Reviews
Tom Birchenough
Uncle Vanya must surely be the closest, the most essential of Chekhov’s plays, its cast – just four main players who are caught up in the drama's fraught emotional action, and four who are essentially supporting – a concentrated unit even by the playwright's lean standards. Its overlapping strands of unrequited love and desperate loneliness are tightly wound, so organically so that any single false note risks throwing the whole off balance. That’s never the case in director Ian Rickson’s exquisite production of this new adaptation by Conor McPherson, one which stretches the original in Read more ...
Demetrios Matheou
Armando Iannucci’s move away from the contemporary political satires that made his name, first signalled by his bold, uproariously brilliant Death of Stalin, continues apace with a Dickens adaptation that feels quietly radical. It’s not just the colour-blind casting, which includes Dev Patel playing the young hero; the most striking thing about Iannucci’s Copperfield is how gloriously exuberant it is. While not turning away from the social concerns and personal cruelties that permeate Dickens’ work, Iannucci cranks up the comedy, humanity and sense of community of David Read more ...
Matt Wolf
Cormac McCarthy’s two-hander, premiered at Chicago's mighty Steppenwolf Theatre in 2006, has by this point been everything short of an ice ballet: a self-described “novel in dramatic form”, as one might expect from the American author of such titles as All the Pretty Horses and The Road, followed by a film made for TV directed by, and starring, Tommy Lee Jones, opposite Samuel L Jackson.Its British premiere at the fledgling Boulevard Theatre represents a further audacious programming move by this new arrival to London’s array of venues but looks unlikely to reap the plaudits of its Read more ...
Veronica Lee
Matt Forde sets out his stall in Brexit: Pursued by a Bear from the first line: “We meet in diabolical circumstances.” These aren't good times, he says, with two major leaders in the Western world whose relationship with the truth is merely that of passing acquaintance. Add in the UK's continuing divisions over Brexit, and diabolical seems apt.We know where Forde is coming from. He's a proud Remainer and Blairite, a former adviser to the Labour Party and a vehement critic of Jeremy Corbyn – who gets it in the neck just as much as Boris Johnson does. Forde sees little difference between Read more ...
aleks.sierz
History plays should perform a delicate balancing act: they have to tell us something worth knowing about the past, that foreign country where they do things differently, and also something about our current preoccupations. Otherwise, what's the point? So the fact that playwright Lucy Kirkwood, whose Chimerica was a brilliant rocket that lit up the sky in 2013, has set her feminist play about women's bodies and experiences in the mid 18th century raises expectations that it will also say something about the #MeToo movement and our contemporary anxieties about gender issues. At first the Read more ...
Adam Sweeting
The 18-year-old Japanese horror hit Ju-On (The Grudge) was remade once before, as – yes – The Grudge (2004), with Sarah Michelle Gellar. Now it's re-rebooted in this stylishly photographed but fatally crass incarnation directed by Nicolas Pesce, who is of the view that if something is scary once, keep repeating it ad nauseam.It’s the story of number 44 Reyburn Drive in Cross River, Pennsylvania, a house cursed with a spirit of murderous rage. This passes on to anyone who enters, having made its way to the USA from Tokyo by attaching itself to Fiona Landers (Tara Westwood), who, rather Read more ...
aleks.sierz
Last night, I discovered the gasp index. Or maybe just re-discovered. The what? The gasp index. It's when you see a show that keeps making you exhale, sometimes audibly, sometimes quietly. Tonight I gasped about five times, then I stopped counting – I was hooked. I was obviously in the right place: the Royal Court has the reputation of being a powerhouse (to use a marketing term) of new writing. Yet, often my experience here has been of seeing old writing in a youthful guise; but this time was differenet – it feels like the real thing. From the start, Mancunian playwright Miriam Battye's Read more ...
Miranda Heggie
Dubbed “classical music’s guitar hero”, the 36-year-old London based Montenegrin guitarist Miloš Karadaglić – more commonly known by just his first name – is back on the international stage. He returned in 2019 after a devastating hand injury which led him to take time out from playing professionally around the time of the launch of his 2016 release Blackbird: The Beatles Album. Playing to a packed out Birmingham Town Hall on Tuesday evening, he clearly delighted fans with his return. He opened his recital with his own transcription of Bach’s Suite in C minor, originally written Read more ...
Adam Sweeting
We hear plenty of debate about climate change and its disastrous potential, but the ballooning growth of the world’s population may be the most critical issue facing humankind. Chris Packham thinks so (“it’s undeniably the elephant in the room,” he says, though lack of elephants is one of its many alarming symptoms) and in this documentary for BBC Two he criss-crossed the planet to show us the evidence.The earth’s population is about 7.7 billion now and is predicted to reach 10 billion by 2050. Packham touched down in Sao Paolo, Brazil, where the population is five times greater than London’s Read more ...
Adam Sweeting
The race continues to create the most ridiculous cooking programme on TV. Channel 4’s new brainchild, Crazy Delicious, finds the culinary nutty professor Heston Blumenthal teaming up with fellow-judges Carla Hall and Niklas Ekstedt to become the “Gods of Food”.Each week, three amateur contestants turn up on a studio set which supposedly represents some kind of mythical garden or bosky glade from classical mythology (though with its warped scenery and funny-coloured foliage, it mostly looks like something out of an ancient episode of Star Trek), where they can find an exotic array of Read more ...
Sebastian Scotney
One can only marvel at the versatility of Ruby Turner. As a vocalist, she spans the whole blues/soul/ R&B spectrum, and has been a major presence on the British scene since the late Seventies. Her unvarying capacity just to step forward and deliver a strong line, clear words, and powerful emotions are an unfailing and unique aspect of the musical life of this country. Perhaps the Halls of Fame and the honours system have a bit of catching-up to do.She has done everything from taking a major role in the British blues movement at the instigation of Alexis Korner, to performing Ray Charles Read more ...
Matt Wolf
Armageddon would appear to be at the gates in Sam Steiner’s intriguing if ramshackle play, a co-production between Paines Plough and Theatre Royal, Plymouth, that has reached London while still seeming a draft or so away from achieving its full potential. Inside a Samaritans-like call centre called Brightline, pregnant work supremo Frances (Jenni Maitland, chipper to a fault) is trying to keep the mood light.But beyond the doors of an office seen to be engaging in its own physical collapse lies a clearly toxic outside world: bridges are collapsing, mould is running rampant, and the Brightline Read more ...