Reviews
sheila.johnston
Steven Soderbergh's new film has Matt Damon in a toupee! Stand-up comics in supporting roles! The most bizarre, strange-but-true of story premises! An eager-beaver, 100 per cent unreliable voice-over narration! Perky, parping horn music! And that exclamation mark in the title! It is, just in case anyone might miss the point, a comedy. Is it funny?Based on a book by Kurt Eichenwald, it stars Damon as the real-life figure of Mark Whitacre, a biochemist and senior executive at Archer Daniels Midland in Decatur, Illinois, a huge agri-business which, though you probably haven't heard of it, Read more ...
joe.muggs
I have seen Roberto Fonseca play before – in Havana backing Omara Portuondo and in London with the incomparable Ibrahim Ferrer - so although I was well aware of his ferocious talent I had no idea of how he would fare as a solo star. And I have seen plenty of jazz before, including Latin-style jazz – but only in venues the size of pub function rooms, generally full of nicotine-stained old men, so I had some trepidation about how it would come over in a venue as clean and swanky as the Royal Festival Hall.
But before Fonseca's “jazz Cubano” came the young, cosmopolitan and – let's be frank Read more ...
josh.spero
As questions go, "What is beauty?" is quite possibly only second to "What do women want?" in the frequency of its asking and in the difficulty of its answer. As the first programme in BBC Two and BBC Four’s Modern Beauty season, What Is Beauty? features Matthew Collings skirting around the edges of an answer and in doing so inadvertently hitting upon one.Collings tries to identify ten different components of beauty with reference to some of his favourite artworks. Piero della Francesca’s Madonna del Parto from Monterchi is beautiful because of its simplicity, Robert Rauschenberg’s Charlene Read more ...
aleks.sierz
At first glance, verbatim theatre is a total bore. This form of drama, which collects the words spoken by real individuals and puts them into the mouths of actors, has been a central plank of the rebirth of political theatre since 9/11, but its pleasures tend to be cerebral rather than visceral, moral rather than physical. Attending a verbatim theatre event - such as Out Of Joint's latest show, Mixed Up North - usually makes you feel good as a citizen rather than as a person. You feel worthy, but don’t usually have much fun.Written by Robin Soans, Mixed Up North (which finishes its nationwide Read more ...
sue.steward
“Photography is a refuge for failed painters,” declared the French poet, Charles Baudelaire around 1862. Yet photography took over a century to become a genuine family member of the art world. The British Library was slow to capitalise on the visitor value and historical significance of the vast photo-archive that it accumulated over the birth-period of this new artform. But its spectacular debut exhibition has burst open the vaults containing over 300,000 images, and now presents a magnificent production leading visitors on a journey back through time as the new art form was gradually Read more ...
edward.seckerson
It is quickly apparent when you are in the company of exceptional talent. In even the most hackneyed repertoire nothing is quite as you expect it to be: there’s a charge in the air, phrasings take on a different urgency, textures are opened up and newly revealed. And on this night, certain revelations concerning Shostakovich’s 5th Symphony were, under the exciting baton of Vasily Petrenko, no longer conjecture but irrefutable fact.But first there was a Night on the Bare Mountain to endure and if you thought that the tamer Rimsky-Korsakov version of Mussorgsky’s classic had ceased to Read more ...
sheila.johnston
If you would like to wallow awhile in visions of apocalypse this week, where are you going to turn to: the special effects splurgefest that is Roland Emmerich's 2012 (reviewed here) or the remorseless austerity of Michael Haneke'sThe White Ribbon? Their respective audiences may be almost entirely mutually exclusive. But, say what you like about the contemporary cinema (and some say it's going through a mini-Armageddon of its own), nobody can legitimately complain that it's not catering for all tastes.If you would like to wallow awhile in visions of apocalypse this week, where are you going to Read more ...
joe.muggs
Londoners, we know, can be spoilt. Certainly the crowd, predominantly of nerds in rare and expensive trainers, at the Lightbox last night didn't seem to be overly bubbling with enthusiasm despite an exciting lineup of talent and astonishing surroundings. The main dancefloor area of Lightbox lives up to the club's name, being an arched space with the entire wall/ceiling surface covered in colour-changing LED lights that allow pictures and patterns to dance across the room. But the nerds – and a very few women, mainly in equally modernist trainers – seemed almost oblivious to the fabulous Read more ...
Ismene Brown
Lush, romantic storyballets are as scarce as hens' teeth these days, despite the longing of much of the ballet audience to see them. Not because they're too elementary for today's dancemakers, I'd guess, but because to make one with lively dancing characters (male, female, young, old, good, bad, rich, poor), with a flowing story, lashings of set opportunities and an atmospheric score, takes multiple theatre skills few choreographers now develop. David Bintley's Cyrano is one of these rare birds, a truly skilled family ballet with all of the above.His treatment of Edmond Rostand's nostalgic Read more ...
gerard.gilbert
Filmed in the same Thamesmead locations in south-east London as Stanley Kubrick’s A Clockwork Orange, Misfits also features a gang of young trouble-makers in boiler suits. Unlike Alex and his Droogs, who face the fearsome "Ludovico" aversion therapy (after which thinking about violence, or hearing Beethoven’s Ninth Symphony, triggers nausea), this bunch are on a fairly slack community service gig. They paint benches between spliffs and indulging in the sort of banter you’d find on any Facebook page not being monitored by the grown-ups.That all changes when a massive electrical storm gives Read more ...
robert.sandall
Martha Wainwright’s decision to perform and record a selection of songs by the late Edith Piaf is a bold, not to say high-risk strategy that made for a fascinating one-off concert at the Barbican last night. Plenty of pop divas from Minelli to Bassey and most recently Grace Jones have covered Piaf evergreens such as “Non, je ne regrette rien.” But none has dared to take the Wainwright route and build an entire concert and live album around interpretations of more obscure items from the soi-disant little sparrow’s giant catalogue.While tribute albums loom ever larger in pop’s rear view mirror Read more ...