Reviews
Boyd Tonkin
Before he published fiction, George Saunders trained as an engineer and wrote technical reports. The Booker-winning author of Lincoln in the Bardo, and four volumes of short stories, still has a telling fondness for precisely-scaled kits, blueprints, models and miniatures. One of his typically hands-on, rolled-sleeves analogies in this book about the art of the short story – and the Russian giants who can help us understand it – involves the Hot Wheels table-top race-track that Saunders enjoyed as a kid. The player had to site little gas-stations, with hidden accelerators inside, at intervals Read more ...
Veronica Lee
We're still some way off being able to see live performances in actual clubs and theatres, but here are some more comedy podcasts to keep your laughter quotient healthy in the meanwhile.Available on all podcast platforms unless stated. Office LadiesWhat a super idea this is: best friends and former co-stars on the US version of The Office, Jenna Fischer (who played Pam, one half of the “will they, won't they” office romance with Jim) and Angela Kinsey (Angela, the office stickler for rules and cat obsessive), give the gen on the hit workplace comedy. In each podcast episode they recap an Read more ...
Charlie Stone
It is near impossible to imagine what the world would look like today if slavery and colonialism had never existed, let alone to write a book on the subject. Courttia Newland sets himself this daunting task in his latest novel, A River Called Time. Imaginative fiction rubs shoulders with a naturalistic impulse to create the world of the Ark, an alternate reality in which African cultural influences represent the status quo. Rooted in a decolonised narrative style where every turn of phrase brings forth the weight of its cultural implications, A River Called Time is a deeply thoughtful, Read more ...
Adam Sweeting
History ain’t what it used to be, not on television at any rate. Recently we’ve witnessed the ongoing furore about the factual accuracy or otherwise of The Crown, while Bridgerton has cheekily galloped bareback over the conventional cliches of telly costume dramas. Now here’s The Great (Channel 4), which sort-of purports to tell the story of Catherine the Great, although writer Tony McNamara has given himself plenty of room for whimsy and invention.Each episode is prefaced with the caption “An occasionally true story” (a precaution some other programme-makers might like to consider), and Read more ...
Kieron Tyler
An old saw relating to The Doors says their ambition when they formed was to be as big as Los Angeles-based garage-psych sensations The Seeds. After listening to Lost Innocence – Garpax 1960s Punk & Psych, it’s hard not to wonder where the bands heard were aiming. What’s collected is from 1965 to 1969. All these combos operated in California, generally working in and around the LA area. All were produced by music biz maverick Gary S Paxton, whose company was named Garpax. He had been behind the novelty hits “Alley Oop” and “Monster Mash”.The Buddhas, Limey & The Yanks (whose frontman Read more ...
David Nice
“Without a care” (Ohne Sorgen, the title of a fast polka by Josef Strauss performed here with deadpan sung laughs from the players) was never going to be the motto of a Vienna Philharmonic concert without an audience. Introspection and even sadness seemed frequent companions in the interesting New Year’s Day bill of fare. Switching on BBC Radio 3 yesterday morning without prior knowledge of works or conductor, what I heard – one of nine unfamiliar items on the programme – were dark-hued, oaky waltz strains, clearly under the sway of a master. This was Johann Strauss the Younger’s Schallwellen Read more ...
Markie Robson-Scott
“They’re only rich assholes.They don’t merit your concern,” serial killer and psychopath Charles Sobhraj (Tahar Rahim, A Prophet, Heal the Living), aka rich French gem-dealer Alain Gautier, tells his girlfriend Marie-Andrée in The Serpent as he steals passports and money from a couple of unconscious tourists he’s just drugged on a beach in Thailand in the mid-Seventies.“Free your mind from bourgeois sentiments. You’re above all this,” he encourages her. This is the first time that she begins to realise what she’s got herself into, having left Quebec for Asia and the love of a not-so-good Read more ...
Laura de Lisle
The Doctor (Jodie Whittaker) has a simple routine: she gets up at the same time every day, tramps out for her allotted hour of exercise, and spends the rest of the day staring out of the window, yearning for freedom. Sound familiar? That’s a bit worrying, she’s in prison. Covid doesn’t exist in the Doctor Who universe, going blissfully unmentioned in this festive special allegedly set on 1 January 2021. The 13th Doctor has been banged up for various unclear misdemeanours – maybe pulling off a bob too well? – leaving mates Yaz (Mandip Gill), Ryan (Tosin Cole), and Graham (Bradley Walsh) Read more ...
Kieron Tyler
This breathtakingly lovely album opens with the aptly titled “Hey My Friend (We’re Here Again)”. Before the October 2020 release of ÖB and its related singles, the last record Finland’s Joensuu 1685 issued was a 12-inch on a Norwegian label which came out in 2011. This, the trio’s second album, was begun in 2008 just after the release of their eponymous first. Eleven years on, ÖB was completed.Joensuu 1685 resumed playing live in 2018. During the interregnum, when work on what’s become ÖB was on hold, frontman Mikko Joensuu issued the three epic, intense Amen albums. Each charted his struggle Read more ...
Boyd Tonkin
The LPO, and its soon-to-depart chief conductor Vladimir Jurowski, began its 2020 Vision season back in February. It set out to mix and match the music of three centuries and show how it echoes in contemporary works. Well, little of that turned out quite as planned: this final concert at the Royal Festival Hall was meant to premiere Sir James MacMillan’s new Christmas Oratorio, now scheduled for the Concertgebouw in Amsterdam on 16 January. That outsourced event feels like a saddening symbol of Britain’s interlinked catastrophes this year. Still, in spite of 2020’s never-ending series of Read more ...
Jenny Gilbert
Hard as it is to recall how it felt to sit elbow to elbow in a red plush seat, plenty of us did that during the first 10 weeks of 2020, with no heed at all to who might be breathing over us. I have since wondered what proportion of the dance sector had any inkling of the wrecking ball that was about to hit. None, to judge by the many weeks it took for dance companies and theatres to reinvent themselves online, and to start dredging their archives for decently recorded material. The flush of early streamings, generously put out for free, were reminders of what we were missing, but no Read more ...
theartsdesk
Stuck in our homes for most of this year, we found comfort and escape from books in ways unprecedented in 2020. The chance to dwell in alternative spaces, or inhabit different rhythms of living. Despite challenges for publishers to keep schedules on track, it was a year of brilliant releases, as well as notable firsts (the most diverse Booker prize list yet, and the International Booker won by a debut novel, Marieke Lucas Rijneveld’s The Discomfort of Evening in Michele Hutchison's translation). Our reviewers share their favourites below. From an unsparing work of autofiction to the gorgeous Read more ...