Reviews
Owen Richards
When Derry Girls premiered on Channel 4 in early 2018, there was little fanfare. But it’s been a whirlwind year for the four girls from Derry (and the wee English lad), capturing British hearts before conquering the US through Netflix. Their return in 2019 heralds a much bigger reaction, with faces plastered on front pages and buildings (including a traditional Derry mural). Can these comic upstarts meet the considerably raised expectations?Well, leave it to the ethereally oblivious Orla to quell any early reservations. Interrupting Erin in the tub as she wistfully imagines Read more ...
aleks.sierz
Dear Clean Break, Thank you very much for your latest, called Inside Bitch, a show which is billed as "a playfully subversive take on the representation of women in prison". It's a great celebration of your 40th anniversary. I saw this at the Royal Court tonight and I will remember it because the cast were clearly having great fun, and so was the audience. And I could see why. Some bits were really funny — and I couldn't help myself: I laughed too — which is all a bit weird because the subject of prison, and the incarceration of women, is really no laughing matter. In fact, *spoiler alert*, Read more ...
Sarah Kent
Ray’s world has shrunk to a single room in a council flat. His life consists of drinking home-brew, smoking, gazing out of the window, listening to Radio 4 and sinking into an alcohol-induced stupour. There’s no need ever to leave his bedroom because his neighbour Sid does all the necessaries. A lone alcoholic asleep in a dingy room may not be the most gripping opening to a new British film Ray & Liz, but the scene is shot with such compelling attention to detail that a kind of squalid dignity is conferred on Ray’s solitary existence. The drama comes later when his estranged wife Liz Read more ...
Bernard Hughes
What’s the one thing everyone knows about Robin Hood? That he steals from the rich and gives to the poor. So it was quite a brave decision to re-cast Robin as a rapacious Tory shires MP, doing his best to stop the poor becoming rich. At least, I think that was what happened: in much of the story is opaque, even having read the synopsis carefully. But this new new opera by composer Dani Howard has some striking passages, both of excellent singing and beautiful scoring.The Opera Story is a young company in only its third season, but already onto its third new piece. It doesn’t lack ambition: Read more ...
Veronica Lee
What a super-talented woman Phoebe Waller-Bridge is. Hot on the heels of the success of her adaptation of Killing Eve, she now spoils us with a second series of Fleabag (BBC Three, then BBC One) that opened with an episode so gobsmackingly good that I wanted to give her a standing ovation in my living room when I watched it for the second time. (In fact, like everybody else at a press screening a few weeks ago, I had done just that.)Fleabag began life as a one-woman show (directed by Waller-Bridge's long-time collaborator Vicky Jones) at the Edinburgh Fringe in 2013. Waller-Bridge then pulled Read more ...
David Nice
Would Verdi and Puccini have composed more non-operatic music, had they thrived in a musical culture different to Italy's? Hard to say. What we do know is that they both became absolute masters of orchestration – Puccini rather quicker than Verdi, living as he did in an entirely post-Wagnerian era. Verdi left us one great mass, the Requiem, Puccini a youthful and honest expression of the liturgy as well as other early pieces he mined for Manon Lescaut and La bohème. It made a pretty, occasionally stirring climax to an evening which could have done with an absolute masterpiece.One such, even Read more ...
Miranda Heggie
A day devoted entirely to the life and work of György Ligeti celebrated this composer’s remarkable oeuvre through a sequence programme of film, talks and concerts of his music. The final two of these performances were a short recital of his choral works, given by the BBC Singers in St Giles’ Cripplegate, and a concert from the BBC Symphony Orchestra of some of Ligeti’s orchestral masterpieces in the Barbican Hall.Under their chief conductor Sofi Jeannin – who led with style, clarity and precision – the BBC Singers (female members, picured below at the later event) opened their concert with Read more ...
Steve O'Rourke
The LEGO Movie 2 Videogame is based on events that take place in The Lego Movie 2: The Second Part film that came out in February. The story begins in the desolated wasteland of Apocalypseburg where alien invaders have left Bricksburg in ruins. Emmet, Lucy and his crew of companions go beyond their world to save their friends from the strange inhabitants of the faraway Systar System.Emmet is still a happy little chap, but his smiley demeanour is at odds with his surroundings. The world around him is a wilderness of sand and bricks, and similarly the grandiose gameplay of the previous Read more ...
David Nice
It speaks vivid volumes for the superb health of our music colleges that the Guildhall School tackles every aspect of Britten's long and layered Shakespeare adaptation with total confidence. On Friday night, there wasn't a weak expressive link across a team of 19 soloists, many of them obviously destined for great things (totalling 29 if you add up both casts, though of course I can't speak for them all), and 46 top-notch players under the vivid guidance of the School's Head of Opera Studies, Dominic Wheeler. Though there's no shortage of magic, this is less an eerie Dream than a robust and Read more ...
mark.kidel
Massive Attack have travelled a long way from the Dugout, the Bristol bar where the collective first tried their hand at spinning discs for a crowd whose cultural mix reflected the constant ferment of one of Britain’s most vibrant cities. The city welcomed them back, warmly as it will always do, at the Steel Yard, a vast purpose-built performance space in Filton, home of the Rolls Royce works that make jet engines for Boeing, still vibrant with the ghosts of the engineers and fitters that helped create Concorde, that symbol of European cooperation and future progress.Massive Attack’s set, Read more ...
Boyd Tonkin
Just as our brief, premature spring collapsed into the bluster of Storm Freya, the Enlightenment certainties of Haydn’s more dependable cycle of nature blew into the Royal Festival Hall. Perhaps because its lovely but (for the most part) serene music tends to occupy the sunlit uplands, The Seasons has never quite secured the automatic respect accorded to the cosmic and human drama of its immediate forerunner, The Creation. Sprinkled from first to last with imitative bird calls, hunting horns, babbling brooks, croaking frogs and an entire meteorology of weather-effects, the second great Read more ...
Tim Cumming
French actor and director Sandrine Bonnaire’s warm, langorous film portrait of la Faithfull may not the first – that accolade goes to Michael Collins’s feature-length Dreaming my Dreams (2000), featuring Mick, Keith, Anita and John Dunbar – but it does feel like a refreshingly deep-focus, specifically female take on her life and mythos, intimate yet kept at a decorous arm’s length by its subject, who by turns seems to want to open up while firmly closing her atelier doors on too much interior revelation. There are several times in the film when she holds her hand up to Bonnaire, asking her, Read more ...