This useful five-CD clamshell box set collects the soundtrack music from the Tarkovsky films Ivan's Childhood (1962), Andrei Roublev (1966), Solaris (1972), Mirror (1975) and Stalker (1979). The first two featured scores by Vyacheslav Ovchinnikov. Eduard Artemyev created the music and what can only be called soundscapes for the latter three. The set's title, Tarkovsky, does not give away what it includes.Vyacheslav Ovchinnikov (Вячесла́в Овчи́нников, 1936–2019) first worked with Tarkovsky (Андрей Тарковский, 1932–1986) on the 1960 short film The Steamroller and the Violin. The composer’s Read more ...

The name was an explicit signpost. Maryland’s Velocity Girl named themselves after the B-side of Primal Scream’s May 1986 second single “Crystal Crescent.” At this point, Bobby Gillespie and Co were still a Byrds-leaning, Sixties-inclined, polkadotted jangly pop outfit. There were no hints of what came later.Velocity Girl formed in College Park, Maryland in 1989 but were embedded in the Washington, DC music scene – one which, for much of the outside world, was defined by hardcore punk and the various flavours springing from it represented by bands like Fugazi and Nation of Ulysses. Looking to Read more ...

Jazz Dari Angkasapuri and Tiga Trombone are two albums dedicated to giants of Malaysian jazz. The first collects compositions by Johari Salleh, while the second focuses on work by Alfonso Soliano.The status of Soliano (1925-1990) is confirmed next week, when Kuala’s Lumpur’s Petronas Philharmonic Hall – the Dewan Filharmonik Petronas – hosts an evening dedicated to his music. On 2 September, the Malaysian Philharmonic Orchestra, under conductor Ahmad Muriz Che Rose, present A Tribute to Alfonso Soliano. Family members Condrado Soliano, Don Alfonso Soliano, Isabella Soliano and Tristano Read more ...

“The Laughing Gnome” was David Bowie’s second single for the Deram label. It was released on 14 April 1967. That same day, he was on stage at the Ludwick Youth Centre in Welwyn Garden City. He was appearing as the singer in a band named The Riot Squad. Despite his solo status and on-going contractual tie with Deram – through its parent label Decca – he’d joined the band a month earlier. Curious.The day before the Welwyn Garden City booking and the arrival of “The Laughing Gnome” in record shops, the Bowie-including Riot Squad played in London, at Oxford Street’s Tiles, where they posed before Read more ...

The Adverts’ debut single was released by Stiff Records in late April 1977. The top side of the “One Chord Wonders” / “Quick Step” pairing was a dry humoured assessment of the state of play in British punk. It was and is a remarkable record.However, reviews back then were mixed. NME’s Tony Parsons said it was “mundane rock by new wave flotsam and jetsam” and that The Adverts are “almost unbelievably boring.” In contrast, Sounds rated it as Single Of The Week and said “If [singer] TV Smith can keep writing songs like this, The Adverts will be up there with them.” Prescient. Their next single, Read more ...

Although the sound quality is slightly boxy, the opening track on CBGB’s 1985 is a treat. “Gardens” is on a line between first-album Rain Parade and Unhalfbricking-era Fairport Convention, it’s hard to tell from this live album whether Rochester, New York’s Absolute Grey – grey, not gray – caught the attention of their subdued-seeming Manhattan audience four decades ago while playing NYC’s prime roots-level venue. Now, though, it’s clear “Gardens” is top-drawer folk rock-inclined psychedelia which demands instant attention.When a studio version of “Gardens” – recorded in July 1985 – was Read more ...

“She said her life was like a motorway… dull, grey, and long.” The lyrics of “Like a Motorway,” from Saint Etienne’s February 1994 album Tiger Bay see the titular highway negatively, signifying a life defined by a prolonged drabness.Saint Etienne released their final album, International, last September. By that point, Bob Stanley, one third of the band, was already bedded-in as an author. He has also been behind a series of concept compilations. Rather than being devoted to a genre or style – maybe acid folk or Belgian popcorn – they aim to bring to mind a situation, a setting, particular Read more ...

The reappearance of Gloria Mundi’s I, Individual is a surprise. Most of what related to UK punk – however tangentially – over 1977 and 1978 has been reissued, and has often been around the houses multiple times. But, until now, Gloria Mundi have escaped the attention of those recycling this aspect of the past.I, Individual was Gloria Mundi's first album, originally issued on 7 July 1978. The band were live circuit regulars from late 1976 and split in 1980 after a second, very different, album which came out in October 1979. Image What’s on Read more ...

The title “Tone Phase 1 for 2 Guitars & 4 Oscillators” is a giveaway, clearly indicating what’s going to be heard once the LP has landed on the record player. And, indeed, the first track on the second side of Eleh’s newly reissued Floating Frequencies / Intuitive Synthesis 1 seamlessly fuses single tones generated by electric guitars and analogue oscillators. However, what’s less apparent from taking in the title is the magnetic power exerted by the track during its translucent progress over ten minutes. Hypnotic.The same applies to what follows: the also-ten-minute “Tone Phase 2 for Read more ...

Reviewing The Clash’s 27 October 1976 appearance at Birmingham’s Barbarella’s, UK music weekly Sounds detected a particular, unique, characteristic of the band. Jonh (sic) Ingham identified “a Clash trick of everything dropping out except for Mick Jones' guitar, dropping back in two bars later behind a thundering crack from Terry Chimes' baseball bat sized drumsticks.”The drop-out was a feature of dub, the form of studio-created reggae which emerged in the early Seventies. Music historian David Katz has pointed to “Ivan Itler the Conqueror,” a 1970 single side credited to Bunny Lee Allstars, Read more ...

“Rimbaud, I guess. W.C. Fields. The family, you know, the trapeze family in the circus. Smokey Robinson. Allen Ginsberg. Charlie Rich, he's a good poet.”It’s 3 December 1965. Bob Dylan is in San Francisco to play the city’s Masonic Auditorium before setting off on other dates around California. He’s sitting down in front of journalists and TV cameras for a press conference. The response above was prompted by being asked “What poets do you dig?” Image What he’s just said is not followed up. Instead, the next question is about the nature of Read more ...

“Keys to Your Heart,” the only single by Joe Strummer’s pre-Clash band The 101’ers, was released on 27 June 1976 – 50 years ago this week.Fantastic and still vital, “Keys to Your Heart” is a driving pop-rocker with a Sixties feel. It edges towards powerpop. But the urgency of delivery and its raggedness mark it out as broadly telegraphing what was around the corner with British punk rock. And its mid section, with Strummer's testifying, presages a fundamental element of the make-up of The Clash. An important single.The anniversary is neat prompt to consider the band’s musical legacy: what Read more ...