Reviews
Adam Sweeting
The first outing of the re-tooled Captain America in 2011's The First Avenger was a bit of a hoot, thanks to its carefully-wrought 1940s setting and Stanley Tucci and Hugo Weaving portraying contrasting varieties of Teutonic craziness. Bringing the Cap into the present day after a 70-year slumber poses a few different problems, since he is quite literally a man out of time. It's really not that easy to take seriously a bloke who goes everywhere with a large tin shield clamped on his back, while everybody else has upgraded to hover-jets and laser-guided weapons.Still, while The Winter Soldier Read more ...
Veronica Lee
If such a thing were to exist, then American essayist, humorist and raconteur David Sedaris would be a Radio 4 superstar. His broadcasts on the channel receive hit numbers and are repeated regularly, and he's a permanent fixture on those parts of the literary festival circuit that its listeners flock to. He's now touring the UK and it's sure to sell out, but it was interesting to see that his audience at Cadogan Hall was far more diverse than the channel's supposed typical listener – white, middle-class and 56 - might suggest.An Evening With David Sedaris is a series of readings taken from Read more ...
Stuart Houghton
In the animated cutscene that begins Out There, the game lays out its basic premise. You are an astronaut frozen in cryonic sleep and then sent wildly off course by some mysterious event. You awake in an unfamiliar solar system with limited supplies of fuel and oxygen, a newly-acquired interstellar drive and a vague plan to reach a distant star.To reach your goal you must hop from one star system to another, gathering resources and discovering alien technologies to help you on your way. At first glance, Out There looks a lot like last year's indie hit, FTL. Unlike the tense, extended chase Read more ...
Adam Sweeting
As pedigrees go, beat this - Believe [***] is the brainchild of Alfonso Cuarón, director of the Oscar-plundering Gravity, and JJ Abrams, mastermind of Lost, Fringe and the made-over Star Trek. This debut episode didn't live up to expectations, but it would be rash to write it off too soon.At least it got off to a hair-raising start, as the car carrying 10-year-old Bo Adams and her adoptive parents was barged off the road by a black SUV. Then mom and pop were brutally terminated by a hitwoman called Moore (Sienna Guillory), who has a macabre fondness for snapping necks, but Bo was rescued in Read more ...
David Nice
Depth, height, breadth, a sense of the new and strange in three brilliantly-programmed works spanning just over a century: all these and a clarity in impassioned execution told us why the BBC Symphony Orchestra was inspired in choosing Finn Sakari Oramo as its principal conductor. Their anniversary journey through Nielsen’s symphonies next Barbican season – itself a heady mix announced amid the palms of the singular conservatory before a vintage assembly of performances around the Centre – is more fascinating in prospect, for me at any rate, than the promised visits of the New York and Berlin Read more ...
edward.seckerson
The names have been changed to protect the guilty but half the fun of I Can’t Sing! - the so-called X-Factor musical - lies in the relentless spoofing of a show we love to hate and a format so unremittingly predictable that its contestants, judges, and host now read like characters from a, well, musical. Put Harry Hill on the job and you know he’s going to throw enough gags at the subject for at least a handful to stick and were this an anarchic fringe offering with a cast of six and a budget low enough to render it inventive by necessity then you’d have more chance of leaving the venue with Read more ...
Guy Oddy
Goldfrapp have already toured new album, Tales of Us, having hit the road in the UK and Europe last autumn. However, they are back for some more and on the first date of the spring leg of their live shows, Alison Goldfrapp and her five-strong backing band take to the stage at Birmingham’s Symphony Hall as the spoken introduction to Peter and the Wolf fades out with “Are you comfortable? Then let us begin.” Gone, it seems, are the clown, Marlene Dietrich and military kitsch of previous tours, as the tastefully black-clad group opened with “Jo” and slipped straight into the magic realism- Read more ...
Hanna Weibye
When three good choreographers can’t get a ballet right, there must be something wrong with either the story or the music. In the case of the Prince of the Pagodas (a Poirot mystery waiting to be written, that, but I digress), it’s hardly the music: Benjamin Britten’s gamelan-leavened, melodic score, his only for a ballet, is compelling. Of course, it hardly serves up Classic FM-worthy five-minute flower waltzes à la Tchaikovsky, Adam, Minkus et al, but then neither does Prokofiev’s Cinderella and that has no problem getting produced.So, story then. Both John Cranko in his 1957 original and Read more ...
aleks.sierz
How do you explore extremes of feeling on stage? In cult pen-master Philip Ridley’s new play, a 75-minute monologue that won plaudits in Edinburgh last year, he takes us by the hand and throws us into a universe of pain. His mouthpiece is comedian and actor Gemma Whelan — who plays Yara Greyjoy of the television series Game of Thrones — and is now Andrea, a 15-year-old from the East End of London who is groomed for sex by an older man.Andrea and her friend Emma are a couple of teenagers whose upbringing has not encouraged them to bask in the warming sunlight of good self-esteem. On the Read more ...
Demetrios Matheou
Just before the curtain came up for the second half of Fatal Attraction, a chap sitting behind me told his companion, “All I remember is that it ends quite badly.” It may seem like a cheap shot, from me, but the comment was apposite in so many ways, not least because the reason for this misbegotten production’s very existence is a writer’s desire to change his ending.James Dearden’s biggest claim to fame is as the screenwriter of the 1987 big screen potboiler – and, of course, bunny boiler – about a man made to suffer for his adultery, when his one-night stand turns out to be a psychotic Read more ...
Kimon Daltas
The Sam Wanamaker Playhouse, the new indoor Jacobean theatre at The Globe, is an absolute jewel of painstaking historical research and craftsmanship. It is small, seating around 350, and with its thrust stage lit by around 100 candles (with electric light only on the musicians’ gallery in this performance), it is a challenging space to put on an opera, but also a uniquely atmospheric one.It many ways this Royal Opera/Shakespeare’s Globe co-production is experimental, with everyone involved having to learn from scratch how to work within these limitations, and also what opportunities for Read more ...
emma.simmonds
It's not often we're told to strap ourselves in for a drama - it takes quite some skill to make the everyday excite and to make ordinary lives seem extraordinary, but these are gifts that the Iranian director Asghar Farhadi has in abundance. His talent for meticulously structured, thriller-tense narratives, for coming at stories from an interesting angle (conducive to creating and capturing emotional charge) couldn't even be ignored by the Academy, who recognised 2011's A Separation outside the (niche) world cinema category, with an Oscar nomination for its screenplay alongside the gong Read more ...