Reviews
Thomas H. Green
Tonight comes with a caveat, delivered before proceedings begin by the one-woman show’s writer and performer Nicôle Lecky, who’s sitting in a chair centre-stage. She damaged her foot during Sunday’s matinee at the Brighton Festival, dancing about, and has since had to do the whole thing seated. She assures us it was this type of read-through-style show that made the Royal Court Theatre originally commission the production in the first place. She hopes it will, therefore, not disappoint. It does not.Lecky plays Sasha, a 24-year-old mixed-race woman who starts Superhoe living at home with her Read more ...
Peter Quantrill
What happens on the stage of Stockhausen’s first opera would fill a book – quite a bad novel – but the plot is simple enough. Michael grows up with a domineering, game-hunting father and mentally unstable mother; discovers sex; passes his exams; travels the globe and finds his calling in life as a visionary and saviour.Premiered in 1981 and last seen in London in 1985, this skimpily veiled autobiography launched a cycle of seven music dramas, one for every day of the week and each of them reinventing from scratch what we think of as opera. The brassy Greeting in the foyer of the Royal Read more ...
Liz Thomson
Prufrock might have measured his life in coffee spoons but for many of us it’s rock albums, the money to buy them way back when scrabbled together from Saturday jobs and student grants – remember them? Many in the audience at the Royal Albert Hall last night for Mark Knopfler surely did and we knew precisely where we were when we heard “Sultans of Swing”, which caught the ear on late-night student radio – that open-tuning National Steel guitar, the story of George, “who knows all the chords”, delivered in a voice and style that seemed to mix Bob Dylan and Lou Read more ...
Adam Sweeting
Persistent depression is debilitating and terrifying, as Alastair Campbell illustrated vividly in this punchily-argued film. We first saw him looking like a disturbed, miserable ghost, as he described in his video diary a sudden plunge into depression at New Year, 2018. He seemed to be ebbing away before our eyes.Campbell is shrewd and perceptive, but not easy to like. The former bellicose henchman of Tony Blair (and presumed model for Malcolm Tucker in The Thick of It), Campbell was closely involved in the process leading to the 2003 Iraq invasion, and his arrogance and aggression often Read more ...
aleks.sierz
Stasiland is a fascinating mental space. As a historical location, the former East Germany, or GDR, is the archetypal surveillance state, in which each citizen spies on each other citizen, even if they are intellectual dissidents. The Communist state acts like Big Brother, keeping tabs on everyone. This was memorably invoked by Florian Henckel von Donnersmarck in his 2006 film debut, The Lives of Others. Now the National Theatre pays a similar visit to this unhappy place, with an intriguing play by Ella Hickson, which is given a thoroughly immersive production by Natalie Abrahami, using Read more ...
Veronica Lee
Film buffs who are also tennis fans (there must be quite a few of us who fit in that particular Venn diagram) will love this quirky and experimental documentary by Julien Faraut, which uses archive footage and narration to examine the idea of a shared passion for cinema and sport, and how they may unite on film.Faraut, as actor Mathieu Amalric explains in the voiceover, was working in the archives of the National Sport Institute in Paris when he discovered a huge pile of film reels by fellow Frenchman and documentarian Gil de Kermadec. They were part of a series of instructional 16mm films Read more ...
Adam Sweeting
It’s remarkable that this meandering observational documentary about the five square mile airport west of London has stretched to a fifth series. Heathrow may have 77,000 staff and expect 80 million passengers to pass through this year, but that doesn’t mean everything they do is interesting.For instance, a slender storyline about Thai Airways passengers stranded without a seat when the airline replaced a double-decker Airbus A380 with a much smaller Boeing failed to fizz when none of the passengers became violent or unreasonable. In fact they were delighted to be paid £535 compensation per Read more ...
Steve O'Rourke
Rage 2 is a wacky Dayglo-infused post-apocalyptic world filled with various different factions who, for one reason or another, want you dead. Think Mad Max on magic mushrooms. Sounds kind of fun, right? You play the role of Walker, the last remaining Ranger following a major attack from arch nemesis General Cross. You're pushed into a wasteland world to recruit three main leaders from around a sprawling landscape littered with road blocks, bandit camps, broken bridges and desolate dunescapes, as you bring the pain to the main enemy faction, The Authority.Along the way you’ll meet the good, Read more ...
Jasper Rees
Have we passed peak Hatton Garden? It’s now four years since a gang of old lags pulled off the biggest heist of them all. They penetrated a basement next door to a safe-deposit company, drilled through the wall, and made off with many millions quids’ worth in diamonds, cash and the like. All but one of them ended up in prison, where they will probably see out their days, being all of them well past pensionable age.Owing to the age of the criminals, the story had immense appeal to that section of the British film industry that rushes to glamorise London gangsters. The burglary triggered a Read more ...
Thomas H. Green
Primal Scream have played in this city, in the recent past, at the 4,500 capacity Brighton Centre but tonight they’re in a venue which holds well under 400. A bananas atmosphere reigns when bands of their stature play intimate shows, and so it is tonight. When frontman Bobby Gillespie leads the group on and asks the crowd to join in with their 1991 classic “Movin’ On Up”, they respond as if going into the encore, a mass roared chorus. The evening seems to peak at its start but then maintains that level of excitement throughout.This a warm-up for forthcoming gigs and festival appearances to Read more ...
Katherine Waters
There are children screaming in a nearby playground. Their voices rise and fall, swell and drop. Interspersed silences fill with the sound of running, the movement and cacophony orchestrated by a boy who leads on the catch tone. It's simultaneously otherworldly and juvenile, adept and improvised – a fitting soundtrack to Anish Kapoor's latest exhibition at Lisson Gallery. While Kapoor is best known for his perception-manipulating sculptures, his painting practice spans four decades and is the explicit focus of this exhibition. Three groups of paintings occupy three rooms; the first Read more ...
Joseph Walsh
Director Asif Kapadia's documentary on the controversial 1980s sporting legend Diego Maradona premiered at Cannes this week, and there's something unsatisfying about the fact it doesn't have a one-word title. It would have created a neat synchronicity with his previous two films (Amy and Senna), but we soon learn why this is the case.Kapadia's central thrust is the dichotomy of the public and private lives of a superstar, whose legend even the uninitiated are familiar with. The private figure is Diego – a sweet (self-described) mummy's boy from the slums of Argentina who rose through the Read more ...