Reviews
Tom Birchenough
Stalingrad is the companion piece to Vasily Grossman’s Life and Fate, which on its (re)publication in English a decade ago was acclaimed as one of the greatest Russian (and not only Russian) novels of the 20th century. For its sense of the sheer sweep of history, of a society passing through a period of momentous conflict, comparison was often made with Tolstoy’s War and Peace. Stalingrad is the prequel to Life and Fate, and its appearance now allows readers to assess Grossman’s magnum opus – he considered the two novels to be effectively a single work – in its entirety. Tolstoy Read more ...
Kieron Tyler
Jeanette’s “Porque Te Vas” is a prime example of a type of Europop which – beyond a brief flirtation around 1968 to 1971: think Clodagh Rogers – Britain had little time for. It’s not quite schlager, but still has the tell-tale martial rhythm. The singing voice conforms with the breathy stereotype still favoured in France. Like the best bubblegum pop, the melody and brass-studded arrangement are instantly hooky.“Porque Te Vas” is a fantastic single. Issued in Spain in 1974 by Jeanette it got wider exposure after being heard in the film Cría Cuervos, which was screened at the 1976 Cannes Film Read more ...
Bernard Hughes
Last night saw the official unveiling of 33-year-old Finn Santtu-Matias Rouvali as Principal Conductor Designate of the Philharmonia Orchestra, an appointment that has been widely welcomed, not least on theartsdesk. And while I enjoyed Rouvali’s work I had some reservations, and I would like to see him again before coming to a firm judgment.Rouvali’s conducting is extrovert, with flamboyant left-hand gestures and a right-hand which is more about the upbeat than the downbeat – indeed at times he abandons the down entirely in favour of a circular beat when building momentum. This gives a Read more ...
Hanna Weibye
Alexei Ratmansky stands out among contemporary choreographers for two reasons: he still creates genuinely classical dance, and he's more conscious than most that art is dependant on the society it's created in. His Shostakovich Trilogy, which received its UK premiere on Wednesday night at Sadlers Wells, should have been a triumphant opener for San Francisco Ballet's London season, a vehicle for the company to show off its technical proficiency and its artistic seriousness. Both were in evidence last night, but in a package that somehow managed to be less than the sum of its parts.None of Read more ...
Sebastian Scotney
“How did all these people get in my room?” the greatest crooner of them all once quipped, as he threaded his way through the Count Basie Orchestra and out onto the stage at The Sands in Las Vegas. But whereas Sinatra in 1966 had to convince an audience of just 600 people that they were seeing an intimate show, Michael Bublé sets himself the task of doing the same for 20,000. The Canadian singer’s ambition on Thursday night, he said, was to turn “this cavernous space the O2” for the first of his three sold-out nights there, into a cosy club. And the most remarkable and surprising thing Read more ...
Nick Hasted
Just how many cinematic universes can one planet stand? Gareth Edwards’ 2014 Godzilla and Kong: Skull Island’s Apocalypse Now/ape mash-up suggested there might be useful room for old-school creature features amidst the superhero surfeit. As random, rococo mythology and super-sized spectacle crash frenetically together in Godzilla: King of the Monsters, this third instalment of the ineptly named MonsterVerse is often great fun. But you can sometimes glimpse talented people working furiously to distract you from its sawdust substance.Edwards’ sombre reboot, with Godzilla and co. leaving city- Read more ...
David Nice
All happy 18th century couples are alike, it seems, and that makes for a certain placidity in Gluck's pastoral Bauci e Filomene for the (unhappy) wedding of Ferdinand, Duke of Parma and Maria Amalia, Archduchess of Austria. All unhappy couples are unhappy in different ways, especially if the marital misunderstanding takes place when you're bringing your wife back from the land of the dead. Riveting intensity from two young star singers, Ukrainian mezzo Lena Belkina and Australian soprano Kiandra Howarth, drove home what a masterpiece the work we know as Orfeo ed Euridice truly is, even Read more ...
Owen Richards
Set in the months and years after the Libyan revolution, Freedom Fields follows several women aiming to compete in international football. The documentary finds the players excitedly preparing for their first overseas tournament. However, it soon becomes clear that liberation doesn’t equate to freedom, as threats of violence from religious extremists cause the Libyan Football Federation to cancel the trip.It’s clear that British-Libyan filmmaker Naziha Arebi originally planned to follow the women to the tournament, an uplifting tale of competition and sisterhood. Instead, we catch up a year Read more ...
Richard Bratby
You can tell a lot from the opening of Brahms’s Second Symphony. Mirga Gražinytė-Tyla and the City of Birmingham Symphony Orchestra began it – and it’s not the first time they’ve done this in a big German symphony – as if in mid-flow: a broad, sunlit river of music, rolling out as if it had already been going on somewhere else already, and we’d only just tuned in.And if there’s one characteristic that defined this performance, it’d be that combined sense of inevitability and wonder. There was more to it than just that, of course: Birmingham's Symphony Hall offers near- Read more ...
Lisa-Marie Ferla
“I appreciate the irony of me singing this in my mum jeans,” says Emmy The Great, whose five-month-old is travelling with her on this tour, before playing “We Almost Had a Baby”. Despite its jaunty little riff the song, from her 10-year-old debut album, is a desperately sad one, about a pregnancy scare.Emma-Lee Moss was in her early 20s when she wrote the songs that would become First Love and the record is a time capsule packed with broken hearts, dramatic short stories, pop culture references and the intense, deep love for this person, and that song, that feels all-consuming in one’s youth Read more ...
alexandra.coghlan
Flirtations and fragile alliances, lies, betrayals, schemes and the ever-present promise of sex – Love Island may be back on our screens next week, but it has nothing on Handel's Agrippina. Imperial Rome is the backdrop for one of the composer’s most deliciously cynical comedies, where love is an afterthought and power is the only game in town.Agrippina is the original tiger mother, conniving to put the Imperial laurel wreath on her son Nero’s head. Kingmaker, ringmaster, seductress, éminence grise – it’s a gift of a role, and one seized with both hands by mezzo Joyce DiDonato, the Read more ...
Adam Sweeting
This is a painful and poignant study of character-disintegration, and a triumph for its writer, director and star Jim Cummings. He plays small-town police officer Jim Arnaud, a man trying to do his best while a rising sea of troubles threatens to drown him.Thunder Road is based on Cummings’s original 12-minute film, which won him the Short Film Grand Jury prize at the 2016 Sundance Festival. This provides the material for the opening scene, a daringly extended single shot in which Jim delivers the eulogy at his mother’s funeral. Despite looking pressed and formal in his police uniform, inside Read more ...