Reviews
Thomas H. Green
Initially, this month’s theartsdesk on Vinyl began with the sentence after this one, but it's so dry readers might drowse off, so I started with this one instead and would advise moving through the next one, just picking up the gist quickly... Discogs, a key hub for global record sales in physical formats, recently presented its Midyear Marketplace Analysis and Database Highlights for 2018, which reckons vinyl sales are up another 15% over the last year. Very boringly stated but good news, right? The biggest seller was Pink Floyd’s Dark Side of the Moon which is predictable but it’s Read more ...
caspar.gomez
One of the biggest crowd roars of the night comes right at the start when Jake Shears runs onstage. He is wearing a grey top hat, a white tail-jacket with glittered lapel-edging, silver glittery trousers, a tight black sequinned vest top, and a bow tie on his bare neck. The 600 capacity Concorde 2, right on Brighton's seafront, is sold out. The audience had been singing along loudly with the immediate pre-show tune, “All That Jazz”, then cheered when the band walked on looking snappy in matching zig-zagged suits like tropical pyjamas. The bassist is songwriter/sometime pop star Mr Hudson and Read more ...
David Kettle
Orpheus ★★★★ This unashamedly sentimental storytelling show got its premiere a couple of years back in the back garden of a cheese shop in Cromarty, before touring the Scottish Highlands, we’re told. With its lo-fi, minimalist aesthetic, which strips theatre right back to its essentials of story and song, Orpheus could pitch up anywhere and charm with its captivating collision of present-day beery nights out and ancient Greek myth.Dave is nearing 30, and only sees the world in shades of grey, until he encounters Eurydice and his life magically transforms to vivid colour Read more ...
Owen Richards
It’s an event that only comes around once a generation: a new Matt Groening TV series. The Simpsons is rightly regarded as one of the greatest shows ever made. It changed the face of American television, and 10 years later was followed Futurama, a series that may lack the cross-demographic appeal of its predecessor, but consistently produced satirical masterpieces. Now, with a vastly changed viewing landscape, Groening makes the jump to streaming giants Netflix with his new show Disenchantment. The question is, can lightning strike thrice?On first appearances, probably not. Disenchantment is Read more ...
Veronica Lee
Rosie Jones ★★★★There are two versions of Rosie Jones, she tells us; one nice, one not so nice. And who knows which of those would have won the battle of psyches if the comic had not been deprived of oxygen for a quarter of an hour during birth, she asks in Fifteen Minutes. It's a terrific device – subtle but pointed, witty but poignant – as she muses about what kind of person she might have been without cerebral palsy.Jones is a mischievous woman and likes subverting people's expectations, manipulating the audience into uncomfortable moments, and then relieving the tension with a killer pay- Read more ...
Laura de Lisle
It feels like Michelle Terry’s first summer season at the Globe has been building up to Emilia for a while now. The theme is Shakespeare and race, so Othello was something of a given. It's joined by The Winter’s Tale, as if the Emilias of these two plays have been waiting for their chance to step into the spotlight. This new work, written by Morgan Lloyd Malcolm and directed by Nicole Charles, has a lot of potential that it never quite realises.Eponymous heroine Emilia Bassano, who appears at three stages in her long life (Leah Harvey, Vinette Robinson and Clare Perkins), was the first woman Read more ...
Saskia Baron
A slow tracking shot over the gassed corpses of soldiers, their masks having failed the ecstasy of fumbling, opens The Guardians. This French art house film would perhaps have been better served by the English title The Caretakers; it's closer to the original French meaning and would have made it less likely to be confused with a superhero movie. Set during the years when the Great War devastated France, the battle front only makes two dreamlike appearances in Xavier Beauvois’ meticulously crafted, slow-paced drama. Instead the focus is on a family farm in the Limousin and the women Read more ...
David Nice
This should have been the third much-anticipated Prom of the City of Birmingham Symphony Orchestra's inspiring communicator-in-chief Mirga Gražinytė-Tyla. She's now on maternity leave. So those of us who hadn't experienced Ludovic Morlot live before had a chance to witness what a splendid moulder and shaper he is, here in a skilfully co-ordinated all-French programme. It was not the fault of his impeccable presentation if prodigiously gifted Lili Boulanger's setting of Psalm 130 didn't come across quite as anticipated from estimable note-writer Roger Nichols' declaration of the work as a Read more ...
Boyd Tonkin
The days are long gone when a Proms gig by Daniel Barenboim and his West-Eastern Divan Orchestra felt like a life-changing visitation by a major prophet. Expectations of the ensemble he and the scholar-writer Edward Said founded in 1999 to encourage young Arab, Israeli and (later) Mediterranean-region musicians to work, and play, together have contracted on the political front. Meanwhile, WEDO’s purely musical scope and ambition has never ceased to grow. Now, a WEDO event feels (almost) like a normal Proms night at the Royal Albert Hall, although a special warmth – bordering on reverence – Read more ...
Jasper Rees
Television drama is living through a golden age, yes, but one thing mainly absent from the vast choice available on terrestrial and streaming broadcasters alike is the short story. Short dramas used to be a regular fixture on television, when schedules were more fluid and pre-satellite channels less risk-averse. Half an hour in and out to tell a punchy story on a low budget – it was a keen test of a writer’s mettle, and a good way to blood talent. So On the Edge, part of Channel 4’s 4Stories initiative to bring on new writers and directors, is a welcome addition to TV ecology.The three films Read more ...
Veronica Lee
Luisa Omielan ★★★★Luisa Omiela, a confirmed party girl, is the first to admit she used to hate politics, and had difficulty in working out the difference between Conservative and Labour (well, that goes for most people these days, but we'll let that pass). Then a big life event occurred and it made her dive deep into how political decisions affect our everyday lives, however we vote, or even if we don't vote. And so Politics For Bitches was born.The arguments around politics are like a massive penis knocking us in the face all the time, she says, so she wants to break down the big issues for Read more ...
Boyd Tonkin
Music-lovers who normally balk at the sight of national colours in a concert hall would surely have forgiven the little Estonian flags – in stripes of blue, black and white – that waved happily at the conclusion of this Prom. Under the baton of Paavo Järvi, dynamic and resourceful heir to a conducting dynasty, the Estonian Festival Orchestra came to London to celebrate the centenary of the first phase of the nation’s independence from Russian rule – a freedom lost in 1940 and not fully reclaimed until 1991. Yet Järvi steered not a corny carnival of patriotic uplift but a thoughtfully balanced Read more ...