Reviews
David Nice
Was Rossini, credited with the unsinkable comment that Wagner had "beautiful moments but bad quarters of an hour", hoist by his own petard in his last and grandest opera? For while Wagner, at least in performances as well-paced as the one I heard of Siegfried in the hands of last night's valiant field marshal Dominic Wheeler, really ought to have no dull moments, Rossini's Guillaume Tell offers many stunning quarters of an hour but just a couple which are so-so. In Chelsea Opera Group's blazing concert performance, however, none of it was less than compelling.All three and a half hours of it Read more ...
stephen.walsh
An opera about Alzheimer’s disease might seem an idea calculated to send the most community-minded audience rapidly to the nearest exit. Yet there's a longish history of theatre – musical and otherwise – about loss of memory and the failure of language, from Wagner to Bartók to Beckett to (even) Michael Nyman; and if Elena Langer's new piece for The Opera Group, The Lion's Face, ultimately fails to measure up dramatically to that tradition, it may be because, in approaching the subject from a clinical angle, it imprisons itself in the inescapability of the condition itself, without Read more ...
Adam Sweeting
Aptly, this new documentary about how the Rolling Stones fled from England to the South of France to record Exile on Main Street was premiered at the Cannes Film Festival, with a supernaturally healthy-looking Mick Jagger on hand to give it a promotional shove. Jagger (along with Keith Richards and Charlie Watts) produced the film, working closely alongside director Stephen Kijak to knit together an evocative and emotional portrait of "the greatest rock'n'roll band in the world", at what many would argue was their peak.The fact that the project is an authorised job from the heart of the Read more ...
Ismene Brown
Cosi fan tutte’s arc of human experience is peculiarly effective when heard at Glyndebourne. With the mid-way picnic and wine in the setting sun, how much more aware are you of how easy it is as a day goes by to take leave of one’s senses and behave in a very silly way with serious consequences. Most seriously, to discover things about oneself that one did not want to know.This is what a good production of Cosi does, and it’s what Nicholas Hytner’s 2006 staging, opening yesterday for a new run this summer, does, growing from a cool start to a troublingly tense finish. In part this is due to a Read more ...
graham.rickson
A thousand miles away from the Disney version, the transformation scene in Dvořák’s Rusalka is bleak and terrifying. With not a cauldron, bat or cobweb to be seen, the heroine is strapped to an operating table before imbibing the witch’s magic potion intravenously. Then her legs, until now swaddled together, are literally torn apart. It’s a brutal, shocking moment; no surprise that some audience members giggled nervously. Opera North have revived Olivia Fuchs’s 2003 production with the superb Giselle Allen reprising the title role and it still packs a punch; the staging successfully Read more ...
kate.bassett
We must be on the night train, as there's something crazily dreamlike about the Pajama Men's mercurial railroad fantasy, The Last Stand to Reason, which was a runaway Edinburgh Fringe hit last year and is now, deservedly, back at Soho by popular demand.These two guys – American duo Mark Chavez and Shenoah Allen, both in crumpled jimjams and with only two wooden chairs for a set – keep morphing into a host of different creatures. Thus they raise their game: not merely your standard character-comedy duo; more like a couple of walking, talking, whirring, prancing chimeras.It seems we're aboard Read more ...
David Nice
Just say "Gaza" and it's like throwing a bombshell marked "Darwin" in among the Creationists. Only in this case it's not always clear who the antagonists might be. Several seemingly liberal theatre venues in Israel, where this project originated as a clear statement of the UN Relief and Works Agency's humanitarian role, cancelled at the last minute; more recently, supposedly enlightened sponsors suddenly withdrew substantial support. None had seen or read the content. It seems that telling the plain tale of a warehouse destroyed is inflammatory stuff. Odd when the warehouse in question, the Read more ...
gerard.gilbert
After the final episode of The Prisoner was aired in February 1968, Patrick McGoohan had to go into hiding after being besieged at home by viewers demanding an explanation about his teasingly obscure (and, I think, rather brilliant) ending. It’s unlikely that Matthew Graham and Ashley Pharoah will have similar problems after last night’s send-off to Life on Mars/Ashes to Ashes - after all, these days you can delve into the limitless speculation of the internet to compare their interpretations, maybe even read Graham and Pharoah’s Tweets on the matter.And, anyway, the creators of BBC One’s Read more ...
alexandra.coghlan
A beloved regular of concert hall, radio and recording, the music of Vivaldi has more or less failed to find its way into the contemporary opera house. If we are to believe his own claims, the composer died with over 90 operas to his credit – double the output of even the extraordinarily prolific Handel – making the omission all the more striking. And suspicious. In a field in which "lost" gems are resurrected every day, a measure of cynicism must inevitably accompany so apparently rich a furrow that so many have left untouched. Applying themselves with characteristic energy, Giovanni Read more ...
graeme.thomson
When the moment finally arrives for the Great Rock Reckoning, it’s hard to say where Crowded House will figure. There was a time, around 1993, when they looked like heirs apparent to U2 and R.E.M., ready to make the step-change up to the out-of-town sheds and the weekend fan-boys. They broke up rather than have to grasp that particular nettle, and the moment duly passed.Now in their second phase, having reformed in 2006 with Matt Sherrod replacing former drummer Paul Hester, who committed suicide just over five years ago, they remain an intriguingly indistinct proposition. Their albums, save Read more ...
Russ Coffey
Fairport Convention in the abstract seem romantic and timely. Their Sixties folk-rock is being rediscovered by many of our best emerging songwriters; the late Sandy Denny is still written about; and their most famous graduate, Richard Thompson next month curates Meltdown 2010. However, in the concrete, the Fairports are a somewhat more problematic proposition. Over 19 incarnations in 43 years, they have recorded almost 50 albums. To top it all they are loved by their fans with a level of detail normally reserved for sci-fi gatherings. This all makes getting your head around Fairport Read more ...
sheila.johnston
Werner Herzog is your go-to guy if you want a film about extraordinary madness. The German director's legendary partnership with Klaus Kinski yielded such wild and wonderful monuments to insanity as Aguirre, the Wrath of God and Fitzcarraldo. Theirs would be the natural team for this tale of a cop run amok, but, Kinski having departed to that great padded cell in the sky, Herzog hooks up instead with Nicolas Cage. The result is a slickly amusing, facetious study in dementia that declares its weirdness loud and proud without straying anywhere close to the edge of its comfort zone.Cage plays Read more ...