Reviews
Ismene Brown
Austere, beautiful, heartbreaking, streaked with genius - that goes for both Benjamin Britten’s last opera Death in Venice and Deborah Warner’s remarkable production of it for ENO, returning all too briefly to the Coliseum, with a superb central performance. Besiege the box office for one of the four remaining performances if you want to see contemporary operatic art refined to its most personal and powerful.The story is well-known from Thomas Mann’s novella and Luchino Visconti’s classic film: the downfall of a mature novelist who visits Venice to break his writer’s block, and there falls in Read more ...
Kieron Tyler
Dr. Feelgood: Taking No Prisoners (with Gypie 1977-1981)The departure of Wilko Johnson in April 1977 ought to have finished Dr. Feelgood. More than their guitarist and songwriter, he was vital to their stage persona and as much frontman as singer Lee Brilleaux. Yet after roping in temporary fill-ins for already scheduled live dates, by the end of April they had new guitarist John Cawthra on board. Quickly rechristened Gypie Mayo, he was on the road in May and soon forced to become a songwriter. This handsome box set is the full story on the Mayo-era Feelgoods.Spread across four CDs is Read more ...
igor.toronyilalic
If you were new to contemporary opera, you might think it was forbidden for modern works to be funny. Tragedy is still the default setting for major commissions. You only get serious money if you have serious thoughts and serious music, it seems. At the Royal Opera, the policy is to stage unfunny, ancient buffas on the main stage and sharp, modern ones in the Linbury Studio Theatre. Gerald Barry’s The Importance of Being Earnest is the latest.The concert premiere last year was as close to an overnight smash hit as it is possible to get in opera. The three-act adaptation was snapped up by Read more ...
Veronica Lee
What to do with an old warhorse like The School for Scandal, a fantastic play written by Richard Brinsley Sheridan in 1777 full of smart lines and great parts, beloved not just of professional actors but amateur troupes too - and therefore performed with sometimes monotonous regularity? Well, if you're director Jessica Swale you cut a bit, add a bit and give it some musical numbers while remaining mostly faithful to the original.It's an approach that she used on another of Sheridan's comic masterpieces, The Rivals. Here, the actors, in period garb but making some pointed modern references, Read more ...
Kieron Tyler
“We’re Chelsea Light Moving, we’re from London.” Coming from Thurston Moore during the first UK outing of his post-Sonic Youth combo, that’s amusing. Not only are the rest of the quartet American, Moore himself remains the definition of New York cool. And Chelsea Light Moving sound as American as apple pie with his trademark slash-and-dive guitar and conversational vocals. “It’s Sonic Youth,” declared a voice to my left.With Sonic Youth on hiatus after the break-up of his marriage to band and life partner Kim Gordon, Moore’s new band adds another string to his already hard-working bow. Solo Read more ...
carole.woddis
Oh, how the mighty are fallen. Margaret Alexander (Marianne Jean-Baptiste) is a storefront pastor in Harlem who leads her flock with absolutist conviction. No drinking, no smoking - the way to the Lord is through abstinence and clean living, and she herself embodies these righteous goals. So woe betide Sister Margaret when her far from clean-living ex-husband, a musician called Luke (Lucian Msamati), arrives at her door after many years.His appearance proves the catalyst for Sister Margaret's downfall in James Baldwin's influential debut play: a fall from grace which, in Rufus Norris's Read more ...
Russ Coffey
“The reason we’ve been away so long,” explained Fran Healy halfway through last night’s gig, “is we wanted to take time off to enjoy our kids.” Such non-rock’n’roll sentiments are, of course, the sort of thing you might expect from a band once dubbed the “nicest in the world”. What I hadn’t anticipated, however, was the amount of fire and passion that would surface during the night. Really.Travis have often been described as a sort of late-Britpop predecessor to Coldplay. Faint praise indeed. Chris Martin even calls himself a “poor man’s Fran Healy”, which hardly improves the compliment Read more ...
Adam Sweeting
The story goes that Ben Affleck was in the running to direct the latest Superman "reboot", but decided against. "A lesson I've learned is not to look at movies based on budget," he said. "Story is what's important."And so it came to pass that Man of Steel was directed by Zack Snyder (who made Watchmen and 300, among others), cost £145m and clocks in at a sprawling 143 minutes. It's already recouped £110m through product placements, so somebody in the back end has their head screwed on, but nonetheless it's living proof of Affleck's Law. The flick is technologically dazzling and Henry Cavill Read more ...
Simon Munk
Gaming's equivalent of Cormac McCarthy's The Road – here we see a post-apocalyptic zombie invasion not as an excuse for all-out gory action, but downbeat introspection, gentle character interaction and moral tests in the face of true, human horror.The Last Of Us is an absolute must-play game, that doesn't entirely hit every note, but at least aims far higher than most videogames not just in terms of narrative ambition and grown-up storytelling, but also visual and action realism.The story is of hardened survivor Joel, who ends up grudgingly entrusted with the care of teen Ellie. She was born Read more ...
Tom Birchenough
It’s been quite a week for surveillance. And no, that doesn’t mean the NSA and whatever’s happening in Hong Kong. You can bet the week's viewing figures that the majority of Britain’s households, particularly those in the triple-F category – meaning, feline-focused families – will have been more preoccupied with Horizon’s investigation into what exactly goes on when that flap goes up, The Secret Life of the Cat.It wasn’t just a chance for viewers to go soppy about the character of their favourite felines: for that, there’s the internet, where cat home movies get the all-time top YouTube Read more ...
Sam Marlowe
A town called St Cloud, a girl named Heavenly and a faded star who feels she’s living on the Moon: the imagery of Tennessee Williams’s drama is celestial, yet he puts his characters through hell. Amid the clamour of church bells and self-righteous moral hypocrisy, this torrid play invokes castration, venereal disease and prostitution, with love and sexual passion colliding violently with repressive social strictures. It’s about as juicy and lurid a slice of Southern Gothic as anyone could have an appetite for – and this superlative production by Marianne Elliott savours every pungent mouthful Read more ...
Matt Wolf
Ever wondered what Buffy the Vampire Slayer and Angel creator, not to mention superhero movie A-lister Josh Whedon, does during his down time? Well, apparently he gets his pals together to have a go at the Bard. And by way of proof, along comes Whedon's film adaptation of Much Ado About Nothing, which plays like nothing so much as a home movie in Elizabethan tongue. The result is sure to take Shakespeare's most eternally transfixing comedy to parts of the American (indeed, global) heartland where it may have never played before, even I have to confess to being more bemused by the experience Read more ...