Reviews
Adam Sweeting
Imagine my surprise when we weren't much more than halfway through this first episode, and the flipping thing hit the iceberg. But of course writer Julian Fellowes was way ahead of me, and his four-part series about RMS Unsinkable is evidently going to circle around the vessel's fate from various viewpoints in assorted time frames.Judging by the trailer at the end, next week's is going to home in on such prickly issues as whether the Titanic was going too fast or keeping an adequate look-out for floating hazards, and whether or not she was as safe as the designers claimed. In this opener, Read more ...
emma.simmonds
Into the Abyss sees celebrated German filmmaker Werner Herzog take a sharp turn away from those marvels of early man he so magnificently captured in the stereoscopic Cave of Forgotten Dreams to the shocking violence of which humanity is also capable, here both greed-fuelled and state-sanctioned. It’s a documentary which takes as its focus a multiple homicide and is both an anatomy of a (triple) murder and a passionate, if frequently askew, petition against the death penalty.Wearing his anti-capital punishment stance proudly from the outset, Herzog delves into the 2001 murder of Sandra Stotler Read more ...
geoff brown
Originally, this concert was to open with that mercurial wonder Martha Argerich playing an unspecified piano concerto. Then its first item became Martha Argerich not playing anything, for the good lady, almost as rare a visitor to Britain as the Man in the Moon, did what she’s famous for doing. She cancelled. Acting with award-winning panache, the Barbican then found a substitute artist who’s recently become even rarer, the violinist Maxim Vengerov. Known for his golden tone, charisma and fire, Vengerov last performed in Britain with his violin in 2007: the year of his serious shoulder Read more ...
Matt Wolf
If it's possible to take a loving and empathic approach to decidedly intractable material, the director Michael Attenborough achieves precisely that with Filumena, in which Samantha Spiro follows on from (and surpasses) Judi Dench in author Eduardo De Filippo's title role of the one-time Neapolitan prostitute who in early middle age decides that what matters most is to be una mamma. Staged on a terracotta, plant-filled stage dominated by an orange tree whose limbs extend out towards the theatre's upper level, the production looks as handsome as Spiro makes it sound, and it's only Read more ...
Natalie Shaw
The X Factor has made it far easier for fans to connect with artists from the get-go - as far as the viewer is concerned, the life story of each auditionee starts at episode one. Following JLS from that first audition to a third sold-out arena tour in the space of just four years has instilled a sense of pride in even the youngest of fans. Unusually for the television talent contest, JLS arrived pre-formed - they stood before Simon, Cheryl, Dannii and Louis with matching outfits unprompted, four savvy members seemingly set on becoming the next Boyz II Men. In spite of their strengths, Read more ...
aleks.sierz
Ethnic tensions in France have been in the news this week, with the siege of the gunman Mohammed Merah, so award-winning South-African penman Craig Higginson’s new play seems really timely. First seen in this country at the Salisbury Playhouse, and opening last night at Theatre 503 in south London, this story about the relationship between a French-Congolese student and an English teacher during a hot Parisian summer is full of emotion, and ideas.Set in the chic flat of Celia, an attractive young teacher of English, this two-hander is a story about her encounter with Pierre, an equally young Read more ...
graeme.thomson
In the early Eighties Peter Gabriel was the ne plus ultra of arty, experimental margin-hangers, breaking cover occasionally with an improbable hit single before “retreating back into the bushes with my normal crowd”. His fifth studio album, So, changed all that. Its lead single “Sledgehammer” strutted over the dividing line between cult kudos and mass-market kerching, leading Gabriel and the rest of this darkly soulful album straight into the arms of the mainstream. After 1986, he was one of the big beasts.This absorbing Classic Albums film suggested there was little premeditation about any Read more ...
igor.toronyilalic
I don't much like aspirational music-making. I like my classical classical and my pop pop. Give me Boulez over Bernstein, Britney over Radiohead, any day. Having said that, I'd heard a piece by Jonny Greenwood at Reverb last month that had gone some way to winning me over. For a brief moment, Greenwood dropped the avant-garde pose that he's adopted for most of his other classical compositions and indulged in a bit of tender-hearted Romanticism that was nothing if not charming. This kind of honesty was not much in evidence in his team up with Penderecki last night at the Barbican. It's Read more ...
fisun.guner
The Master and Margarita is a rare beast. Not only is it considered to be one of the greatest novels of the 20th century, it also regularly tops reader-lists of all-time favourite books. So it’s no wonder that, since its publication in 1966, 26 years after the author’s early death, Mikhail Bulgakov’s Soviet-era masterpiece has attracted a steady stream of film-makers and theatre directors. But their adaptations have so often floundered that one genuinely fears for anyone fearless, or foolhardy, enough to take it on. With its genre-shifting multiple narratives and dense allegorical layers, Read more ...
Natalie Shaw
It’s sometimes difficult to imagine that a new pop star can ever live up to even the most optimistic fan’s expectations. Spiralling hype and contagious squeals over mp3s are one thing, but with the subject standing before them to perform a full live set it’s all too often a different story - the cloak is removed and hark, there’s a human being behind it. A human being who talks, sings and performs songs we’ve never heard before! How are we supposed to love something clothed in properties from the ether?However, real pop fans always live in hope of stumbling across the star who can transcend Read more ...
Ismene Brown
Two amazing things in one evening from a company totally at sixes and sevens artistically - it could only be English National Ballet. First amazing thing: the uncovering of a confident and stylish young choreographer straight from school. Second amazing thing: the radical redesign of a modern classic with stunning flair and a performance that’s got to be one of the shows of the year, whatever else happens.While the fights between ENB’s Board and its artistic directors are one of those dependable balletic traditions, like Nutcracker at Christmas, and their firings inevitable (bye-bye, Mr Wayne Read more ...
Jasper Rees
The Olympics will be upon us all any minute now, but for the residents of East London they have been physically sprouting at the end of the road in the shape of a futuristic stadium for years. It takes the role of a shy walk-on in Wild Bill, a looming symbol of a local regeneration which was touted as integral to the hosting bid. It’s safe to say that the London seen here will not earn the grateful rubberstamp of the Cultural Olympiad. If you could get onto a podium for knifing, gashing, stabbing, thumping and thrashing, the characters we meet here could have been contenders. They’d probably Read more ...