mon 23/06/2025

America

The Last Five Years, Southwark Playhouse review - an inspired actor-musician take on a cult classic

There’s concept on top of concept in this revival of Jason Robert Brown’s beloved 2001 musical, which charts the ebb and flow of a relationship by juggling timelines: aspiring actress Cathy’s story is told in reverse chronological order, while...

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Beauty Laid Bare, BBC One review - a facial peel for the cosmetics business

In this aptly-titled series (BBC One), four British 20-somethings visit the USA to investigate the inner workings of the beauty industry. Perhaps not surprisingly, they discover that it’s a hotbed of greed and exploitation.Their first stop was the...

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Pretty Woman: The Musical, Piccadilly Theatre review - not so pretty, actually

It’s not so much that Pretty Woman: The Musical isn’t much good, which it isn’t. More to the point is that this West End replica of the recent Broadway musical of the 1990 film feels utterly superfluous: a gloss on a popular romcom that...

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Dark Waters review - an ominous drama with plenty of backbone, but not enough flesh

Watching Dark Waters, the latest film from director Todd Haynes (Carol, Far from Heaven), I kept thinking — what’s the opposite of a love letter? The film is based on the work of Rob Bilott, a real-life lawyer who uncovered a corruption scandal so...

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CD: James Taylor, American Standard - a trip down memory lane

“Fire and Rain”. Who doesn’t recall James Taylor’s first number one 50 years ago! Born in Carolina and a “graduate” of the 1960s Greenwich Village music scene, Sweet Baby James has given the world some enduring songs and been part of some of music’s...

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First Person: Hassan Abdulrazzak on the real-life drama behind American deportation to the UK

You are at a party having a good time when someone gives you a glass of champagne. You take one and then another and soon the party is over. You get in the car to go home and are driving along when you see a police car in the rearview mirror: how...

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Be More Chill, The Other Palace review - more exhausting than enlightening

This latest musical theatre exercise in “geek chic” has been an American phenomenon: a show propelled by social media that developed a rabid fan base taking it all the way to Broadway last year. And here Be More Chill now is in London at The Other...

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CD: Grimes - Miss Anthropocene

Grimes is hilarious. For all the grandiose conceptualism, apocalyptic visions, high tech sonic manipulation, outré costumes, modish witchery, multiple personas, arch media baiting with her billionaire boyfriend and all the rest, she is still...

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The Visit, National Theatre review - star turn bolsters baggy rewrite

Lesley Manville’s thrilling career ascent continues apace with The Visit, which marks American playwright Tony Kushner’s return to the National Theatre following the acclaimed Angels in America revival nearly three...

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Sonic the Hedgehog review - stuck in first gear

An early trailer for this adaptation of the ‘90s games franchise caused Cats­-like horror at its overly humanoid Hedgehog. Rather than the former film’s risky freak-show, though, this diligently redesigned Sonic is the most safely saccharine family...

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Darren Waterston: Filthy Lucre, V&A review - a timely look at the value of art

It looks as if vandals have ransacked Whistler's Peacock Room. The famous interior was commissioned in the 1870s by shipping magnate, Frederick Richard Leyland to show off his collection of fine porcelain. The specially designed shelves have...

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CD: Tennis - Swimmer

There is something deliciously normal about Tennis, the Denver husband and wife team of Alaina Moore and Patrick Riley. Steeped in the best pop of a bygone age, the couple’s lyrics seem so simple and yet unpack hidden depths on repeated listening....

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