Shakespeare
Arena: All the World's a Screen – Shakespeare on Film, BBC FourMonday, 25 April 2016
In the last century, when the BBC took arts documentaries seriously, Arena was one of the highlights of the week. Nowadays its appearance is as rare as that of a Midwich cuckoo. Money, or rather the lack of it, is the problem. In our grave... Read more... |
Shakespeare: The Top 10 DeathsSaturday, 23 April 2016
Today marks 400 years since the death of William Shakespeare. To celebrate this and, indeed, put the two together, the Brighton Festival 2016 commissioned The Complete Deaths, a show based around the 74 deaths that take place onstage in the work of... Read more... |
The Winter's Tale, Royal BalletWednesday, 13 April 2016
It was twelfth night for Christopher Wheeldon's two-year-old, three-act Shakespearean ballet, and this newcomer had one nervous anticipatory question. The verbal music is gone, only the plot remains, so could A Winter's Tale the play inspire... Read more... |
RanThursday, 31 March 2016
Even by the varied experiences of transferring Shakespeare to another culture, with the attendant revelations that come when an original story is modified to match a world governed by very different priorities, Akira Kurosawa’s Ran is virtually in a... Read more... |
10 Questions for Artist Marc ReesFriday, 18 March 2016
Marc Rees (b 1966) is an interdisciplinary artist-performer from Wales whose works are renowned for imaginitively mixing media, as well as for their underlying sense of fun. Over the years he has been based in Berlin, Amsterdam and Canada, and now... Read more... |
The Tempest, Sam Wanamaker PlayhouseSaturday, 27 February 2016
A prevailing sense of farewell ripples through this closing production in the Sam Wanamaker Playhouse's hugely welcome season of Shakespeare's final quartet of plays. That valedictory feel is traditionally true of The Tempest, a text commonly... Read more... |
A Midsummer Night's Dream, Lyric HammersmithSaturday, 27 February 2016
Shakespeare’s plays have proved remarkably resilient to everything that’s been thrown at them down the years, including – in the case of A Midsummer Night’s Dream, with its flowery bowers and fairies – cloying Victorian whimsy. Peter Brook’s white... Read more... |
Hamlet, Tobacco Factory, BristolFriday, 26 February 2016
Alan Mahon’s Hamlet in Andrew Hilton’s production for Shakespeare at the Tobacco Factory bristles with teen spirit and this is no bad thing. The Prince of Denmark, even before his father dies, is beset with the angst that goes with the territory of... Read more... |
Callow, Hough, LPO, Vänskä, RFHThursday, 11 February 2016
2015, Sibelius anniversary year, yielded no London performances of the composer's last masterpiece, the Prospero's farewell of his incidental music to The Tempest. With Shakespeare400, 2016 has already made amends: even if the Bardic input came... Read more... |
The Winter's Tale, Sam Wanamaker PlayhouseFriday, 05 February 2016
For a play about silence – its uncanny ability to tell the truth, to “persuade when speaking fails” – The Winter’s Tale is remarkably wordy. Of the sequence of late romances only Cymbeline comes close to the dense and elliptical verbal patterning we... Read more... |
DVD: BillFriday, 05 February 2016
The jokes come thick and fast in this debut feature from the team behind the BBC’s Horrible Histories. Released theatrically to little fanfare last autumn, Richard Bracewell’s Bill is a delight – a joyously funny film which wears its erudition... Read more... |
Gutman, LPO, Jurowski, RFHThursday, 28 January 2016
Risk-taking is what gives so many of Vladimir Jurowski's concerts with the London Philharmonic Orchestra their special savour. But did two risks for last night's programme pay off? I was as excited as many Russians and hardcore Russophiles at the... Read more... |
