Reviews
Karen Krizanovich
Les Misérables is revolutionary, but not in a French way. Oscar-winning director Tom (The King's Speech) Hooper’s film of a musical seen by over 60 million people in over 40 countries and in half again as many languages has engaged so much critical ink I’m almost dreading writing my own opinion. However, as a property that has run onstage for 27 years, Les Misérables - once nicknamed The Glums - is a stirring tale of love, loss, cruelty, salvation and predation that also comes with a built-in audience of which you may or may not be a member.Whatever you think about musicals (I hate Read more ...
Helen K Parker
There’s nothing more off-putting in a game than a screen filled with awful and waffling text that just keeps on awfully waffling. It’s one of the reasons Final Fantasy and I don’t get along. It’s refreshing then to discover a game that is predominantly text-based, but which is absolutely gripping.Described by its creators as a piece of magical realism, the game is intentionally character-based, focusing on atmosphere and storytelling over puzzles and tests of skill. In fact Kentucky Route Zero is more of a visual novel than a typical adventure game, but it is these visuals which push the game Read more ...
Lisa-Marie Ferla
It’s rare for a wartime drama not to hide behind an elliptic or poetic title. Spies of Warsaw - a two-part adaptation of Alan Furst’s 2008 novel of the same name - misses out on a place in the canon by a couple of years, but the looming Second World War provides the backdrop to Dick Clement and Ian La Frenais’ stylish, atmospheric thriller.David Tennant plays Colonel Jean-Francois Mercier, the French soldier turned spy-wrangler at the centre of the action. A decorated hero of the First World War, with just enough lines around the eyes to make the back story convincing, Mercier’s belief that Read more ...
emma.simmonds
Jean-Luc Godard once said, "All you need for a movie is a gun and a girl". Aside from upping the ante to include a formidable arsenal of the former, Ruben Fleischer's Gangster Squad hangs its fedora on that wisdom. It might however have aimed a little higher, as its glamour-and-guns story is trimmed to the point of frustration. There's action aplenty but with a story told in quips and shorthand, this is the gangster movie as entertainment pure and simple.Gangster Squad is a heavily fictionalised account of the Los Angeles Police Department's post-war assault on organised crime, loosely based Read more ...
Nick Hasted
“It’s like you’re a vampire,” whey-faced LA security guard Jacob is told. He gives a dawning, diffident look of recognition. Back in the cramped apartment he’s stopped leaving by day, he places a crucifix on his face, not quite expecting it to sizzle. For much of director Scott Leberecht’s atmospheric debut, he seems to be following Jacob’s progressive weakening by a rare disease with vampirism’s effects: blood-thirstiness, and enforced night-dwelling, ever since sunlight first blistered his skin aged 12. It takes us a while to realise the “vampire” description’s truth. The transition to a Read more ...
Tom Birchenough
For a man immortalised by his wails of rainy misery from the moors of Withnail and I, you would expect Richard E Grant to be very happy on the Riviera. He is, with the suave aristo manner of the Englishman abroad. Which is fitting for The Riviera: A History in Pictures, because the Riviera practically belonged to the Brits - we hivernots, winter escapers from northern cold - before the French realised it was there at all. And it came to their attention because artists from the Impressionists onwards went there.I’m not sure that A History in Pictures quite knows what it is aiming for: Grant is Read more ...
Ismene Brown
Here’s an elegant thing to do before eight o'clock dinner - stroll out for an hour’s recital of a rollicking story-poem done by a leading actress in a hip underground venue with judiciously hip application of modern dance, then go off and diss it over your sushi. Very London life.And if the pleasure potential offered by Fiona Shaw and Phyllida Lloyd in recounting Samuel Taylor Coleridge’s splendid 1798 horror yarn The Rime of the Ancient Mariner is any yardstick, there ought to be a future for a periodic series restoring dramatic poetry to the public at the cocktail hour.Shaw herself ushers Read more ...
theartsdesk
Well, he was always ahead of the game. In a few years’ time 66 will become the new official pension age in his native United Kingdom, but David Bowie has chosen to celebrate his 66th birthday by coming out of what many perceived to be retirement. “Where Are We Now?” was launched without any previous fanfare earlier this morning, and you can listen to it and watch the video (directed by Tony Oursler) here.Graeme Thomson writes: Produced by his long-term collaborator Tony Visconti, in many ways musically "Where Are We Now?" marks a fairly seamless progression from the last song on his last Read more ...
Matt Wolf
A dark night of the soul gets mined for maximum effect in Irish director Lenny Abrahamson's third film, a subdued yet infinitely disturbing portrait of a teenager, and by extension his community, undone by a sudden act of violence. Set among Dublin's comfortable Sandymount middle-class, the film couples an improvisatory vibe with a gathering sense of grief that brings Greek tragedy to mind. And when the movie's deliberately clamped-down feel cracks open, watch out: the howl it unleashes is terrifying to behold.Newcomer Jack Reynor (pictured below right with Roisin Murphy) gives a star-making Read more ...
Tom Birchenough
How could we have expected the London 2011 riots to be brought back for the big screen? The least likely answer must be as a black comedy about a bicycle cop who after a bad concussion has woken up as a one-man vigilante who’s taking out the villains on his beat, but asking their permission first. That last detail explains the title of Stuart Urban’s May I Kill U?, which brings this particular wayward member of her majesty’s constabulary rather into Carry On territory, with a twist of Ealing comedy on the side.The odds are already stacked towards absurdity when your hero’s called Baz Vartis, Read more ...
Tom Birchenough
Welcome to the marble halls of Mr Selfridge. All the world, in ITV’s new costumer (in every sense), isn’t a stage - it’s a shop. And bestriding his eponymous Oxford Street emporium, which we saw in this first episode in the run-up to its 1909 grand opening, like a colossus is Jeremy Piven as Harry Gordon Selfridge, the American who came from his native Chicago to open the world’s finest department store of its time.Selfridge had already made a fortune at home, but chose London for his project of a lifetime. But even the best business plans go astray - literally here, when a first business Read more ...
graham.rickson
Holst? Yes. Britten? Maybe. But John Adams? Programming Adams’ Guide to Strange Places as the extended opener in this National Youth Orchestra of Great Britain concert made complete sense after a few minutes; conductor John Wilson’s strengths as an interpreter of Hollywood film scores and British light music made him ideally suited to unpick the thornier metrical complexities of the Adams work. Wilson’s beat is disarmingly precise, every gear change spelt out with refreshing precision. Which, when he’s dealing with 165 musicians who look as fresh-faced as he does, can only be a good thing. Read more ...