, other fine collaborations include Holly Cook on the mellow “Butterfly Sky” and Amy Adams on “Love is War”.

After the first side of this disc, however, things start running out of steam, with “Bulldozer Dub” and the title track sounding more like fairly ordinary Orb tracks and “Iron Shirt” not really adding anything new to Max Romeo and the Upsetters’ classic “Chase the Devil”. Nevertheless, if you are a fan of deep basslines and have got room in your life for the additional album of dub remixes, there’s much here for our weed-smoking brethren and anyone else who wants to maintain the sunshine, as autumn begins to bear down on us.

  • More reviews on theartsdesk

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
There’s much here for our weed-smoking brethren and anyone else who wants to maintain the sunshine

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

New edition of the album capturing ‘possibly the most powerful human sound ever recorded’
The rain just about stays away as Eighties synth perennials stick to the hits
Genial strummings and spaciness as an underheard master drifts off
Rufus Wainwright's final tribute to Judy Garland
US garage rockers climb back in the ring with gusto
World-bestriding Australian house DJ hits all the right notes, albeit maybe too consistently
The master of the Arabic-tinged quarter-tone trumpet in party mode
Yorkshire sextet were exciting at times, but not consistently so
Overdue - albeit digital-only - return of the former Servants lynchpin’s 2002 solo album