Reviews
Mert Dilek
Identity is thorny business. This was the parting thought of Anna X, the play that marked Emma Corrin’s West End debut in the summer of 2021. The same credo governs Corrin’s return to London theatre with Orlando, in Neil Bartlett’s adaptation of Virginia Woolf’s 1928 novel about a larger-than-life character hellbent on defying time, sex, and convention.Once again, Corrin blazes on stage – and across the centuries – with a central performance that is both lucid and layered. It’s a shame, then, that Michael Grandage’s breezy production doesn’t quite make the most of that great asset, not to Read more ...
Helen Hawkins
Apple TV+ is using the arrival of season two of Slow Horses to offer a generous three-month free trial to its streamer service. Ample time to catch up with season one and watch it multiple times before all of season two is available at the end of December. Go for it.Mick Herron is now preparing the ninth Slough House novel for publication in 2023 (there have also been three related novellas in the sequence), while the TV series is just embarking on volume two, Dead Lions. Predictably, the literary critical backlash has already begun: the books are formulaic, the magic doesn’t last, Read more ...
David Nice
This greatest of symphonies starts with what’s plausibly described as arrhythmia of the heart, so it shouldn’t have been surprising to find my own racing as Vladimir Jurowski drove a line through the peaks, troughs and convalescences of its massive first movement. There were more shocks to the system throughout, but all of them came from an interpretation so staggeringly well prepared that every texture sounded newly conceived.More of the personal, if you don’t mind. The most extraordinary concert I’ve ever attended was Claudio Abbado’s interpretation of the Ninth with the Lucerne Festival Read more ...
Saskia Baron
We hear the projector whirr as the mute 16mm film flows through the sprockets and on to the screen. For three minutes and a little longer we watch children and adults spilling out of buildings, intrigued by the novelty of a camera on their streets.They smile, wave, and jostle each other. One or two of the kids pull faces. It could be any old amateur footage by a holidaymaker visiting a distant town where the locals are unused to cameras. But this is Poland in 1938 and what we are seeing is a community that was about to be destroyed. These precious few minutes of celluloid were found in Read more ...
Nick Hasted
This is Noah Baumbach’s most capacious, overreaching work, corralling Don De Lillo’s novel of catastrophising, neurotic academia into a film jazzily dependent on rhythm, hooked on language and wildly diverse in tone.Jack Gladney (Adam Driver) is a paunchy, middle-aged professor of Hitler Studies in a small Midwestern city in 1985, married to Babette (Greta Gerwig), with three kids who act as a hyper-articulate Greek chorus. He dreads death, suffering nightmares of a foreign figure in his bedroom, and closer still, beneath the suffocatingly stretched bedsheet where his wife should be, scenes Read more ...
Kieron Tyler
When Trevor Beales’s band Havana Lake released their only album in 1977, it was on a label which also issued records by The Ryman Country Band, The Saddleworth Male Voice Choir, The Slaithwaite Brass Band, The Thurlstone Bell Orchestra and a version of Sixties beat band The Merseybeats. Look was the offshoot of West Yorkshire studio September Sound Studios – anyone booked there could have a record pressed as part of the deal.Havana Lake’s CSNY-ish, Lindisfarne-leaning album Concrete Valley had more sympathetic Look Records bedfellows in the country/folk-slanted duo Harmony & Slyde, and Read more ...
Robert Beale
Manchester Collective’s string orchestra programme, opening last night at the Royal Northern College of Music and touring to the South Bank, Leeds and Liverpool, is notable chiefly for the world premiere of will o wisp, by Oliver Leith, a remarkable piece of writing for the medium.The set is titled “Places We Know” and was devised by Pekka Kuusisto, but he had to withdraw from performing because of illness. His place is taken by Rakhi Singh, the Collective’s music director, leading the ensemble.The overall impression, considering that set title and the information given on the music played, Read more ...
Matt Wolf
Opposition (and history) are the apparent mainstays of the ceaselessly busy James Graham, and he conjoins the two to riveting effect in Best of Enemies.Telling of the televised 1968 debates between William F Buckley and Gore Vidal during that year's presidential race, Graham's hurtling drama is now in the West End after its Young Vic debut nearly a year ago; Broadway, presumably, is the next destination, not least given his play's American setting. We've been down this road before in varying ways, via Frost/Nixon on the one hand and Graham's own Ink, which posited two male Read more ...
Saskia Baron
Jean-Pierre and Luc Dardennes are Belgium’s national conscience. The brothers, who have been sharing the roles of writer-director-producer since their first film in 1996, make humanist dramas about desperate people trying to survive in a harsh world.You don’t go to their movies (The Unknown Girl, The Kid with a Bike, Rosetta) expecting escapist adventures. But their latest film, Tori and Lokita, while heartbreaking and grim, is also gripping with several sequences of ingenious tension worthy of a thriller.We meet Lokita (Joely Mbundu) first; she’s a teenager being interrogated by the Read more ...
Helen Hawkins
The Bush studio space is proving a fruitful launch pad, not just for new writing but for new performers. It previously showcased actor-writer-musician Anoushka Lucas’s multiple skills in her exciting debut piece Elephant; next up is the similarly multi-skilled Tania Nwachukwu, with The Kola Nut Does Not Speak English, an engaging playlet about her struggles with a split identity.It’s a deceptively simple 60 minutes, in which Nwachukwu, as London-born Watford resident Tasha, has her talk directly to the audience about her life and concerns, while relating a folktale about Eze in Nigeria that Read more ...
Adam Sweeting
There was originally a plan to make Tokyo Vice a movie starring Daniel Radcliffe, but it has ended up as a TV series starring Ansel Elgort. It’s almost certainly the better for it, because the eight episodes of this first season – the way it ends, or rather doesn’t, makes a second helping inevitable – give it space to explore Japanese culture and its often mutually uncomprehending relationship with American or European values.It’s based on the book of the same name by Jake Adelstein, a Missouri-born journalist who relocated to Tokyo, joined the staff of a Japanese newspaper and worked his way Read more ...
Gavin Dixon
There is no mistaking Christian Gerhaher. His voice is a light, agile baritone, and it is utterly distinctive. He is a very verbal singer, and is as happy delivering his lines in a toneless parlando as he is full voice. But when he does increase the colour, a burnished, slightly nasal tone appears, rich but still light. Emotions are always controlled, and the passion will often build gradually but steadily.All of which made this Schubert programme ideal, with Gerhaher tracing the emotional journey of each of these short Lied, without ever imposing his own drama, and without a hint of irony. Read more ...