Reviews
David Benedict
“What angel wakes me from my flowery bed?” Hang on a minute, Tytania, there are no flowers. Instead, as Britten’s ominously low strings slither and tremble up and down the scale, the curtain rises on a huge, near-acidic emerald green hilly slope lying against a seemingly fathomless International Klein Blue cyclorama broken only by a glowing crescent moon. Except it’s not just a hill: it’s also a giant bed; the perfect bed, in fact, in which to spend one wonderful midsummer’s night. This physical metaphor is both central to and typical of director Robert Carsen and designer Michael Levine’s Read more ...
David Nice
Could an epic cinematic masterpiece be turned successfully into a three-act play? Confession first: Ingmar Bergman's Fanny and Alexander is my No. 1 film. On one level a slow-burn, pre-World-War-One family saga, on another a timeless human comedy pitting cosy security against unbalanced seeming austerity, resolved by the decisive intervention of the supernatural, it couldn't be radically reimagined for the stage in the way that Ivo van Hove did so unsettingly with Persona – another one on the top 10 list – by linking it with a relative Bergman rarity, After the Rehearsal.That said, Stephen Read more ...
Adam Sweeting
As it turns out, the slashed-to-the-hip Versace dress with which Jennifer Lawrence provoked controversy (synthetic or otherwise) on a freezing London rooftop was an accurate barometer of what to expect from Red Sparrow. It has the nostalgic accoutrements of a Cold War thriller, and calls upon Ms Lawrence to bare provocative expanses of flesh at strategic intervals.It’s helmed by Francis Lawrence (no relation), who has previously directed Jen in three Hunger Games movies, but tonally it’s an odd mixture. Based on the similarly-named novel by retired CIA veteran Jason Matthews, it can boast a Read more ...
Sarah Kent
“I start out as an outsider, usually photographing other outsiders, and then at some point I step over a line and become an insider,” wrote American photographer Bruce Davidson. “I don’t do detached observation.” A large number of the images in Another Kind of Life were taken by photographers who took care to befriend their subjects. Given that these were people on the margins of society – either from choice or necessity – gaining their trust was no mean feat. Once accepted, though, the photographer was in clover.In the mid-1960s, Danny Lyon took many memorable shots of Chicago bikers burning Read more ...
David Kettle
Following his irreverent superhero reboot Thor: Ragnarok, one of 2017’s most distinctive blockbusters, and his quirky Kiwi indie comedy Hunt for the Wilderpeople in 2016, it’s fair to say that interest in New Zealand director Taika Waititi’s back catalogue is high. Hence, no doubt, the DVD release of Waititi’s second feature, 2010’s big-hearted coming-of-age comedy Boy.It’s fair to say, too, that the director’s signature style – his bathetic, deadpan wit; his unapologetic silliness; his big emotions – are all there in this earlier movie. But there’s a more serious side to Boy: a sense of Read more ...
Matt Wolf
Fake news takes on new meaning in the largely gonzo Game Night, which leaves spectators wondering moment-to-moment whether what they are watching is reality or part of a continually unfolding game. Telling of a gathering of six whose game night doesn't quite, um, go according to plan, this co-directing effort between John Francis Daley and Jonathan Goldstein throws numerous genres into the celluloid megamix and blends them to the max. And if the results sometimes tip towards self-indulgence or self-parody, the movie is still far cleverer and more engaging than one had any right to expect. Read more ...
Jenny Gilbert
There’s more than a touch of vaunting ambition in the idea of turning the Scottish Play into dance theatre. Without spoken text, named scenes or even a printed synopsis, it falls to choreography and direction to speak for them all. Thus the most striking achievement of Mark Bruce’s small-scale touring production of Macbeth is that it delivers the story with a clarity and vibrancy that communicates, whatever one's level of acquaintance with Shakespeare. What’s more, its best moments – which come thick and fast in the second half – are as thrilling as it gets on any size of stage.The grand Read more ...
Adam Sweeting
Workrate of the Week award goes to Lennie James, who not only stars in this new six-part drama but wrote and executive-produced it as well. James (who starred in the first series of Line of Duty, and has hit it big in The Walking Dead) plays the central character Nelly Rowe, a wily chancer living on a Deptford council estate who suddenly finds his chequered past catching up with him.We soon learn that a little of Nelly can go a long way, not least his slightly laboured geezer-slang – “things are gonna get a touch fuckin’ chronic”, “I dunno why you’re getting all secret squirrel about it” etc Read more ...
Adam Sweeting
This account of the aftermath of a sexual assault is handled with a clear-headed restraint and attention to detail that’s refreshing in the feverish post-Weinstein climate. The Light of the Moon (released on Amazon Prime) is the first feature by writer-director Jessica M Thompson, who has leveraged maximum value from her cast and a shoestring budget to create a low-key but potent sign-of-the-times bulletin.If the subject matter fills you with apprehension about preachiness or propaganda, Thompson is already ahead of you. The film’s central issue is what it is, but while telling the story of Read more ...
Saskia Baron
The practice of mining the rich seam of popular movies to turn them into stage plays or musicals seemingly never grows tired in theatreland. And sometimes it produces a gem but all too often it’s just a cynical ploy to attract ticket sales by piggy-backing on fond memories of a beloved film. It’s unfair to accuse this stage adaptation of Hal Ashby’s cult movie, Harold and Maude, of cynicism; the efforts of all involved are patently sincere, but sadly it just doesn’t work. Whereas the 1971 film was a superior slice of absurdist black humour tinged with transgressive romance, the 2018 Read more ...
Veronica Lee
As Mom and Dad opens, after a comically shocking preface, the Ryan family are presented as a typical all-American middle-class family – albeit one that, strangely enough, can afford a daily maid who cooks their breakfast. The family bicker good-naturedly as any family does; teenage daughter Carly gets ready for school while her younger brother Josh play-fights with dad Brent (Nicolas Cage). But is that just the faintest whiff of false bonhomie when, amid the pulled punches and bear hugs, Brent shoots Josh (Zackary Arthur) a furious look? Or is it something worse? It is indeed something Read more ...
Adam Sweeting
Marcella’s writer Hans Rosenfeldt was the creator of Scandi classic TV drama The Bridge, the one that made detectives with emotional disorders the flavour du jour, but you do have to wonder what kind of police force would continue to employ DS Marcella Backland (Anna Friel). On a good day she’s merely rude, argumentative, whiny and confrontational. But on a bad day she goes batshit-crazy and starts assaulting people, such as her about-to-be-ex husband’s about-to-be-wife, then looks all panicky and claims she can’t remember what happened.Despite having a long-term history of these blackouts, Read more ...