2016
Osborne, Hallé, Elder, Bridgewater Hall, Manchester review - an eclectic mixFriday, 13 May 2022
The Mancunian tribute to Ralph Vaughan Williams – a symphonic cycle shared by the BBC Philharmonic and Hallé – reached its conclusion with the Eighth Symphony last night. But, unlike most concerts in the RVW150 sequence, in this one (the final... Read more... |
Milk and Gall, Theatre 503 review - motherhood in the age of TrumpThursday, 11 November 2021
Tuesday, 8 November 2016. Vera is in a New York hospital room giving birth to a son. On anxiously checked phones, the votes are piling up for Hillary, but the states are piling up for Trump. Vera’s world will never be the same again.Mathilde Dratwa’... Read more... |
How to Survive an Apocalypse, Finborough Theatre review - millenarian millennialsMonday, 04 October 2021
Despite its painfully relevant title, How To Survive An Apocalypse was written in 2016. If only Canadian playwright Jordan Hall knew, eh? The end times aren’t just creeping but hurtling towards us, these days. Luckily for those weary of Covid... Read more... |
Zanele Muholi, Tate Modern review - photography as protestWednesday, 02 December 2020
Hail the Dark Lioness (Somnyama Ngonyama in Zulu) is a powerful celebration of black identity. These dramatic assertions of selfhood are more than just striking self portraits, though. South African artist Zanele Muholi uses the pronouns they and... Read more... |
Matthew Sperling: Viral review - whip-smart satire about the void at the heart of techSunday, 13 September 2020
Strange, that novels like this, which seem to have their finger on the pulse of the zeitgeist, already have a tinge of sepia about them. Set in a bustling east Berlin, this sharply plotted tale of start-up bliss and blunder, then bliss again, sees... Read more... |
Hillary, Sky Documentaries review - facing the fire and furyFriday, 12 June 2020
“Never get rattled”. For some, it might sound like a trite self-help mantra. For Hillary Rodham Clinton, it was an essential daily memo and a practical self-affirmation. In recent public memory, she is the political figure who has been rattled the... Read more... |
Albums of the Year: Leonard Cohen - You Want It DarkerThursday, 05 January 2017
Popular music works best when it strikes a chord that goes beyond the beauty of the hook, the seductive quality of the melody, or the catchiness of the lyrics. The resonance can be personal or universal, or perhaps, in order to qualify as a critic’s... Read more... |
Albums of the Year: Anohni - HopelessnessWednesday, 04 January 2017
Much like the year itself, 2016's strongest albums tapped into a spirit of restlessness, defiance and disorientation. But unlike the punk explosion of 1977, there was no real sound or even genre that this mood of rebellion cohered around.Grime came... Read more... |
Albums of the Year: Radiohead - A Moon Shaped PoolTuesday, 03 January 2017
Context in rock is everything. Popular music is, after all, essentially a reaction to a moment in time. So, whilst in another year, an album like A Moon Shaped Pool may just have lurked in my top five, political... Read more... |
Albums of the Year: Paul Simon – Stranger to StrangerMonday, 02 January 2017
Paul Simon has always been as eclectic as anyone in popular music, tapping into latin music, gospel and reggae long before they dreamed up the term "World Music". Simon is now 74, but he's as restless and inquisitive as ever. For Stranger to... Read more... |
Albums of the Year: Christine Tobin - PeltSunday, 01 January 2017
Despite all of the challenges – more venues going to the wall, scarcity of funding, lack of column inches, and more – jazz in 2016 showed its seemingly endless capacity not only to survive and thrive, but also to innovate and invigorate. As one of... Read more... |
Best (and Worst) of 2016: FilmSaturday, 31 December 2016
Prepare to disagree. 2016 has been getting bad reviews all year long, but for film it was actually pretty strong. So strong, in fact, that there are big omissions from this list of our best films from the past 12 months. Our method of selection was... Read more... |
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