folk music
Kieron Tyler
In 1972, just 2000 copies of Bright Phoebus were pressed. Half were off-centre and unplayable. This year, the first conscientious reissue of the album hit 31 in the British album chart. Although it has been a cult favourite for the last couple of decades, the success was nonetheless surprising. Sales and an imponderable future were unlikely to have been on the minds of anyone involved in the recording of this folk-rooted singer-songwriter masterpiece.Bright Phoebus was credited as an album showcasing the songs of siblings Lal & Mike Waterson – it was not strictly by Lal & Mike Read more ...
Matthew Wright
All things considered, there aren’t many criteria by which this album, however cosmopolitan its influences, sensitive and precise its vocals and supple its rhythms, is really the best of the year. I’ve had a few sleepless nights recently over the growing suspicion that, for example, Kendrick Lamar’s DAMN, and several contemporary jazz recordings – to mention only what I’ve been following closely – do more that’s landmark-constructingly novel. It’s unlikely, come 2042, that Cubafonia will feature in one of those vox-pop retrospectives that populate the BBC Two schedules with such Read more ...
Tim Cumming
I’ve only seen Olivia Chaney perform live a handful of times – once at a Copper Family celebration at Cecil Sharp House, 10,000 Times Adieu, singing unaccompanied with Lisa Knapp and Nancy Wallace, and at the nestcollective’s Unamplifire festival at the Master Shipwright’s Palace in Deptford one chilly St George’s Day. There, she performed solo, at the piano, and her voice and her music was sensational.She sang from her debut album of original songs, The Longest River, but I wish she’d chosen a few from the album she released this year with Portland, Oregon indie rockers the Decembrists. Read more ...
Katie Colombus
2017 has been a time of change if not turmoil, on both personal and political stratospheres. So the music of two sisters whose jam is made up primarily of protest and healing songs, is the perfect antidote.When chaos abounds, the relentless positivism of this music from the new age RISE collective, soothes like prozac for the soul. Based between Southern Appalachia and New Orleans, Leah and Chloe Smith are independently produced multi-instrumentalists who take inspiration from their home and history as well as their travels. The result is a mesmirising mash-up of free folk, acoustic dance Read more ...
Thomas H. Green
For the past few years my Album of the Year has leapt out at me, craved attention, stood out from the competition. With no disrespect to Nick Mulvey’s fine second album, that wasn’t the case in 2017. Many albums this year had vital, enjoyable music, but marred by much lesser songs. Especially notable in this vein were Katy Perry and Kesha, the best of whose albums, Witness and Rainbow, was rarely far from my car stereo, perfect 21st century girl-pop and sassy eclectic comeback material, respectively. However, neither boasted the consistency of, say, Beyoncé’s Lemonade of last year.There were Read more ...
Kieron Tyler
A nineteen-minute adaptation of “Jack Orion” took up the whole of Side Two of Cruel Sister, Pentangle’s fourth album. It's the highlight of the smart but blandly titled 115-track box set The Albums 1968–1972. Up to this point in 1970, British folk rock had not spawned anything comparable to the epic “Jack Orion”. Extending a traditional song to this length in such spellbinding fashion was ambitious and while some of John Renbourne’s electric guitar suggested the fluidity of Quicksilver Messenger Service’s John Cipollina, the overall effect was of a band magnificently pushing what they did to Read more ...
Liz Thomson
Nothing beats a great singer-songwriter live and unadorned. So it was with Tom Russell at London’s 100 Club on the penultimate night of his UK tour. Accompanied by his faithful friend the brilliant Milanese Max Bernadino on guitar, the man whom Lawrence Ferlinghetti describes as “Johnny Cash, Jim Harrison and Charles Bukowski rolled into one” gave a brilliant performance which was a masterclass in audience engagement.Russell’s most recent album Folk Hotel featured prominently, already very familiar to everyone present it seemed, and there was an early dip into his 2015 folk opera The Rose of Read more ...
Kieron Tyler
Although the Hardanger Fiddle is regarded as a traditional Norwegian instrument, its use stretches back to no earlier than the middle of the 17th century. The music players summon from its strings is more easily seen as traditional though: music to dance to. Tuned differently to a standard fiddle, the hardingfele does not have a set amount of strings but instead has four for playing and four or five resonating, sympathetic strings underlying those which are bowed. The baroque viola d'amore, which also has sympathetic strings, is a near relative. Once heard, the keening, resonant power of the Read more ...
Thomas H. Green
Nick Mulvey (b.1984) is a singer-songwriter who draws from a refreshing and unexpected palette of global roots music, modernist classical and electronica. His second album, Wake Up Now, was released earlier this year, and showcases a man on a quest, an artist who regards music as a direct expression of spirit. Along its course, it contains some of 2017’s finest, most intriguing music.Mulvey grew up in Cambridge, studied music in Cuba, and became part of pop-jazz experimental group Portico Quartet while studying ethnomusicology at London’s School of African and Oriental Studies. He played the Read more ...
Liz Thomson
Not since the 1960s has there been so much global shit to protest about! The Sixties, of course, gave us the protest song – and how well the best of them have worn. “Masters of War” and “With God On Our Side” are timeless classics. “Give Peace a Chance” can still be heard from the barricades.There’s no doubt Neil Young means well, believes passionately, but the agitprop – much as we all agree with the sentiments – does begin to pall. Much of the music doesn’t quite cut the mustard, though if it won’t stand the test of time perhaps that’s because it doesn’t need to – the goal here is to be Read more ...
Tim Cumming
Recorded at beautiful Bantry House in the far south-west of Ireland, The Blue Room is the debut of West Clare’s fiddle player extraordinaire Martin Hayes’ new quartet, comprising bass clarinettist Doug Wieseman, viola d’amore player Liz Knowles, and guitarist Dennis Cahill.It opens in spectacularly tranquil fashion with "The Boy in the Gap", a tune as beautiful as anything Hayes has ever recorded – and given his record with Irish-American supergroup The Gloaming as well as his long association with guitarist Dennis Cahill, that is a high bar indeed, over which his music seems to flow Read more ...
Liz Thomson
The family that sings together stays together… At least that’s true in folk music. Think of Waterson- Carthy and Seeger-MacColl. And last night at Cecil Sharp House, citadel of British folk music, Peggy Seeger and her sons Calum and Neill stepped out for a family concert.The fashions may have changed but the audience would be recognisable anywhere, and how comfortable it always feels to be among. Old friends, even if you don’t know them – though many of them knew Peggy and she them, as the stage banter proved. Singer, song-maker and activist, Seeger is 82 now but, rather like her half-brother Read more ...