Reviews
Heather Neill
"Dickensian" commonly means both sentimental Victorian, apple-cheeked family perfection (especially at Christmas) and abject poverty. The story of Scrooge encompasses both as the old curmudgeon learns to mend his miserly ways and open his heart to others in a tale of redemption.Matthew Warchus's enveloping production has already had two successful outings here (with Rhys Ifans in the "Bah Humbug" role in 2017 and Stephen Tompkinson last year) and another iteration of it has just opened on Broadway.This version, by Jack Thorne (a writer whose work is familiar to all-age audiences for Harry Read more ...
Matt Wolf
There’s slight (White Christmas, to name but one) and then there’s The Boy Friend, a period musical so unabashedly vaporous that if you sneeze, it might blow away. All credit then to the Menier Chocolate Factory for anchoring Sandy Wilson’s onetime theatrical mainstay in a sustainedly nostalgic billow of song and dance to draw attention away from the fact that comparatively little of consequence happens across three acts. Matthew White's production would seem to be predicated on the assumption that nature abhors a vacuum, in which case, when in doubt, dance – and why not? Read more ...
Jenny Gilbert
In featuring ordinary people and things rather than magic curses or avenging ghosts, Coppélia stands apart in the canon of 19th century ballets. The only mystery about this delightful old production is why the Royal Ballet has not programmed it for more than a decade. For not only does it make a joyful end-of-year alternative to The Nutcracker but arguably a better first-ballet experience – and Covent Garden is pushing accessibility right now.The ballet’s title refers not to its feisty heroine but to a life-size dummy – a mechanical doll positioned in the window of its maker, the inventor Dr Read more ...
Adam Sweeting
“Restorative Justice Practitioner” sounds like a euphemism for a Mad Max-style lone avenger, but in director Anna Hall's devastating film for Channel 4, it was a woman called Kate whose job was to bring together conflicting parties and help find a resolution. Cameras and microphones eavesdropped with pitiless intimacy as Kate brokered a meeting between 30-something Kath and the man who’d raped and abused her when she was seven. The worst of it was that he was her older brother, Robert.Kath had guarded her secret from the rest of her family ever since, as it mercilessly eroded her sense of Read more ...
aleks.sierz
Eve Leigh is an experimental playwright who has tackled difficult issues for more than a decade. Yet most members of the public will know her, and her actor husband Tom Penn, as the neighbours who recorded an altercation between Boris Johnson and Carrie Symonds in June this year. At least, that's what it says on the internet. But don't let this distract you. Her new play, Midnight Movie, marks her debut at the Royal Court and takes as its subject the hypnotic attractions of the net. In particular, it explores the way that people with a disability can use the digital world for good as well as Read more ...
Adam Sweeting
Who can explain the mystery of the solitary wolf who has taken up residence on an archipelago off Vancouver Island – the Discovery and Chatham Islands to be precise – and has developed his own unique hunting methods while patrolling his self-contained personal turf? His behaviour runs totally contrary to the close family bonding typical of wolves, but if anybody can shed some light it’s wildlife photographer and environmentalist Cheryl Alexander, who (as we saw in this BBC Four film) has been carefully studying Takaya (it means “wolf” in the language of the indigenous Songhees people) for the Read more ...
David Nice
Fine-tuning piano sound to Wigmore acoustics can elude even the greatest. Add a second Steinway and a wide range of percussion instruments, and the risks would seem to be hugely increased. So it was amazing to witness what seemed like sonic perfection throughout yesterday's Radio 3 Lunchtime Concert from the back of the hall. Not only that, but a refined imagination from all four players that came as close to perfection as you could ask for. Pavel Kolesnikov, who so often seems to be associated with London’s most original concert programmes, joined up again with partner Samson Tsoy, a Read more ...
Thomas H. Green
The O2 is usually a bright, sterile space before the bands come on. Its starkly lit US sports event ambience is accentuated by humanity milling around layered plastic seating clutching giant tubs of soft drink. Not so tonight. The venue has been open for three hours before the headline act is due. The lighting is purposefully dingy as 2ManyDJs and James Holroyd spin techno-flavoured sounds, warming up the crowd. The aim may be to reimagine this corporate space, with its horrid placards shouting Sky, Coca Cola, etc, into a warehouse party. The balconies are a black skyline with phone lights Read more ...
Boyd Tonkin
There are encores and encores – most a friendly, minimal farewell gesture from the soloist; some a jolly, festive unwind after a particularly taxing piece. And then there’s the luxury free gift that Sir András Schiff bestowed on us during the second of two Barbican concerts with Iván Fischer and his Budapest Festival Orchestra. Jaws quietly dropped as we realised that Schiff intended to follow up Beethoven’s Emperor Concerto (both gigs formed part of the Barbican’s Beethoven 250 season) with the Allegro con brio first movement of the Waldstein sonata.Surely, this was munificence beyond the Read more ...
Tom Baily
Writer-director Jennifer Kent knows that Australia’s colonial past shouldn’t be beautified, and she drives that fact home in every gloom-drenched shot of The Nightingale (her second feature after The Babadook from 2014). This is an immensely ambitious film and an unrelenting long haul of suffering that confronts themes of sexual violence and Indigenous dispossession.Set in 1825 during the genocidal British colonial rule in Tasmania, the film follows Irish convict Clare (Aisling Franciosi) who launches a personal revenge mission against the colossally sinister Lieutenant Hawkins (Sam Claflin Read more ...
Nick Hasted
Natasha Khan is ending this intimate UK tour where her dreams first took shape. Study at the University of Brighton began 12 years in the bohemian town, and her twice Mercury-nominated, mythology-minded pop life. She could sometimes be found here in St Bartholomew’s, a vaulting Victorian temple with the supposed dimensions of Noah’s ark, all sunken shadows and glinting gilt, tucked just off London Road’s grubby shopping bustle. It was “a church I used to sit in and have a quiet moment”, Khan tells us. With only a second keyboardist sharing the stage, tonight is a very personal homecoming.Khan Read more ...
Gavin Dixon
This family concert – “Total Immersion: Lift Off!” – was basically a small-scale rerun of this year’s CBeebies Prom, that one entitled “Off to the Moon”. The Prom had a space theme, to mark the 50th anniversary of the Apollo 11 moon landing, and this Barbican concert just came in under the wire, still in the anniversary year, even if the commemorative events from the date itself, back in July, now seem distant.The CBeebies Prom was more celebrity driven, notably with Justin, aka Mr Tumble, dominating proceedings. This time round, Faith Omole (pictured below by Dom Graham-Hyde) was master Read more ...