sun 29/06/2025

Film

F1: The Movie review - Brad Pitt rolls back the years as maverick racer Sonny Hayes

As producer Jerry Bruckheimer cautioned a preview audience, “Remember, this is not a documentary. It’s a movie.” Bruckheimer teamed up with director Joseph Kosinski to make Brad Pitt’s Formula One movie, the same duo who masterminded Top Gun:...

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theartsdesk Q&A: director Andreas Dresen on his anti-Nazi resistance drama 'From Hilde, with Love'

Andreas Dresen directs socially engaged realist films that invariably relay personal and political messages; the result can be tough but is usually tender at heart.His Dogme 95-influenced Grill Point (2002), winner of the Silver Bear in Berlin,...

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Chicken Town review - sluggish rural comedy with few laughs (and one chicken)

Fans of the character comedian Graham Fellows will possibly turn up for this British film starring the man who created the punk parody single “Jilted John” and Sheffield’s finest, the car-coated singer-songwriter John Shuttleworth. But they may...

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Bleak landscapes and banjos: composer Bernard Hughes discusses his score for 'Chicken Town'

Composer Bernard Hughes first met director Richard Bracewell when working on the film Bill, a 2015 Horrible Histories take on the life of Shakespeare for which he provided some of the score. The pair were keen to collaborate again but the pandemic...

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28 Years Later review - an unsentimental, undead education

The 23 years since 28 Days Later and especially those since Danny Boyle’s soulful encapsulation of Britain’s best spirit at the 2012 Olympics have offered rich material for a film series about deserted cities, rampaging viruses, hard quarantines and...

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Red Path review - the dead know everything

Here’s a film you might not feel like seeing. After all, Red Path tells of a 14-year-old in Tunisia who is forced to carry home the head of his teenage cousin after the cousin is executed by jihadists. But see the film you really should.In an...

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Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "Swinging Sixties", a reminder of the fallacy of the decade’s gaiety and supposed liberation, especially for women. This attractive 4K restoration...

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Tornado review - samurai swordswoman takes Scotland by storm

The opening images of Tornado are striking. A wild-haired young woman in Japanese peasant garb runs for her life through a barren forest and across burnt-orange fields. As her pursuers, a rough-looking band of thieves, draw nearer, she seeks refuge...

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Lollipop review - a family torn apart

On leaving prison, Lollipop’s thirtyish single mum Molly discovers that reclaiming her kids from social care is akin to doing lengths in a shark-infested swimming pool teeming with naval mines. Thanks to Posy Sterling’s technically astounding...

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Jane Austen Wrecked My Life review - persuading us that the French can do you-know-who

Do the French do irony? Well, was Astérix a Gaul? Obviously they do, and do it pretty well to judge by many of their movies down the decades. As we brave the salutes on this side of the Channel to arch irony-spinner Jane Austen’s 250th birth-year –...

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Big Star: The Nick Skelton Story review - the ways of a man with his mount

If you’re horse mad or merely an every-four-years Olympic fan, you already know Nick Skelton’s story. Equestrianism can favour mature competitors, but Skelton was twice the age of his rivals. He'd survived numerous injuries – including a broken...

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Ballerina review - hollow point

John Wick’s simple story of a man and his dog became a bonkers, baroque franchise in record time, converting Keanu Reeves’ limited acting into Zen killer cool. Now Ana de Armas extends her delightful No Time to Die cameo as a high-kicking, cocktail-...

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