Reviews
Boyd Tonkin
As one half of British politics convulsed into a deeper spasm of suicidal fury, it came almost as a relief to hear a great Anglo-Italian conductor lead an impassioned Roman orchestra in a massive, terrifying symphony once described by a (German) maestro as the first example of musical nihilism. Ah, but that’s the paradox of Mahler’s Sixth. His so-called “Tragic” symphony – though he disavowed that label for the epic, 85-minute work he premiered in 1906 – might amount to an overpowering expression of grief, rage, and despair at the cruelty of fate. But to get there Mahler not only deploys, but Read more ...
Sebastian Scotney
The sheer scale of the Mariah Carey phenomenon is truly astounding. Since the release of her first album in 1990, she has now clocked up worldwide album sales of over 200 million, and had 18 US Number One singles. Also – and far less frequently mentioned – she is actually third in the list of songwriters with the most chart-topping singles, and sixth in the list of producers. In other words, she is right up there contending with Lennon and McCartney in the first case, and she’s not that far behind George Martin in the second.In this live show, the first of three nights of the “Caution” Read more ...
Jessica Duchen
Expectations ran high for this final concert in Benjamin Grosvenor’s Barbican/Milton Court series, especially after the magic he and the Doric Quartet wrought in their February performance. Last night’s effort did not produce quite such inspiring results, mainly due to a slightly odd impression that pianist and some of the quartet were coming to the music from radically different directions that did not always blend.The Dorics opened with Janáček’s first string quartet, "The Kreutzer Sonata", modelled on Tolstoy’s short story of adulterous love and murder – music that still sounds startlingly Read more ...
Chris Harvey
Back in 2001, after the release of their debut album This Is It, The Strokes weren’t just the most fashionable band in the world, they were also regarded as the group that could “save rock”. That was asking quite a lot.This Is It was 36 minutes of near-perfect guitar pop, delivered with New York cool, insouciance and sex appeal, but it was also as retro as their East Village thrift-store threads. It seemed to contain echoes of every guitar riff you’d ever loved. Didn’t "Alone, Together" sound like the Undertones? "Last Nite" like Tom Petty? "Someday" like the Buzzcocks?It didn’t matter. These Read more ...
Nick Hasted
Haley Fohr’s disquiet at the “wildly outmoded” sexual politics of this notorious 1923 Wilde adaptation led her to cut its intertitles, relying only on sometimes delirious imagery and her throbbing live score. The inherent misogyny of the story of Herod’s step-daughter erotically dancing to gain John the Baptist’s head is, though, already undercut by Alla Nazimova’s bizarrely beautiful version. The Jewish-Russian émigré was a major Broadway and Hollywood star when her uncompromising, ruinously expensive vision for Salomé, and the scandal of her fake marriage to its director Charles Bryant, Read more ...
Boyd Tonkin
My first, beguiling taste of Hiromi Kawakami’s fiction came when, in 2014, I and my fellow-judges shortlisted Strange Weather in Tokyo for the Independent Foreign Fiction Prize. That delicate, unsettling tale of a romance between a younger woman and an older man had lost its original title (The Briefcase) for something more obviously offbeat. Allison Markin Powell’s finely-phrased translation appeared a dozen years after the Japanese original. Now, after the acclaim that greeted her version of The Nakano Thrift Shop, Markin Powell returns with another Kawakami work first published in the Read more ...
Kieron Tyler
Debates about whether 1964’s Marnie presaged Alfred Hitchcock’s downslide as a force will run and run. It is however certain that it was the director’s last film scored by Bernard Herrmann, who had worked on 1963’s The Birds, 1960’s Psycho, 1959’s North by Northwest and, before that, a run of Hitchcock’s films back to 1955. After Marnie, the affiliation continued – for a while. Herrmann’s music was heard in the TV show the Alfred Hitchcock Hour and he provided a score for Torn Curtain which the director neither liked or used. The professional relationship was over.Although the music for Read more ...
Owen Richards
Blessed with a red sunset and an adoring crowd, Noel Gallagher brought life to the ruins of Cardiff Castle. With support from fellow 90s alumnus Gaz Coombes, and Wales’s next-gen prodigies Boy Azooga and Buzzard Buzzard Buzzard, the evening provided a winning mini-festival affair.From first striding onto the stage, there was no denying that Gallagher is at home on stages this size. He possessed a knowing confidence as he broke into recent rock-pop single “Holy Mountain”, throwing cheeky shapes at opportune moments and always half a minute away from pointing a finger toward the Read more ...
Veronica Lee
They’re back and they’re looking and sounding good – and Spice Girls mania took over Dublin’s city centre for several hours before their concert yesterday. Hotels were booked out, every other woman I passed in the street was wearing a Spice Girls T-shirt or hat, and by mid-afternoon the whole city appeared to be moving as one towards Croke Park. Yet despite the fans’ enthusiasm, there’s always a worry that recreating a brand – as the Spice Girls became – from their mid-1990s heyday may make them seem dated or an irrelevance to a generation well versed in feminism and their own versions Read more ...
Joseph Walsh
It has been ten years since Canadian auteur Xavier Dolan first debuted I Killed My Mother at the Cannes Film Festival. A decade on he returns in competition with a title that shows an evolution of his filmmaking that leaves behind many of the problems of his previous work.Matthias & Maxime is certainly more accessible, and will appeal to mainstream sensibilities as a tenderly rendered examination of male friendship. Thankfully, this feature allows Dolan to step away from the enfant terrible image that has been thrust upon him. It’s altogether more meditative – calmer, even – and all the Read more ...
Liz Thomson
Was it imagination or did The Waterboys’ audience at London’s Roundhouse, invited to sing along to “The Nearest Thing to Hip”, really sing extra-loud and lustily on the line “in this shithole”? On a momentous day that seemed to push Britain further toward the perilous unknown, Mike Scott’s energetic performance of the song from the band’s 2015 album Modern Blues certainly struck a chord, and his recollections of youthful visits to London and lament of now long-gone delights surely resonated with many.There was the record store in Westbourne Grove where the teenaged Scott was invariably told Read more ...
Demetrios Matheou
Chilean Dominga Sotomayor’s third feature is a beautifully crafted example of the kind of Latin drama that is slow-burn and sensorial, conveying emotion through gestures and looks rather than dialogue or action. Nothing much seems to be happening, but before you know it you’ve been completed sucked in. Prompted by the writer/director’s own childhood on an ecological community outside Santiago, it offers a pithy, bitter-sweet reminder that idealism doesn’t necessarily lead to happiness and that children’s needs remain the same wherever they are: parental solidity, love, the freedom Read more ...