Album: Alice Cooper - The Revenge of Alice Cooper

The original Alice Cooper band are back to fly the flag for all the weirdos

share this article

The Revenge of Alice Cooper: no cynical cash-in

Great (and not so great) bands reforming, either in the studio or in the live arena, is something of a trend at the moment. However, who would have thought that the original Alice Cooper band would not only be part of this trend but the creators of one of the best new albums to emerge from it – more than 50 years since their last long-player?

Of course, the name Alice Cooper never actually disappeared and, to most people, it’s the stage name of a charismatic singer who was born Vincent Furnier in Detroit in 1948. However, in the early and mid-1970s, Alice Cooper was a lairy gang of hard-drinking reprobates who made a name for themselves by adding horror tropes and dark humour aplenty to high voltage rock’n’roll songs like “Elected”, “No More Mr Nice Guy” and, of course, the evergreen “School’s Out”. Nevertheless, the man and the band parted ways in 1975 and apart from the occasional, short-lived link-up over the last twenty years, with a gig here and a new song there, that’s how it has stayed. Until now.

The Revenge of Alice Cooper is the first new album involving all the surviving members of the band (guitarist Glen Buxton died in 1997 but even he appears on “What Happened to You”) since 1973’s Muscle of Love. This is no cynical cash-in though. Far from it.

In fact, The Revenge of Alice Cooper is far better than anyone might have dared to expect. From the driving biker rock of “Wild Ones” to the lairy proto-punk of “Crap that Gets in the Way of your Dreams”, the raucous take-down of celebrity culture, “Famous Face”, and the primal rock’n’roll of “I Ain’t Done Wrong”, this is a return that delivers all the way down the line. Without a doubt, it’s an album that would be making waves even without its back story, but when it comes from this band of aging freaks, it really is something special to behold.

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
An album that would be making waves even without its back story

rating

4

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time
Decades of psychedelia and wonder packed into a puzzling construction