Reviews
Kieron Tyler
Until now, the easiest non-bootleg way to hear the early Rolling Stones live was via the various home cinema editions of October 1964’s T.A.M.I. show. Otherwise, although they employed backing tracks for broadcast, the American DVDs of their Ed Sullivan Show appearances caught the band in thrilling full flight. The new BBC sessions collection On Air fills out the picture by collecting 32 tracks they recorded between October 1963 and September 1965.Decent Decca-era archive collections of the Stones barely exist due to their poor relations with ABKCO, the organisation which owns their rights Read more ...
Sarah Kent
Eureka! A programme about a woman artist that doesn’t define her as a wife and mother first and an artist second. In fact, Rachel Whiteread’s husband and two sons were mentioned only briefly in this excellent documentary that followed her career from 1988, when she began making plaster casts of furniture, through to the monumental public sculptures that have attracted so much controversy over the years. The beginning was horribly predictably, though. First we saw footage of the Turner Prize ceremony in 1993, when Whiteread became the first woman to win the £20,000 award. Earlier that Read more ...
aleks.sierz
The civil war in Syria spawns image after image of hell on earth. Staging the stories of that conflict presents a challenge to playwrights: how do you write about horror in a way that is both accurate and entertaining? Goats, by Syrian playwright and documentary film-maker Liwaa Yazji, translated by Katharine Halls, is part of the Royal Court’s international project with writers from Syria and Lebanon, and takes up this challenge. Her angle is to look at propaganda, and to show how truth is the first casualty of war. She also examines what happens when propaganda is questioned.Set in a Read more ...
alexandra.coghlan
A comma divides the title of this opera double-bill in two, but the works paired here (Michael Nyman’s The Man Who Mistook His Wife for a Hat and Kate Whitley’s Unknown Position) each explore what happens when you take it away – when natural divisions, between human and object, self and other, perception and reality are dissolved, dismantled or elided. It’s an interesting premise, but one that only translates here into a single interesting opera.A bit of a buzz is building around young British composer Kate Whitley. A recent NMC release of her works gives a taste of a musician with a Read more ...
Owen Richards
Long before Barack Obama spoke about the audacity of hope, the Voyager mission left the Earth driven by something else: the audacity of curiosity. What do the outer planets look like? What are they comprised of? And what’s beyond that?Storyville: The Farthest - Voyager’s Interstellar Journey is an immersive study of NASA’s most audacious mission. Condensed by BBC Four by 30 minutes from a cinematic release, this incredible documentary looks at the infinite and infinitesimal questions that Voyager dared to answer. It makes you proud to be human, and embarrassed to still use your fingers when Read more ...
Sarah Kent
Three years ago Rose Wylie won the prestigious John Moore’s Painting Prize. She was 80 years old and had been painting away in relative obscurity for many decades. You might suppose, then, that the prize was given in recognition of past achievements – a reward for dogged perseverance. Not a bit of it; she won because her paintings were the freshest, most vital and most anarchic of them all, because she consistently ignores the rules and takes no prisoners.She painted figuratively when abstraction was all the rage, yet refused to conform to expectations of what figurative painting might Read more ...
Matt Wolf
No movie that folds Toby Jones of all people into a Gallic entourage headed by Isabelle Huppert and Jean-Louis Trintignant, the two as formidable as one might wish, is going to be without interest. Nor is it likely that the ever-severe Austrian filmmaker Michael Haneke would title something Happy End without irony coursing from every pore.But the bizarre fact of the matter is that for all its grimly compelling goings-on, the latest from the auteur creator of Amour, Funny Games and others risks sending itself up. You can't look away as the motley assemblage on view do devious or difficult Read more ...
Darius Battiwalla, Royal Northern College of Music, Manchester review - improvisation extraordinaire
Robert Beale
Organ improvisation is a remarkable art, prized in French musical culture particularly, and there was something highly appropriate in the choice of The Phantom of the Opera – a screening of the 1925 silent film with live accompaniment on the RNCM concert hall organ by Darius Battiwalla – as part of the "French Connections" year-long festival at the Manchester conservatoire.The story is, after all, set in the Paris Opéra, and taken from the 19th century novel by Gaston Leroux. Those who know the Lloyd Webber version will be familiar with the outline of it, but the silent film follows its Read more ...
David Kettle
It’s shameful to admit it, but it’s perhaps rather surprising that a film about a fashion photographer and designer should end up being so profoundly moving and inspiring. Lisa Immordino Vreeland’s deft biopic about Cecil Beaton starts off dancing across the surface of his achievements – his iconic fashion images; his striking photographs of the royal family; his sumptuous designs for My Fair Lady, Gigi and other movies. But by the end, the director achieves a really rather remarkable portrait of a complex, cussed and equally remarkable man, one whose work continues to exert a profound Read more ...
Saskia Baron
Fresh from the success of Harry Potter and the Cursed Child, Jack Thorne now gives us his exuberant adaptation of another much-loved text. Charles Dickens’ novella A Christmas Carol is the well-worn morality fable seared into our collective memory by countless screen versions and stage musicals. Matthew Warchus' new production places much emphasis on Scrooge’s philosophy that the poor have brought their misfortune upon themselves – Victorian sanctimony chiming with 21st century austerity. It’s a dark message embedded in a Christmas treat.Chunks of Dickens’ text unspool on stage as the cast Read more ...
David Nice
Even given the peerless standards already set by Sakari Oramo and the BBC Symphony Orchestra in their Sibelius cycle, this instalment was always going to be the toughest, featuring the most elusive of the symphonies, the Sixth, and the sparest, the Fourth. As it turned out, all challenges were met with Oramo's characteristic mix of energy and sophistication, and the interloper, Swedish composer Anders Hillborg's Second Violin Concerto in its UK premiere, saw to it that Lisa Batiashvili carried the flame.Was it going to be generic contemporary? The skeetering strings at the beginning suggested Read more ...
Veronica Lee
Margaret Cho takes no prisoners: if you don’t like good honest filth or feel uncomfortable around matters of feminism, sex and race, then this Korean-American comic is not for you. Cho was voted among the top 50 comics of all time by Rolling Stone magazine and was a protégée of Joan Rivers, a scabrously funny stand-up herself who skirted dangerously around taste and decency.Like Rivers, Cho appears to have no embarrassment in talking about her toilet habits or her sex life, and says her move from being lesbian to bisexual was because she realised she had “a place for cock in my life – inside Read more ...