Reviews
Markie Robson-Scott
“I was not a bad man. Nowhere near it. But they said I was anyway.”Makenna Goodman’s second novel (her first, The Shame, a brilliant exploration of motherhood, came out in 2020) is, on the surface, an account of a cancellation, though there’s nothing straightforwardly black or white about any of it. In fact Goodman seems to shy away from binary thought, which is refreshing, if sometimes confusing.It’s also about love, class, nature and the way we relate to it. It is structured like a six-act play, with monologues by four rather abstract protagonists: Man, Realtor, Helen and Wife. Its Read more ...
Graham Fuller
Sexual abuse and violence, self-harm and sadomasochism, piss and postpartum blood – Kristen Stewart’s The Chronology of Water doesn’t flinch from showing the indignities, the messiness, and the trauma-induced choices made by its everywoman protagonist during her rocky journey.A rewarding experimental art house indie adapted from the novelist Lidia Yuknavich’s transgressively visceral non-linear memoir, Stewart's first full-length feature as writer-director is filtered through the stream-of-consciousness of Imogen Poots’s Lidia.The mosaicked narrative moves forward from an unfixed perspective Read more ...
Kieron Tyler
For Richard Hawley, a “little banger” is a top-notch single, one condensing everything about the performance and performer into what can he held on one side of a seven-incher. A flab-free, power-packed record. And it’s a mark of his discrimination that anything fitting the bill is a grade-A killer.Little Bangers From Richard Hawley's Jukebox Volume Two follows-up a correspondingly styled comp issued in 2023. As before, 28 tracks are selected: indeed, the first collection was titled 28 Little Bangers From Richard Hawley's Jukebox. For a second time, Link Wray crops up. This time, well-known Read more ...
Gary Naylor
A right wing populist, a master manipulator of the media, he appears to be immune to the long accepted norms of professional behaviour. Foul-mouthed and a bully, but backed by an oligarch, he rides roughshod over those who play by the old rules, truth, like everything else, merely transactional. “What’s in it for me?” is the only question worth the breath.Stop me if you’ve heard this before…Not the Oval Office now, but The Sun’s editor’s office in Wapping nearly 40 years ago, where Kelvin McKenzie, high on his own supply of circulation figures and the reluctant professional admiration of even Read more ...
Sarah Kent
It’s a story being repeated the world over – apex predators such as lynx, wolves and bears hunted to extinction, followed by the gradual realisation that a healthy ecosystem requires their presence.Attempts to reintroduce them have met with varying degrees of success. In Yellowstone National Park, the grey wolves released 20 years ago have proved hugely beneficial, but whenever livestock are in the picture things get messy.Two years ago in Colorado, people voted to reintroduce wolves, but local ranchers were still angered by the loss of their cattle to the predators. And plans to reintroduce Read more ...
Adam Sweeting
Fabled for (among other things) The Evil Dead, Darkman and Spider-Man, Sam Raimi made his last appearance as a director on 2022’s Doctor Strange in the Multiverse of Madness, which was one of the biggest hits of his career. Designed on a slightly smaller scale, Send Help may not overtake it commercially, but it mixes horror and black comedy with a castaway-survival theme to devastatingly entertaining effect. The twin leads, Rachel McAdams and Dylan O'Brien, squeeze maximum mileage from their contrasting roles.Our story centres on Linda Liddle (McAdams), who works in the Strategy and Planning Read more ...
Matt Wolf
"How can we sleep for grief?", asks the brilliant and agitated Thomasina Coverly (the dazzling Isis Hainsworth) during the first act of Arcadia, a question that will come to haunt this magisterial play as it moves towards its simultaneously ravishing, and emotionally ravaging, end. Many of us asked ourselves that very question last November when the author died in the run-up to the Hampstead Theatre opening of Indian Ink, the play of his whose 1995 premiere followed Arcadia by two years. A sensible reply to the query is given by Thomasina's doting tutor, Septimus Hodge (the expert Seamus Read more ...
David Nice
Two concerts packed with thorny repertoire playing to large and enthusiastic audiences of all ages: the London Philharmonic Orchestra is cresting a tricky wave right now. A fortnight ago Conductor Emeritus Vladimir Jurowski held us spellbound with mechanistic Mosolov and Prokofiev (the insanely difficult Second Symphony); last night Principal Conductor Edward Gardner served up Czech and Polish rarities, drawing equal fire from the players. Proof indeed that the successor was the right choice.There were canny links in the programming, not that you'd know it from the notes. The exultant cadence Read more ...
Helen Hawkins
From his sickbed, after a nervous breakdown during basic training for the army, the 18-year-old Noel Coward started churning out plays, many of which were never staged. The Rat Trap, finished in 1918, had a 12-night run in 1926 at the Everyman in Hampstead, but Coward was in the US at the time and never saw the production. You wonder what his older self would have made of it.This is Coward gnawing with his baby teeth on a topic that clearly preoccupied him from the outset and would become a prime target of his sharper-toothed dramas: how to sustain a serious relationship, especially a Read more ...
aleks.sierz
New writing takes many forms: this is one of the glories of contemporary British performance. One of these is the shared narrative, a style pioneered decades ago by Irish playwrights such as Brian Friel and Conor McPherson, which involves several straight-to-the-audience narrators telling a story directly. Unlike the naturalism of mainstream theatre, this method allows for a rapid delivery of events and feelings. In Maggots, an exceptionally humane 65-minute piece by Farah Najib, who won the Tony Craze Award for her Dirty Dogs, the shared narrative also achieves a profound emotional Read more ...
Rachel Halliburton
On a dank January evening in St Albans, there seemed little sign of life or excitement on the streets. To reach my destination – St Peter’s Church – I first had to walk through an ancient graveyard where the yew trees loomed like sentinels. It was quite a contrast to enter the church itself, where the sudden blaze of light and warmth and packed aisles made it clear that this, for tonight at least, was the heartbeat of St Alban’s. In an otherwise straightforward programme, the Amadeus Chamber Orchestra was about to tackle that Everest of concertos – Brahms Piano Concerto 2 – performed by a Read more ...
Helen Hawkins
When news first filtered through that the Scouse comedian John Bishop’s marital woes were going to be turned into a film, my brain lazily filed its director’s name under the wrong Bradley: Whitford, not Cooper. Having seen Cooper’s Is This Thing On?, I almost wish my brain had got it right first time.The brittle wit of The West Wing hasn’t yet made a film, alas, but Cooper has directed three. As in the first two, here he is a one-man band: co-writer, producer, director, performer. He could have added “scene-stealing space-cadet stalker of his own movie”, too. As delusional actor Balls (titter Read more ...