Reviews
Bernard Hughes
So to the second leg of Leif Ove Andsnes's journey through the Beethoven concertos, and a distressingly underpopulated Royal Albert Hall. Perhaps the punters were put off by the wintry weather, or perhaps by the dread names of Schoenberg and Stravinsky on the bill. Either way, it is shocking that Andsnes’s wonderful playing should have been to anything other than a full house.Far from being frightening, the Stravinsky that opened the programme – the “Dumbarton Oaks” Concerto – is completely charming and was played with appropriate fleetness and élan. It is easier to listen to than to play, Read more ...
Ismene Brown
The earthy contact with groundlings that Shakespeare’s Globe offers in its stagings makes a comical but telling context for Richard II, a play largely about political point-scoring between kings. The people whose interests lie so remote, in reality, from the moral tussle between King Richard and his cousin who will wrest the crown from him and become Henry IV, are, in reality, everywhere underfoot. Literally underfoot, since a cross-shaped thrust stage has been created in the Yard that makes cracks and corridors for the £5 promenaders to pack, looking right up the actors’ jerkins, their hands Read more ...
Sarah Kent
A flight of golden stairs gleams seductively under the spot lights; free of architectural constraints, it serves no practical purpose other than to encourage the mind to wander and perhaps to imagine it as the stairway to heaven. The beauty, simplicity and purity of the structure promise a trouble free ascent to astral spheres; one can almost hear the strings of angelic harps twanging celestial harmonies up above. Wound round the treads, miles of fine copper wire clarify rather than conceal the form; while evidently remaining a staircase, Alice Anderson’s Stairs, 2014, transcends its Read more ...
David Nice
Beethoven’s piano concertos have been no strangers to any Proms season. Only five years ago our own Paul Lewis embarked on a cycle not so very far, in terms of elegance and stylishness, from that of the present pianist-in-residence, Leif Ove Andsnes. Where Lewis proved a phenomenal trill-master, Andsnes’ runs and flights make his own approach especially rich and rare. The difference is that the current Odysseus reaches the Ithaca of the Royal Albert Hall after four years touring with the Mahler Chamber Orchestra, a uniquely responsive and intuitive band which he’s directing/conducting from Read more ...
Tom Birchenough
There can’t be many American public figures who are welcome on Russian television these days, but Brian Brown of the National Organization for Marriage is one of them. In Hunted: Gay and Afraid we saw him sitting in on legislative gatherings too, and when the World Congress of Families (WCF) holds its assemblies in Moscow – which it seems to do quite often – the atmosphere is of a meeting of minds between leading Russian politicians and the ideologues of the conservative, Christian-aligned American organisations that, through their emphatic upholding of traditional values, effectively reject Read more ...
alexandra.coghlan
I can’t remember a time I felt so profoundly disquieted by a Handel staging. It’s partly that, as an oratorio, Saul breaks so many dramatic rules that lend the operas their reassuring structural certainty, but there’s also something – a tenderness certainly, but also a violence – to Barrie Kosky’s production that uncouples the music from any residual cosiness England’s favourite adopted composer still inspires in British audiences. It’s unsettling and exhilarating in about equal measure, a startlingly sensitive and telling statement from a director better known for his dramatic shock-and-awe. Read more ...
Adam Sweeting
The boxing movie has been a gift to filmmakers virtually since the dawn of cinematic time. In 1932 Jimmy Cagney was swinging for the title (and the gal) in Winner Take All, but some say 1947's Body and Soul, starring John Garfield as boxing champ Charley Davis, is the one most of the other screen boxers are indebted to, from Sly Stallone's Rocky to Robert De Niro's Jake LaMotta in Raging Bull.Antoine Fuqua's Southpaw isn't likely to set a new benchmark in celluloid pugilism, despite contusion-evoking verisimilitude in the fight scenes (Jake Gyllenhaal, playing the central character Billy "The Read more ...
ellin.stein
As Noah Baumbach moves into his forties, his youthful archness is becoming increasingly tempered with a wry melancholy. It adds depth and piquancy to this story of a forty-something couple trying to come to terms with the fading of youth’s infinite possibilities (“What’s the opposite of 'the world is your oyster'?”) by embracing, occasionally literally, a pair of Millennials who introduce them to cool enthusiasms such as cycling, walking in disused subway tunnels, and ayahuasca ceremonies (self-realization through shamanic ritual and copious magic mushroom-induced vomiting).Josh (Ben Stiller Read more ...
Helen K Parker
Congratulations, Krams. After three long years of chapter by chapter instalments, the epic fairytale is complete. Fans who have been following the wanderings of the heavily sedated Anna and her companions since 2012 can now see the whole story in context, and new players can see an end in sight, which is helpful because playing through the first chapter is akin to pulling teeth.Poor little Anna seems to be surrounded by adults with a Fritzel complex. Grandpa wants to keep her locked in their farm away from the dangerous outside world, and the evil witch Winfriede wants to keep her locked in a Read more ...
Tom Birchenough
Its title may hint at exotic worlds – a Western, even – but Robert Carlyle’s directorial debut is anything but. Carlyle himself plays the title character, one of life’s losers (“haunted tree” being one of the more memorable descriptions we get of him) who’s barely getting by as a Glasgow barber until the story, and his own unplanned actions, pitch his mundane existence to another level altogether.But from the hangdog humour of Barney’s opening overvoice narration onwards, it’s clear this is no bleak drama of existential deprivation, even if Scottish writer Douglas Lindsay’s source novel The Read more ...
Jasper Rees
Shall we blame The Bridge? The Swedish-Danish cop show opened for business with a scenario of outlandish gruesomeness: two halves of two corpses straddling the border between two countries. How to grab the viewer by the lapels, lesson one: hook them with a crazy, wacky, weird murder scene, so bonkers they’ll just have to hang around to find out what’s what.Witnesses is reading the same playbook. We began with three bodies strewn around a show home, and it was swiftly revealed that these bodies had nothing to do with one another and had been dug up from a variety of cemeteries. Precisely how Read more ...
Demetrios Matheou
We can’t seem to move these days without stumbling into the path of a zombie movie, making one wonder why walking dead with a penchant for fast food are suddenly so alluring.When George A Romero effectively created the genre in the late Sixties and Seventies, zombies were a device for satire; today they seem to reflect a communal sense of societal breakdown. While comedies such as Warm Bodies and Zombieland make broad fun of post-apocalyptic decay, and the horror of World War Z is mitigated by its global scale, the zombie stories that truly strike home – such as The Walking Dead on television Read more ...