mon 04/08/2025

Film

Judy review - Renée Zellweger's bravura screen comeback

“She sang from her soul,” Judy Garland’s youngest daughter, Lorna Luft, once said of her world-renowned mum. So it’s right to give the role of this legendary entertainer to Renée Zellweger, an actress who, in the new biopic Judy, acts from her soul...

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Joker review – a phenomenal Joaquin Phoenix on the mean streets of Gotham

When Joker won the Golden Lion in Venice in September, it was an unprecedented achievement, the first time a comic book-related film had won such a prestigious prize. But then, isn’t your typical comic book film. Starring a phenomenal...

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Hitsville: the Making of Motown - a thrilling celebration of the record label's heyday

Berry Gordy, who founded the Motown label in Detroit in 1959, borrowed his star-maker machinery from the car assembly line. When he worked at the Lincoln-Mercury plant he was inspired by how a bare metal frame would emerge as brand new car. “What a...

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The Last Tree review - young, angry, and black in '90s UK

Putting a radical spin on a fish-out-of-water story, The Last Tree explores troubling aspects of the African diaspora experience in an England riddled with xenophobia and black-on-black racism. Shola Amoo’s semi-autobiographical second feature is...

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San Sebastian Film Festival: Latin films thrive

Ever since Latin American cinema re-emerged in the 1990s from years in the shadow of dictatorships, films have been distinguished by a number of trends, including dramas about the dictatorship years and the social and psychological consequences;...

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San Sebastian Film Festival: The Burnt Orange Heresy review – art world noir

When cinema isn’t revering the greats of the art world, it’s usually debunking the superficiality and immorality of the power brokers of the business. On the one hand Eternity’s Gate, on the other, The Square.The Burnt Orange Heresy ...

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Ready or Not review - bloody awful

Equal measures class system satire and Scream or Saw genre knockoff, Ready or Not is entirely appalling, except perhaps to those forgiving hipsters in the crowd who will view its ineptitude as some deliberate "meta" statement all its own....

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The Goldfinch review - a pale reproduction

Midway through John Crowley’s The Goldfinch, a character compares a reproduction antique with the real deal. “The new one is flat dead,” he says. He might as well be talking about the movie.On paper, John Crowley’s adaption of Donna Tartt’s...

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Hotel Mumbai review – Dev Patel shines in harrowing real-life drama

Like recent films about the Anders Breivik terror attacks in Norway, Hotel Mumbai unavoidably raises questions of taste. Do audiences really need to be subjected to harrowing recreations of real-life suffering, when the events themselves...

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The Laundromat review – The Panama Papers as root canal

With The Laundromat Steven Soderbergh is trying to do for the Panama Papers what The Big Short did for the 2008 financial crash, namely offer an entertaining mix of explanation, exposé, black comedy and righteous anger. Sadly, it...

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San Sebastian Film Festival: Proxima review – Eva Green has The Right Stuff

Proxima is a very special, very beautiful space movie, one of those that are more concerned with the bread-and-butter reality of getting people into space – practically, emotionally, psychologically – than with the starry shenanigans themselves...

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Blu-ray: High Noon

The canonical town-taming Western High Noon brought Gary Cooper the 1952 Academy Award for Best Actor (his second). It also won Oscars for Best Editing, Best Score, and Best Song, Dimitri Tiomkin and Ned Washington’s “Do Not Forsake Me Oh My Darlin...

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