“Your term is about to end,” Italian president De Santis (Toni Servillo) is told, with implications which extend far past politics. Director Paolo Sorrentino is second only to old maestro Marco Bellocchio in his current fascination with Italian power, from The Young Pope (2016) to Berlusconi satire Loro (2018). His muse Servillo’s bunga-bunga act in the latter contrasted with his gnomic reserve as post-war Machiavelli Guilio Andreotti in Il Divo (2009) and now this fictional sphinx, lizard-still even as damped passions threaten to finally erupt. His last half-year as head of state may anyway Read more ...

Have you ever witnessed both a Tristan and an Isolde physically plausible and vocally up to everything that Wagner throws at them, from violent cursing to heartbreaking tenderness? I hadn't until yesterday. At first it seemed as if Yuval Sharon's supposedly controversial production would smother Lise Davidsen's Isolde and Michael Spyres' Tristan in concepts and restrict them to a narrow curve set back from the front of the stage and hovering above it. Acoustically that seems to have been a challenge for those I know who were present at the Met, the orchestra supposedly overwhelming the Read more ...

Although it was released as a single in November 1968, The Goodees’ “Condition Red” could – apart from a specific quirk – have been issued four years earlier, in the wake of The Shangri-Las’ “Leader of the Pack” hitting the US charts. Despite going on sale in the hippie, back-to-the-roots, heavier-than-heavy, burgeoning-bubblegum era, “Condition Red” is so in sync with “Leader of the Pack,” it can pass for a follow-up.However, the lyrics – that specific quirk – of “Condition Red,” while in line with the Shangri-Las’ tale of the demise of a ruff-’n’-tuff rebel boy after a vehicular mishap, are Read more ...

Though there are few starry, starry nights in Stockwell these days, nor flaming flowers that brightly blaze, you can find ragged men in ragged clothes outside the Tube station. One hundred and fifty years ago, when a fiery redheaded lad pitched up in SW9 asking for a room, something happened and, if we don’t know exactly what, we can have fun wondering can’t we?It wasn’t just Don McLean who was drawn to the legend of Vincent van Gogh. In 2002, Nicholas Wright used a fragment of fact and a whole lot of imagination to spin a play out of the youthful Dutch master’s brief sojourn in South London Read more ...

The Hail Mary pass is a desperate act of sporting faith when regular tactics fail, and the world’s end is faced here by constitutional optimists on both sides of the camera: The Martian novelist Andy Weir and its film’s writer Drew Goddard, Lego Movie directors Christopher Miller and Phil Lord and Ryan Gosling as Ryland Grace, waking alone in a spaceship unreachable light years from home, beard and brain mangled as he remembers his suicide mission. Gosling’s cool charm, a blank slate which flips from Drive’s smooth killer to La La Land’s mild lover, here converts into raw film star fuel for Read more ...

Which crimes are the hardest to forgive? Violence; sexual assault; aggravated sexual assault? Yes, that kind of covers the territory. In Sarah Power’s new play, Welcome to Pemfort, currently playing at the Soho Theatre, this ethical and personal dilemma comes wrapped in an oddly discordant comedy about a countryside castle planning its first Living History event. You know the kind of thing: jousting, dressing up in medieval garb and serving olde English grub. But what about the crime? Set in the cluttered gift shop of Pemfort castle (actually just a fort with a bell tower), the play Read more ...

Over the years, Ronnie Scott’s, one of the premier jazz clubs in the world, has hosted some truly transcendental music. There’s something about the horseshoe layout of the seating that promotes exceptional intimacy. When the music zings and the audience feels it, there is a positive feedback loop which elevates the event beyond the merely ordinary.Steve Coleman and Five Elements, although still jet-lagged, in the early stages of an intense European tour, rose to the occasion, with an incandescent set that had the punters bewitched and – for Ronnie’s – unusually quiet. Unlike many other star Read more ...

Tony Kiritsis (the excellent Bill Skarsgård; Nosferatu) is a nervy, paranoid oddball. Well, he would be. He has an appointment with a mortgage broker and in the long cardboard box that he’s carrying is a sawn-off shotgun.Gus Van Sant’s first feature film since Don’t Worry He Won’t Get Far on Foot (2018) is itself something of an oddball project. Fraught and compelling, with Al Pacino as a very nasty businessman, it's based on the true story of a hostage crisis in Indianapolis in 1977 and is a tense, claustrophobic depiction of the little guy pitted against a corrupt banking system. Though Read more ...

When the joyful energy at the final curtain - love briefly triumphant in the power-dominated world of Wagner's Ring - is as insanely high as it was at the end of a dizzying first act, that killer of a forging scene, you know this is a winner. Andreas Schager is a battle-hardened Siegfried, knowing no fear at full pelt but having to work harder on softer tones now, and his still-boyish enthusiasm learns all the febrile, physical lessons director Barrie Kosky asks of him in the third instalment of his challenging new Royal Opera Ring. It's a combustible meeting.We also witness Kosky developing Read more ...

If you’ll forgive me the first of two tiptoes into Gonzo Journalism, a few weeks ago I found out that I have a faulty gene - not a romantically tragic Romanov one, but a defect on the double helix that had already manifested itself in a condition affecting my family and that I may have passed to my sons.That crucial medical knowledge leads to early diagnosis and allows for preventative treatment if required, but what if I had known about it 30 years ago, just before my DNA was shuffled at conception's roulette wheel? What if its impact were greater, life-altering, even life-threatening for Read more ...

Gorky's satire is set in the summer of 1904, between the opening of The Cherry Orchard and Chekhov's death that year, and the first Russian Revolution early in 1905. Summerfolk has echoes of Chekhov, The Seagull as well as The Cherry Orchard, to which it could be a sequel. Gorky's folk, lazily holidaying in their summer dachas, might be inhabiting the new development which Lopakhin was to build in place of the cherry trees chopped down at the end of Chekhov's last play. The closeness of the relationship is explicit here: there is a reference to trees having been cut down to make space for the Read more ...

Mother Pearl is not direct. While sixth track “Checking In,” with its rising-falling cadences and verse-chorus structure, is its most immediate, the dominant impression of the new LP by the Iceland-born Gyða Valtysdóttir is that it’s about creating an atmosphere and then nurturing it to generate an enveloping aural milieu.According to Gyða, quoted in the promotional material, “Mother Pearl is a seed, is potential, is a gift, is an aragonite, is a jewel created from an irritation from a grain of sand, is iridescent, contains all the colours, is vibrant, it is a fertile egg waiting to become.” Read more ...