Reviews
Sebastian Scotney
Sam Lee has a strong, richly resonant and recognisable voice – and equally strong beliefs. His album Old Wow has really caught the spirit of moment: it is already being hailed as folk album of the year, even the decade, and last night’s gig at EartH in Hackney, the London leg of the album launch tour, was packed.The strength of Lee’s live show is the way that both his stories and his songs work to strike a balance between wanting to celebrate beauty and authenticity and an equally strong imperative and a sense of the urgency to preserve that fragle inheritance – both in folksong and in the Read more ...
Jessica Duchen
Nobody could deny that this was a weekend when we needed cheering up. The place for that was the Wigmore Hall, which played host to a recently formed “shape-shifting” ensemble of superb young soloists. The Kaleidoscope Chamber Collective was launched in 2017 by the violinist Elena Urioste and pianist Tom Poster (incidentally, they got married last summer). For their Wigmore Hall residency they gathered a starry team of clarinettist Mark Simpson, bassoonist Amy Harman, cellist Laura van der Hejden, horn player Alec Frank-Gemmill, violist Jean-Miguel Hernandez and double bassist Joseph Conyers. Read more ...
Jonathan Geddes
It might have been 24 hours after Valentine’s Day, but James McGovern still seemed to have a touch of romance in his head. At one stage during the Murder Capital’s bruising set he referenced his floral-patterned shirt as evidence that he was feeling the spirit of the previous day, and perhaps that should not surprise, for the Murder Capital are a band with plenty of heart.They are also an outfit with intelligence, both in their songs and in the clever way the Dublin fivesome structured this gig. The first half possessed intensity but mostly of the slow burning sort, a tension that you felt Read more ...
Bernard Hughes
In my reviewing for theartsdesk I like as much as possible to ski off-piste, reaching areas of repertoire, performer and venue that mainstream coverage doesn't. There is much great music-making that flies, to mix my metaphors, under the radar, but which is well worthy of being written about. Saturday night’s collaboration between the Elysian Singers, a notably adventurous London chamber choir, and the undergraduates of the St Peter’s Contemporary Music Happening was one such, showcasing repertoire more often written about than played, in committed and adept performances.The title of the Read more ...
Veronica Lee
Simon Evans is a comic known for pithy observational humour, and an often acerbic take on politics, with occasional bits of biography thrown in. But The Work of the Devil (which started life at the Edinburgh Fringe last year as Dressing for Dinner), is his most personal show yet, and all the better for it.The reason for the reboot is that, as audiences will discover, the story he tells has had to be updated, and here, in its touring form, he tells the tale over two hours rather than a more festival-friendly 60 minutes. This means the comic can lay a series of clues throughout the first half Read more ...
Kieron Tyler
Spook The Herd concludes with “A Fitting End”. In a cracked, reflective voice, Hazel Wilde sings: “I want a door to the Nineties…what a fitting ending, what a perfect scene.” By hoping for a portal into the recent past, it seems an attempt is being made to escape into – or even bring back – times when there was less negativity to deal with than today. A form of nostalgia maybe. Or a criticism of where things are now.Up to this point, the first eight tracks on the fourth album from Newcastle’s Lanterns On The Lake have tackled extremes of view expressed via the internet (“Baddies”), being Read more ...
Kieron Tyler
August and September 1964 were golden months for Pye Records. The Kinks hit number one on the British charts in September with “You Really Got Me”, their third single for the label and the group’s first success following two flop 45s.Before The Kinks, the top spot was occupied by The Honeycombs’s debut single “Have I the Right?”, where catchiness and a big beat combined to make a radio- and sales-friendly smash. It was issued by Pye in June, and took a while to become a best-seller. But no matter, the label behind both singles now had more than The Searchers on its beat-era books to Read more ...
Thomas H. Green
Welcome to the biggest plastic reviews party on earth. Now that vinyl is steadily successful as niche musical medium, some have rightly been considering its environmental impact. Perhaps the best overview is given by Kyle Devine’s feature in the Guardian, which is well worth checking (please come back if you do!). So, yes, record companies big and small should be looking to ecologically sound options to reduce the damage wrought by our love of music in this retro medium. They should, then we can continue to enjoy these warm, boomin’ sounds. Collected below is a multitude of music and a vast Read more ...
Adam Sweeting
This eight-part mystery from Netflix is based on the titular novel by American writer Harlan Coben, who has formed a production company with Rochdale’s own Nicola Schindler, the production brains behind Happy Valley, Last Tango in Halifax and many more. The action has been transposed from New Jersey to Manchester – the one in England, not Massachusetts – and a strong and varied British cast does the heavy lifting, but there’s something in the mix that never quite feels right. Maybe it’s that things that seem par for the course in America’s moronic inferno can look hilarious in a homely Read more ...
aleks.sierz
Queer people of colour face a double discrimination: racism and homophobia. Against this sickness of negation and stupidity one of the best antidotes is a culture of celebration. And in this theatre can play its part. At the Bush, last September, the revival of Jackie Kay's 1986 play, Chiaroscuro, in the form of a gig, injected a heady dose of lively music and poetry into a story about two young black lesbians. Now this venue is staging The High Table, a powerful and moving debut by new playwright Temi Wilkey whose plot revolves around a gay marriage. And it's great!Set in London, Lagos and Read more ...
Jill Chuah Masters
Roland Orzabal, co-founder and lead guitarist of Tears for Fears, laughs to himself often during this documentary — the latest in the BBC’s often-excellent, always-forensic Classic Albums series. “I agree, I agree, it sounds great,” says Orzabal. He’s listening to “Shout,” the band’s 1984 Billboard No. 1 hit. “There’s something about it,” he chuckles, “I believed it.” The documentary focuses on Orzabal and Curt Smith, Tears for Fears’ founders and frontmen, and the development of their album-topping record Songs From The Big Chair (1985). It tells the somewhat unlikely tale of how a cathartic Read more ...
Owen Richards
He's one of Japan's foremost directors, and if you’ve witnessed one of his films before, you know what to expect from a Takashi Miike yakuza film. High-octane, boundary pushing fun from first frame to last. And that’s exactly what First Love is.The plot is simultaneously complicated and simple. The ambitious but hapless Kase plans on stealing drugs from his own yakuza boss and blame it on the triads. This involves his cop accomplice killing Monica, an escort prone to hallucinations. But when a young boxer, Leo, steps in to save Monica, the whole plan starts to fall apart.What follows is an Read more ...