Reviews
Demetrios Matheou
Take a bitter-sweet homage to Swinging Sixties London, then add a psychological horror story, and a murder mystery, with a dash of Mean Girls and a commentary on misogyny and sexual violence, all told through the prism of a young woman’s gift for seeing the dead. Edgar Wright has apparently been thinking about Last Night in Soho for more than a decade, which may explain why the final film feels so very over-cooked. Wright is a creative, effervescent, engaging filmmaker. It would be impossible for him to make a film that isn’t entertaining, and this latest venture Read more ...
Boyd Tonkin
I last heard Monteverdi’s Vespers of the Blessed Virgin, published in 1610, at Garsington Opera as the summer light of the Chilterns slowly dimmed across an airy auditorium dotted with singers who bathed us in scintillating meteor-showers of sound. Laden with spectacle, surprise and virtuosity, this piece was born in splendour. Did Monteverdi, overworked in Mantua, write it specifically to secure a top appointment in Venice or Rome, or did he just want to bundle all his choral and instrumental grooves into one hulking, show-off package? Most performances tend to aim for splendour too. However Read more ...
Mert Dilek
"You need to get better at communicating", says one character to another in Isley Lynn’s albatross. Indeed, the same advice would fare well with many of those in the Anglo-American Lynn’s new play, where miscommunication plagues a range of relationships and chance encountersStructured as a loosely connected sequence of mostly two-handers, albatross. offers a panoramic look at the power dynamics coursing through everyday conversations among strangers and intimates alike.This production is brought to the Playground Theatre by represent., a repertory company dedicated to working with Read more ...
mark.kidel
Two men trade licks: one of them delves into the heart of the blues, a potent dose of the boogie, the medicinal music of the Mississipi Delta. The other with a mournful voice and violin draws on the equally stripped-down and drone-inflected roots of Southern Italian tradition. The Italian also plays a range of frame drums with phenomenal energy and technical prowess. Mixing the rocking and rolling lilt of John Lee Lee Hooker with the frenetic pulse of pizzica music from Italy might seem an unlikely combination, but the result of collaboration based on a shared passion for the music of Read more ...
Tim Cumming
As The Rolling Stones – sans a much-missed Charlie Watts – generate old fashioned, 20th-century rock'n'roll excitement in the stadiums of north America this autumn, their final great studio album, 1981’s Tattoo You, returns to the new releases shelf after 40 years. It's available in a range of editions, from the standard single remastered album through a deluxe double set that comes with a disc of “Lost and Found” outtakes, to a “super-deluxe” four-disc boxed set encompassing a hardback book and the band’s live performance from the second of two dates at Wembley, on 26 July 1982.The Wembley Read more ...
Markie Robson-Scott
As a teenager in 1967, I asked for a Mary Quant make-up box for Christmas and my parents reluctantly complied. It was so thrilling to hold that plastic white box with the black daisy in the middle and the big mirror in the lid and to be able, at last, to experiment endlessly with the eye-shadows, the pearly face-lighter, the Starkers foundation (“Forget about colouring, go for shaping” said the instructions, excitingly).I already had her white zip-front PVC mac with a black collar and cuffs, bought from Fenwick or Selfridges, slightly too long but easy to chop off at the hem, and, like Read more ...
aleks.sierz
I’ve lived in Brixton, south London, for about 40 years now, so any play that looks at the gentrification of the area is, for me, definitely a must. Like many other places in the metropolis, the nature of the urban landscape has changed both due to gradual factors — such as migration — and spectacular events — like the Brixton riots of 1981 and 1985. Archie Maddocks’s new play, A Place for We, which is produced by Talawa Theatre Company and the Park Theatre, comes to the stage after being shortlisted for, although not winning, the Bruntwood Prize and the Alfred Fagon Award. Its cast is led by Read more ...
Gary Naylor
Two tribes, both alike in dignity in fair Vanara, trade goods and insults in a post-apocalyptic world in which fire is known to The Kogallisk but not to The Pana. When The Oroznah, a shaman respected by both feuding factions, foretells a long winter to come, The Pana must do all they can to steal the fire from The Kogallisk in order to survive the long nights.But the two bright young heirs have other ideas – Mohr, the sensitive Pana warrior, catching the eye of Ayla, the idealistic Kogallisk princess, and another way to salvation emerges.With a tour planned for 2022 and a buzz generated Read more ...
Adam Sweeting
Conceived on a global scale to depict the enormity of an alien menace from outer space, Apple's new series Invasion has grand ambitions, but crash-lands like a pile of space junk. After a few hours of this, waiting for something to happen, you’ll be yearning for a trawl through Netflix or Walter Presents.Created by Simon Kinberg and Davis Weil, with a reported budget of $200m, Invasion seeks to depict the consequences of its unearthly incursion by showing the varying fates of a contrasting group of characters. In Afghanistan, we hook up with a squad of US soldiers led by bullish, rifle-waving Read more ...
David Nice
Tom Rakewell Esquire, the Glyndebourne edition generally known as “the Hockney Rake” though it is very much director John Cox’s too, is 46 years old. The great Bernard Haitink, who conducted the first airing in 1975 at a time when Stravinsky's extraordinary score was hardly the repertoire staple this production has helped it become, has just left us, but it’s poignant that one of his disciples, Kerem Hasan, is in charge of the tour revival. With young singers at the top of their game, musical and dramatic tradition is very much alive and firing, however sophisticatedly, on all cylinders. Read more ...
Adam Sweeting
Channel 5’ s decision to remake James Herriot’s much-loved Yorkshire vet stories was an inspired one, and this second series has effortlessly carried on the mood of gentle observation, nostalgia and slapstick comedy amid scintillating Yorkshire Dales scenery. A teeming cast of dogs, cats, horses, cows and chickens is permanently on call to provide fuel for the adventures of Herriot and the Farnon veterinary dynasty.Much of the time, the second series has merely rung a few changes on the formula perfected last time around, but fans of the show (and of Herriot’s original books) won’t mind. Read more ...
Kieron Tyler
Forty five minutes into their set Field Music play “A House is Not a Home”, from their 2006 second album Tones of Town. An hour in, “Them That do Nothing” from 2010’s Measure is aired. They end with “Orion From the Street”, the opening track from their recent Flat White Moon album.Afterwards, leaving the venue and pitching into the assault of Friday night Camden, its shouters and stumblers, a voice is heard above the din saying the show was a great introduction to Field Music as they’d played what amounted to a greatest hits set. Yes, but more was going on.Flat White Moon explicitly draws Read more ...