America
Un ballo in maschera, Grange Park Opera review – singing out against the American grainMonday, 11 June 2018
Stumble across Grange Park Opera’s new brick-clad “Theatre in the Woods”, nestled amid a labyrinth of gardens and orchards next to the rambling Tudor pile of West Horsley Place in Surrey, and on a mild June evening you may feel as if you have fallen... Read more... |
Robert Gordon: Memphis Rent Party review - a fast-moving Mississippi anthologySunday, 10 June 2018
“There’s a rhythm in the air around Memphis, there always has been,” Carl Perkins once said. "I don't know what it is, but it's magic." The city on the Mississippi lives up to its musical heritage with performance venues aplenty, and a host of... Read more... |
Killer Joe, Trafalgar Studios review - family drama, creepy and cruelTuesday, 05 June 2018
Right from the beginning of Simon Evans’s production of Tracy Letts's 1993 play, it’s clear we’re in for an intense, raw experience. A storm of almost symphonic musical accompaniment roars, lightning flashing over the claustrophobic trailer... Read more... |
My Friend Dahmer review - sympathy for the devilMonday, 04 June 2018
“He’s not a sideshow attraction,” we hear towards the end of Marc Meyers’s queasily compelling My Friend Dahmer, when one of the “Dahmer Fan Club”, a group of high school sham-friends-cum-taunters who have been treating the film’s teen protagonist... Read more... |
Meg Wolitzer: The Female Persuasion review - the many faces of feminismSunday, 03 June 2018
Meg Wolitzer’s 10th novel has been hailed as a breakthrough, a feminist blockbuster, an embodiment of the zeitgeist. (Nicole Kidman has bought the film rights, which goes to show.) But in all her fiction, she deftly explores motherhood, career,... Read more... |
Big Sky, Big Dreams, Big Art: Made in the USA, BBC Four review - unexpected facts aplentyThursday, 24 May 2018
“Oh say, can you see, by the dawn’s early light” was a vision of the American flag, that star-spangled banner, riding proud from Francis Scott Key’s patriotic poem of 1814 based on an episode in the War of 1812. His sentiments were decades later... Read more... |
The Handmaid's Tale, Series 2, Channel 4 review - it's not getting any better for OffredMonday, 21 May 2018
Not the least startling element of Bishop Michael Curry’s house-rockin’ sermon at the royal nuptials was his quotation from the old spiritual “There is a balm in Gilead”. Evidently the Bishop was not referring to the endlessly looping nightmare that... Read more... |
CD: Gretchen Peters - Dancing with the BeastMonday, 21 May 2018
Gretchen Peters arrived in Nashville in the late eighties from Bronxville, New York, where she was born, and Boulder, Colorado, where she grew up. Within a decade she was writing songs for some of the biggest names in country music, among them... Read more... |
DVD/Blu-ray: The PostFriday, 18 May 2018
Spielberg’s prequel to All the President’s Men was filmed at speed, and aimed squarely at the press-hating Trump, not the late Tricky Dick. This contemporary intent is already fading. What remains is the director’s second return, after Munich, to... Read more... |
Red, Wyndham's Theatre - Mark Rothko drama paints a vivid pictureWednesday, 16 May 2018
The band’s back together. Alfred Molina plays Rothko for the third time in Michael Grandage’s revisiting of John Logan’s richly textured two-hander, first seen at the Donmar in 2009 and then bypassing the West End for Broadway. Another excellent... Read more... |
CD: Ray LaMontagne - Part of the LightWednesday, 16 May 2018
Ray LaMontagne is a versatile artist who for years has been navigating the territory between hard rock and contemporary folk. His voice can be soft and gentle and yet also filled on occasion with something close to aggression. He has a firm grasp of... Read more... |
Unbound: A Festival of New Works, War Memorial Opera House, San Francisco review - ballet invests in its futureMonday, 14 May 2018
You have to hand it to the Americans: they think big. Where the Royal Ballet or ENB might put on three or four new works in the course of a season – because commissions are wildly expensive and a box office risk – San Francisco Ballet has just... Read more... |
