Reviews
Bernard Hughes
The Royal Northern Sinfonia handed its players artistic control of the programme for this livestream from the Sage, Gateshead and if the result lacked coherence it certainly had the variety and diversity missing from the Wigmore Hall Nash Ensemble recital I reviewed last month. Centred around Piazzolla’s popular Estaciones Porteñas, in the composer’s centenary year, it also featured music by Germaine Tailleferre, Daniel Kidane, Dobrinka Tabakova and – incongruously – Haydn. But if the latter’s Sinfonia Concertante felt like an interloper from another programme, a breezy and generous-spirited Read more ...
Adam Sweeting
Darkest Hour may have been director Joe Wright’s finest hour, but we can say for certain that, despite its impressive cast, The Woman in the Window isn’t. Concocted from A J Finn’s titular novel with a screenplay by Tracy Letts, it’s a perplexingly derivative thriller which gives leading lady Amy Adams precious little on which to unleash her considerable talents. Predicting the outcome is merely a matter of totting up which scenario scores highest on the PlayItAgainSam-ometer.Adams plays child psychologist Dr Anna Fox, who’s separated from her husband and child and lives in a cavernous Read more ...
Adam Sweeting
Ancient Rome has always been a popular playground for film and TV, whether it’s Ben Hur, Gladiator or the 2005 TV series Rome. This Italian-made series for Sky Atlantic was shot at the renowned Cinecittà Studios in Rome, where Visconti, Leone, Scorsese and Bertolucci have all worked, but sadly none of that old-time movie magic has rubbed off on it.We are transported back to 40BC or thereabouts, and it’s the aftermath of the assassination of Julius Caesar. Caesar’s son Gaius (Tom Glynn-Carey, pictured below) and Marcus Antonius (Liam Garrigan) are revolting, and also planning a power grab. Read more ...
Markie Robson-Scott
It’s not until the final moments of End of Sentence that Frank (John Hawkes) lets himself laugh – he’s swimming in the icy waters of an Irish lake - and what a relief it is to hear. Icelandic director Elfar Adalsteins’s debut feature (Sailcloth, a wordless short starring John Hurt, won several awards in 2011) is a study in family shame, masculinity and keeping things inside.In this father and son road movie, set in the US and Ireland with a script by Michael Armbruster (Beautiful Boy), we slowly find out why Frank is so buttoned-up – he never takes his shirt off, not even in bed. His Read more ...
Boyd Tonkin
In 1992 Martin Amis published a story, “Career Move”, in which the writers of sensational screenplays with titles like Decimator and Offensive from Qasar 13 read their work to empty rooms in shabby pubs. Meanwhile, wealthy and fêted poets pen verses entitled “Composed at – Castle” or “To Sophonisba Anguiscola” and their agents immediately juggle megabuck offers from LA: “In poetry, first class was something you didn't need to think about. It wasn’t discussed. It was statutory.” Dead Souls, the first (almost) conventional novel by poet Sam Riviere, shares Amis’s engagement both with male Read more ...
Veronica Lee
In the UK, we usually get a peek inside The Villages in Florida every four years, when intrepid reporters take to their golf carts in the retirement community to test the water in presidential elections among its 132,000 residents. Their views provide a useful guide as to where the silver-haired vote stands.And on first sight, this “Disneyland for retirees” may seem like Nirvana, especially as one of the first people featured in Lance Oppenheim's quietly poetic and touching film says: “You come here to live, not to die” and another posits: “It's like going to college. Everybody can be who Read more ...
Adam Sweeting
The issue of public inquiries into the conduct of the military is in the headlines again, with a current focus on Northern Ireland, but at the centre of screenwriter Robert Jones’s Danny Boy was the attempt to find British soldiers guilty of war crimes in Iraq. The Battle of Danny Boy (it was the name of an Army checkpoint) took place on 14 May 2004, when a British patrol was ambushed by fighters of the so-called Mahdi Army.After allegations were made that British troops had murdered 20 Iraqi prisoners and tortured others, the Al-Sweady Public Inquiry was set up to investigate. One of the Read more ...
Florence Hallett
When Turner’s Modern World opened at Tate Britain last autumn only to close again days later, we might have felt then an echo of sensations and sentiments powerfully expressed in the exhibition itself. Its subject is the dirty cacophony of newly industrial Britain, the startling modernity of which is often neglected in discussions of Turner that focus instead on the visionary aspects of his style. Conceived as a counterpart to 2014's Late Turner: Painting Set Free, also at Tate Britain, this exhibition, by the same curatorial team, considers Turner as a creature of his age, when the Read more ...
Lydia Bunt
In the first short story of Lucy Caldwell’s collection Intimacies, “Like This”, one of the worst possible things that could ever happen to a parent occurs. On the spur of a stressful moment in a café, an overloaded mother takes her screaming toddler to the toilet and leaves her baby in its pram with a woman she barely knows. When she returns, the pram is still there, but the baby is gone: “You have left the most helpless, precious thing you own with a complete and utter stranger.”“It happens like this”, we are told at the story’s beginning. Such pointers highlight the tale’s artifice, Read more ...
Adam Sweeting
With over eight million copies sold in its 50-year lifespan, Déjà Vu was, as Cameron Crowe writes in the booklet accompanying this compendious four-CD edition, “one of the most famous second albums in rock history”. It was originally released in March 1970, only some nine months after Crosby, Stills and Nash’s influential debut album, yet in the space between the two, the tectonic plates had somehow shifted.CS&N had now gained their Y in the brooding form of Neil Young, and the indivisible tightness of the original trio – so exactly mirrored in their radiant harmony singing – now had to Read more ...
Peter Quantrill
The drunkard in spring; the lonely man in autumn; the long goodbye. Mahler’s last song-cycle often seems to embody solitude; a resigned, earthly counterpart to the transcendent rapture of his previous work, the Eighth Symphony, as a superstitious talisman to ward off the finality of a Ninth. Last night at the Barbican, however, in their first performance back at their much-maligned home, the London Symphony Orchestra and Sir Simon Rattle showed a different side to the piece – or rather sides, because this was a performance lit from within by a remarkably full realisation of its place in Read more ...
Charlie Stone
"Trompe-l’œil," explains the director of the Institut de Peinture in Brussels, “is the meeting of a painting and a gaze, conceived for a particular point of view, and defined by the effect it is supposed to produce”. In layman’s terms, it is the art of decorative painting, the technique of creating an optical illusion whereby a surface appears three-dimensional. It’s also the subject of this book. Painting Time, Maylis de Kerangal’s latest novel, translated by Jessica Moore, is an ode to that somewhat overlooked side of the artist’s craft, a determined evocation of the skill, dedication and Read more ...