Reviews
Kieron Tyler
The City: Now That Everything’s Been SaidWith early 1971's Tapestry, Carole King released a worldwide best seller which belatedly recognised that as an interpreter of her own songs, she had no peers. King had made the jump from the writer of songs for others to successful singer-songwriter. Harry Nilsson had done it. So had Randy Newman. Jimmy Webb would too. All three were based in Los Angeles.She had moved there from New York in 1968. The new home of America’s music business had supplanted the city where she had written “The Loco-Motion”, “Pleasant Valley Sunday, "Will You Love Me Read more ...
aleks.sierz
Titles don’t come much more evocative than this: Valhalla, the gigantic hall in Odin’s Asgard where those slain in battle come to feast, is the Norse mythological version of the Islamist fantasy of eternal life for jihadist martyrs. Valhalla brings to mind the sound of Wagnerian horns and the sights of vast mountain peaks. It’s all very Nordic, very Aryan and very Tolkien. And it’s the setting for playwright Paul Murphy’s excellent new play about scientific ethics, an 80-minute two-hander which is co-winner, with Bea Roberts’s similary great And Then Come the Nightjars, of this new-writing Read more ...
Richard Bratby
“How fair is the Princess Salome tonight”! That slithering clarinet run, that glint of moonlight: few operas create their world so instantly and so intoxicatingly. At Symphony Hall, the lights rose on the very back row of the stage, the percussion riser serving as the terrace from which Andrew Staples’s Narraboth and Anna Burford’s Page exchanged their ecstasies and warnings. Beneath them, Kirill Karabits directed a surging, shimmering Bournemouth Symphony Orchestra with urgent, economical gestures. By the time Lise Lindstrom glided on downstage as Salome, the scope and quality of this Read more ...
graham.rickson
Adams: Absolute Jest, Grand Pianola Music San Francisco Symphony/Michael Tilson Thomas, with Orli Shaham and Marc-André Hamelin (pianos), Synergy Vocals (SFS Media)Beethoven's scherzos can be deceptively weighty, the fun allied with serious intent. John Adams' brilliant Absolute Jest takes Beethoven's approach to extremes, in the form of a vast 25-minute scherzo cheerfully quoting from the great man's quartets and symphonies. Some are instantly recognisable. Like the Seventh Symphony's insistent 6/8 rhythm, which dominates the opening section. This is such clever, engaging music, with Read more ...
David Nice
With her strong, often fierce features and her convincing simulations of rage, Kate Fleetwood might have been born to play Medea. Unfortunately this isn’t Euripides’ Medea but Rachel Cusk’s free variations on the myth rather than the play. Many of her observations on marriage, motherhood and divorce are as penetrating and harsh as much of what we find in Greek tragedy, but they don’t join up to form the great dramatic arc you get in the original. Even director Rupert Goold, going way beyond the safe boundaries of so much British theatre as ever, can’t transcend the obstacles.In this last Read more ...
Jasper Rees
The question of the Macbeths’ dead child is one of those Shakespearean quandaries, like Hamlet’s age, Iago’s cuckolding and Beatrice and Benedick’s earlier dalliance. How much do they really matter? In this new film version of the Scottish play, it’s all about the back story. Everything – Macbeth’s disdain for death in battle, Lady Macbeth’s descent into somnambulant madness – hinges on the loss of a child.The solemn, wordless opening locates the Macbeths’ motivation in bereavement for a little child onto whose dead eyelids Macbeth places pebbles before the body is paganistically cremated on Read more ...
Guy Oddy
It has been three years since The Lemonheads, Evan Dando’s slacker kings, last toured the UK and six years since they released Varshons, a covers album. So it was a pleasant surprise when they recently announced a return to these shores to play some shows with no particular product to push, especially given that anyone might imagine that they had since long disappeared. Power pop with the odd dash of country and punk rock never goes out of fashion though, and in front of a room full of 30- and 40-somethings, the band dished out an evening of nostalgia that was enough to cast minds back Read more ...
alexandra.coghlan
Shorn of several scenes, characters, and a large portion of the orchestra, the question was always whether English Touring Opera’s Pelléas et Mélisande was going to thrive in its new intimacy and intensity or shatter with the pressure. The answer sits somewhere between the two, in a production where some orchestral deficiencies are supplemented by a strong cast and bleeding cuts are – at least partially – staunched by an elegant, understated production.The deep jewel tones of Oliver Townsend’s sets give the Kingdom of Allemonde a soft-focus, underwater gloom. Everything in this unchanging Read more ...
Marianka Swain
Stop press: our rampant celebrity culture might not be wholly positive! If you’ve already been apprised of that fact some time in the past century, go ahead and skip actor Daniel Dingsdale’s debut play, which – along with Steve Thompson’s similarly outmoded Roaring Trade in the main house – stifles the often creatively programmed Park Theatre’s claim to relevance.Cast your minds back to 2008, when Russell Brand and Jonathan Ross left messages on Andrew Sachs’s phone claiming Brand had slept with his granddaughter. Here we have another pair of obnoxious, bantering shock jocks – Rob (Tom Maller Read more ...
Simon Munk
Since Crossy Road took mobile devices by storm, every developer seems intent on copying its success. Largely by copying its cute isometric retro visual approach and grafting it onto other genres. Even Crossy Road's makers are at it – Shooty Skies applies the same visual style to a "bullet hell" shoot-em-up arcade game. With BlockQuest, as with The Quest Keeper, the genre is dungeon-bashing RPG. And again, this turns out to be a fairly good, if derivative move.BlockQuest at its heart is a fairly simple games, with Crossy Road-style simple controls. You simply tap the screen to keep on going in Read more ...
Tom Birchenough
The title of French director Lucie Borleteau’s first feature conceals a range of meanings. Fidelio is both the name of the enormous maritime freight vessel on which most of the action takes places, and a clear hint at “fidelity”, a concept with which its independent heroine Alice (Ariane Labed) negotiates throughout. If its French original, Fidelio: l’odyssée d’Alice, also suggests something else, the “Odyssey” of Alice’s journey meaning a return to the starting-point of home, then our expectations are challenged.The balance between home and away, with the different codes of behaviour Read more ...
Veronica Lee
Alan Carr has titled his latest live show Yap, Yap, Yap! Because, he says as the show opens, everyone has too much to say these days, much of it - such as the stuff on Twitter - not worth listening to. Coming from the host of Channel 4 chatshow Chatty Man, that's comically rich. But such is Carr's genuine likeability that the audience overlook that and settle in to enjoy the evening.I wish I could say I enjoyed it as much as they did. The fans at London's Hammersmith Apollo were laughing in all the right places, but then Carr's delivery, looks to the audience and body language telegraphed Read more ...